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    elson

    Explore "elson" with insightful episodes like "Intersection Podcast - 2020 Vol. 21", "08: Alf", "Pfaffenheck, Part 2", "PodRennes 2019 - Débat - Le podcast, nos futurs ?" and "2 minutes pour PodRennes : l'espace découvertes et discussions" from podcasts like ""Intersection Podcast", "91 Donkey Lane", "War As My Fathers Tank Battalion Knew It", "PodRennes" and "PodRennes"" and more!

    Episodes (15)

    08: Alf

    08: Alf
    Bacon accidentally comes in contact with a green orb that causes everything he touches to turn into Blockbuster VHS tapes. Most of them are old episodes of Alf.

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    Watch Alf ➤ https://tubitv.com/tv-shows/302764/s03_e01_stop_in_the_name_of_love
    This is better though ➤ https://www.youtube.com/watch?v=ugoKjb2cbuY

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    Pfaffenheck, Part 2

    Pfaffenheck, Part 2

    On 16 March 1945 the second platoon of Company C, 712th Tank Battalion, fought a battle in Pfaffenheck, Germany, in what Lieutenant Francis "Snuffy" Fuller called "my worst day in combat." His platoon lost four men killed, three wounded, and had three tanks knocked out. In this episode Aaron Elson, whose father served in the 712th, presents accounts of the battle from several of its participants.

    Episode 123 - Adam Campbell

    Episode 123 - Adam Campbell

    This weeks show is a one interview special with Adam Campbell. On August 30th, Adam Campbell was attempting a big traverse that had never been completed in a single push before in Rogers Pass, BC. Adam was accompanied by two partners, Nick Elson and Dakota Jones. They were fairly early on in the journey, going up relatively moderate terrain (class 3/4). Adam followed Nick and Dakota up a route matching their steps and actions, Adam pulled on a rock that the previous two climbers had used. This giant rock came loose, broke and away and Adam fell. He tumbled backwards, summersaulting and rag dolling over 200 feet (70-80 meters) down a serious of ledges and sharp rocks.  

    Elson Lecture 2016: Cecily Brown

    Elson Lecture 2016: Cecily Brown
    Cecily Brown, artist, in conversation with Harry Cooper, curator and head, department of modern art, National Gallery of Art. Born in London in 1969, Cecily Brown attended the Slade School of Fine Art in the early 1990s, just when such "Young British Artists" as Damien Hirst and Tracey Emin were dominating the scene with provocative work. While Brown shared interests with some of them in feminism, sexuality, and mass media, her commitment to the history and practice of painting was distinctive. She moved to New York City in 1994 and has lived and worked there ever since. Brown paints with a fine balance of control and abandon, mining art history and the suggestions of the paint itself. For her inspiration, Brown relies on a variety of two-dimensional sources—from magazines and record album covers to children's books, movies, and a library of exhibition catalogs and monographs including studies of El Greco, Velázquez, Goya, Picasso, Delacroix, Manet, and, present in her most recent work, Degas. Brown's ability to create dense, intricate spaces in which figures emerge from abstraction has earned her recognition as one of the most important contemporary painters. Her work is represented in the National Gallery of Art collection by Girl on a Swing (2004). Brown participated in the 23rd annual Elson Lecture with Harry Cooper on March 10, 2016.

    Elson Lecture 2014: Allan McCollum

    Elson Lecture 2014: Allan McCollum
    April 2014 - Allan McCollum, artist. Born in Los Angeles in 1944, Allan McCollum briefly considered a career in theater before attending trade school to study restaurant management and industrial kitchen work. In the late 1960s, he began to educate himself as an artist. Applying strategies of mass production to handmade objects, McCollum has spent nearly fifty years exploring how works of art achieve personal and public meaning in a world largely constituted within the manners of industrial production. McCollum has given attention to the "drama of quantities" in his pursuit of the dynamic relationship between work and viewer. His installations—large fields of related small-scale works, each usually unique and categorically arranged—are the products of various systems. By engaging a cast of assistants, scientists, and local craftspeople in his processes, McCollum has often embraced a collaborative and democratic artistic practice. His approach to art cuts across its hierarchies—by medium, audience, context, and preconception. In honor of the National Gallery of Art's acquisition of his Collection of Four Hundred and Eighty Plaster Surrogates (1982/1989) last year, McCollum presented the 21st annual Elson Lecture on March 27, 2014.

