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    i am a man

    Explore " i am a man" with insightful episodes like "S4E52 TRUTH QUEST - Lorraine Motel, Underground Railroad and Beal Street REPRISE", "Ep. 213 - DEANIE PARKER ("Ain't That a Lot of Love")", "S3E53 TRUTH QUEST - Lorraine Motel, Underground Railroad and Beal Street (Episode 3)" and "Elson Lecture 2013: A Conversation with Glenn Ligon" from podcasts like ""The Beached White Male Podcast with Ken Kemp", "Songcraft: Spotlight on Songwriters", "The Beached White Male Podcast with Ken Kemp" and "National Gallery of Art | Talks"" and more!

    Episodes (4)

    S4E52 TRUTH QUEST - Lorraine Motel, Underground Railroad and Beal Street REPRISE

    S4E52 TRUTH QUEST - Lorraine Motel, Underground Railroad and Beal Street REPRISE

    The tour bus delivers our travelers for two days in historic Memphis, Tennessee. The National Civil Rights Museum rests on the site of the Lorraine Motel, where Dr. Martin Luther King lost his life to an assassin's bullet while standing on the balcony with his trusted friends, Jesse Jackson, Ralph Abernathy, and Andrew Young. The Museum is housed in a comprehensive series of buildings that outlines the history of Slavery from 1619 to the present day. Exhibits feature the story of resistance and the champions of the Civil Rights Movement. Our tour explores the I AM A MAN Memorial Park and the Sanitation Worker's Strike of 1968 that brought Dr. King to Memphis. Then, we move on to the Burkle House, commonly known as the Slave Haven, a stop on the Underground Railroad. STAX RECORDS in Memphis launched American soul music, celebrated in the STAX Museum where careers were launched including Otis Redding, Isaac Hayes, the Staple Singers, Booker T. & the M.G.'s, and many others. Spoken word artist Rev. Jesse Jackson and comedians Moms Mabley and Richard Pryor got their start in the STAX studios. We end this edition of TRUTH QUEST on Beale Street, the home of B.B. King, Ida B. Wells, and The Memphis Blues. The grand boulevard became the inspiration for James Baldwin's fifth novel If Beale Street Could Talk. SHOW NOTES

    In this episode, we happily introduce Sasha Lunginbuhl.

    Meet our contributors.

    Listen to the entire series - TRUTH QUEST: Exploring the History of Race in America - in their own words.

    Support the show

    Ep. 213 - DEANIE PARKER ("Ain't That a Lot of Love")

    Ep. 213 - DEANIE PARKER ("Ain't That a Lot of Love")

    SUMMARY
    Stax Records legend Deanie Parker talks about writing songs for Otis Redding, Albert King, William Bell, and Carla Thomas, dives deep on what made the Stax environment so special, and shines a light on the recently-released box sets of forgotten Stax songwriter demos. 

    PART ONE
    Scott and Paul discuss the wild story behind the monumental box set Written in Their Soul: The Stax Songwriter Demos.

    PART TWO
    Our in-depth interview with Deanie Parker

    ABOUT DEANIE PARKER
    While still in high school, Deanie Parker won a Memphis talent contest and an audition for Jim Stewart at Stax Records. He signed her and released her debut single, on the Volt label, in 1963. The self-penned “My Imaginary Guy” became a regional hit, but the life of a touring artist was not for Parker. She became the first Black employee at Stax’s Satellite Record Shop before joining the label staff as the company’s first publicist in 1964. Learning on the job while studying journalism at Memphis State, Parker eventually became the company’s Vice President of Public Affairs. One of the first female publicists in the music industry, she worked closely with Isaac Hayes, Booker T & the MG’s, Rufus and Carla Thomas, Johnnie Taylor, Albert King, and others. 