    Elson Lecture 2013: A Conversation with Glenn Ligon

    Elson Lecture 2013: A Conversation with Glenn Ligon
    March 2013 - Glenn Ligon, artist, with Molly Donovan and James Meyer, associate curators of modern art, National Gallery of Art. Glenn Ligon’s intertextual works examine cultural and social identity—often through found sources such as literature, Afro-centric coloring books, and photographs—to reveal the ways in which slavery, the civil rights movement, and identity politics inform our understanding of American society. In 2012, the Gallery acquired its first painting by Ligon, Untitled (I Am a Man) (1988). In honor of this acquisition, Ligon presented the 20th annual Elson Lecture on March 14, 2013. Untitled (I Am a Man) is a reinterpretation of the signs carried by 1,300 striking African American sanitation workers in Memphis in 1968 and made famous in Ernest Withers' photographs of the march. Proclaiming "I Am a Man," the signs evoke Ralph Ellison's famous line—"I am an invisible man." Approximating the size of these signs, Ligon’s roughly made painting combines layers of history, meaning, and physical material in a dense, resonant object. As the first painting in which the artist appropriated text, itis a breakthrough. In subsequent works he would transform texts into fields of semilegible and masked meanings. The Gallery owns sixteen works by Ligon, including a suite of etchings and a print portfolio.

    Very Special Episode 22: Tequila

    Very Special Episode 22: Tequila
    This week on Very Special Episode the boys cover the very important topic of Aliens and Alcoholism. Do you see creature after your 3rd drink? Are the Tanners crazy for harboring an extraterrestrial? Who hangs out with their old college roommates once every four years? Is Lynn Tanner hot? Why the cheap fat joke on Nell Carter (RIP)? The guys discuss this and shoulder pads on this weeks brand new episode!!! Everybody goes hilarious!! Enjoy the show! THIS IS VERY SPECIAL EPISODE!

    Elson Lecture 2005: Andy Goldsworthy

    Elson Lecture 2005: Andy Goldsworthy
    June 2011 - Andy Goldsworthy, artist. Two weeks after finishing his site-specific installation, Roof, on the Ground Level of the East Building of the National Gallery of Art, British artist Andy Goldsworthy returned to the Gallery to present the Elson Lecture on March 17, 2005. His lecture describes the working process involved for his concurrent exhibitions The Andy Goldsworthy Project and Andy Goldsworthy: Roof, which first showed the permanent sculpture of nine stacked slate domes, completed over the course of nine weeks in the winter of 2004-2005. Goldsworthy notes that the installation required him to stay in one place longer than he had in nearly 20 years. As an artist who uses natural materials to create both ephemeral work in landscapes and permanent sculptures, Goldsworthy explains his interest in change and the value of returning to the same place to get deeper and deeper into it.

    Elson Lecture 1999: Ellsworth Kelly

    Elson Lecture 1999: Ellsworth Kelly
    May 2011 - Ellsworth Kelly, artist, in conversation with Marla Prather, curator and head of the department of 20th-century art, National Gallery of Art. Contemporary artist Ellsworth Kelly joins curator Marla Prather in this podcast recorded on April 21, 1999, at the National Gallery of Art. Spanning more than 60 years, Kelly's career has shown commitment to abstraction and humanism. His intuitive ability to merge space, color, and shape has positioned him as one of the leading post-war American artists working today. The Gallery has more than 200 works by Kelly in its collection including paintings, prints, and sculptures. Kelly's Stele II was one of the 17 major works to be included in the Gallery's Sculpture Garden when it first opened a month after this Elson Lecture program.

    Elson Lecture 1998: I. M. Pei in conversation with Earl A. Powell III

    Elson Lecture 1998: I. M. Pei in conversation with Earl A. Powell III
    April 2011 - I. M. Pei, architect, in conversation with Earl A. Powell III, director, National Gallery of Art Legendary architect I. M. Pei appears in conversation with Gallery director Earl A. Powell III to commemorate the 20th anniversary of the opening of the East Building of the National Gallery of Art. In this podcast recorded on March 26, 1998, Pei discusses the evolution of the East Building�s design and construction from the time Pei was awarded the commission until the building was dedicated by President Jimmy Carter on June 1, 1978.

    Helpful Tips for Weight Loss and Your New Year's Detoxification Program

    Helpful Tips for Weight Loss and Your New Year's Detoxification Program

    An Access to Health Experts interview with special guest Elson Haas, author of Staying Healthy with Nutrition and The New Detox Diet. Here he discusses how much sugar and what kinds of sugar are appropriate for using Master Cleanse and what alternative juices can also be used. He also talks about the best vegetables to use during a detoxification program, the controversy over aspartame, and the importance of exercise during detox.

    Access to Health Experts is not only an interview series, it's also a membership website featuring user forums, special reports, monthly teleseminars, and much more. Visit www.accesstohealthexperts.com for more information.

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