    Wearing many hats at Stax, Deanie continued to write songs with colleagues such as Steve Cropper, Booker T. Jones, Eddie Floyd, Bettye Crutcher, Mack Rice, Mable John, and Homer Banks, with whom she penned the soul classic “Ain’t That a Lot of Love.” The list of Stax artists who recorded her songs includes Otis Redding, Carla Thomas, William Bell, Sam & Dave, The Staple Singers, and more. Her other writing skills were put to use penning liner notes for classic albums such as Sam & Dave’s Hold On, I’m Comin’, Albert King’s Born Under a Bad Sign, Otis Redding’s Live in Europe, and Shirley Brown’s Woman to Woman

    From 1987 through 1995, Deanie served as the Assistant Director of the Memphis in May International Festival. A tireless champion of the Stax legacy, she became the first President and CEO of Soulsville, the nonprofit organization established to build and manage the Stax Museum of American Soul Music, Stax Music Academy, and the Soulsville Charter School. She was appointed to the Tennessee Arts Commission in 2004 and, in 2009, was awarded two Emmy awards for the I Am a Man documentary short, for which she was an executive producer and the title song composer. 

    The list of artists outside the Stax family who’ve covered Deanie Parker’s songs includes The Rolling Stones, Elvis Costello, Darlene Love, Taj Mahal, Three Dog Night, The Flying Burrito Brothers, The Band, New York Dolls, Simply Red, Hall & Oates, and many others. She is a co-producer and co-liner notes writer of the seven-CD collection Written in Their Soul: The Stax Songwriter Demos, and was recently announced as a 2023 inductee into the Memphis Music Hall of Fame. 

    S3E53 TRUTH QUEST - Lorraine Motel, Underground Railroad and Beal Street (Episode 3)

    S3E53 TRUTH QUEST - Lorraine Motel, Underground Railroad and Beal Street (Episode 3)

    The tour bus delivers our travelers for two days in historic Memphis, Tennessee. The National Civil Rights Museum rests on the site of the Lorraine Motel, where Dr. Martin Luther King lost his life to an assassin's bullet while standing on the balcony with his trusted friends, Jesse Jackson, Ralph Abernathy, and Andrew Young. The Museum is housed in a comprehensive series of buildings that outlines the history of Slavery from 1619 to the present day. Exhibits feature the story of resistance and the champions of the Civil Rights Movement. Our tour explores the I AM A MAN Memorial Park and the Sanitation Worker's Strike of 1968 that brought Dr. King to Memphis. Then, we move on to the Burkle House, commonly known as the Slave Haven, a stop on the Underground Railroad. STAX RECORDS in Memphis launched American soul music, celebrated in the STAX Museum where careers were launched including Otis Redding, Isaac Hayes, the Staple Singers, Booker T. & the M.G.'s, and many others. Spoken word artist Rev. Jesse Jackson and comedians Moms Mabley and Richard Pryor got their start in the STAX studios. We end this edition of TRUTH QUEST on Beale Street, the home of B.B. King, Ida B. Wells, and The Memphis Blues. The grand boulevard became the inspiration for James Baldwin's fifth novel If Beale Street Could Talk. SHOW NOTES

    In this episode, we happily introduce Sasha Lunginbuhl.

    Meet our contributors.

    Listen to the entire series - TRUTH QUEST: Exploring the History of Race in America - in their own words.

    Support the show

    Elson Lecture 2013: A Conversation with Glenn Ligon

    Elson Lecture 2013: A Conversation with Glenn Ligon
    March 2013 - Glenn Ligon, artist, with Molly Donovan and James Meyer, associate curators of modern art, National Gallery of Art. Glenn Ligon’s intertextual works examine cultural and social identity—often through found sources such as literature, Afro-centric coloring books, and photographs—to reveal the ways in which slavery, the civil rights movement, and identity politics inform our understanding of American society. In 2012, the Gallery acquired its first painting by Ligon, Untitled (I Am a Man) (1988). In honor of this acquisition, Ligon presented the 20th annual Elson Lecture on March 14, 2013. Untitled (I Am a Man) is a reinterpretation of the signs carried by 1,300 striking African American sanitation workers in Memphis in 1968 and made famous in Ernest Withers' photographs of the march. Proclaiming "I Am a Man," the signs evoke Ralph Ellison's famous line—"I am an invisible man." Approximating the size of these signs, Ligon’s roughly made painting combines layers of history, meaning, and physical material in a dense, resonant object. As the first painting in which the artist appropriated text, itis a breakthrough. In subsequent works he would transform texts into fields of semilegible and masked meanings. The Gallery owns sixteen works by Ligon, including a suite of etchings and a print portfolio.
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