Logo

    jean-luc godard

    Explore " jean-luc godard" with insightful episodes like "Contempt & Pierrot le Fou", "BREATHLESS — Jean Seberg & Jean-Luc Godard dress down film and fashion", "=78. Histoire(s) du Cinéma", "=85. Pierrot le Fou" and "Folge 1229: DIE VERACHTUNG - Der Po der Bardot" from podcasts like ""Overlapping Dialogue", "MUBI Podcast", "FilmBabble: The Sight and Sound Top 100", "FilmBabble: The Sight and Sound Top 100" and "SchönerDenken"" and more!

    Episodes (19)

    Contempt & Pierrot le Fou

    Contempt & Pierrot le Fou
    As the world prepares to enter an ultra charged Super Bowl weekend, we kick off the festivities with the most special of appetizers, a pair of French New Wave classics from the late Jean-Luc Godard with Contempt and Pierrot le Fou! But before we explore the auteur's signature brand of cinematic nihilism, we preview the upcoming big game, try and make sense of the WWE's #WeWantCody phenomenon, get excited about the prospects of a contemporary-set Paul Thomas Anderson movie, and cautiously sort through our thought on the latest Jonathan Glazer film, The Zone of Interest. Have no fear though, we give Jean-Luc plenty of time and attention: listen as we celebrate his at once beautiful yet apocalyptic cinema, one that remains every but as vibrant as it did six decades ago. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

    BREATHLESS — Jean Seberg & Jean-Luc Godard dress down film and fashion

    BREATHLESS — Jean Seberg & Jean-Luc Godard dress down film and fashion

    In 1959, a brash critic-turned-filmmaker named Jean-Luc Godard cast movie star Jean Seberg in his first film, BREATHLESS. You probably know it revolutionized movies, but it also had a big impact on fashion, onscreen and off—by seeming like it wasn’t even trying. With the help of historians and critics, host Rico Gagliano decodes Seberg’s “French Girl” style…and also gives you a peek into his ’70s disco wardrobe.  Seriously.

    Season 5, titled Tailor Made, dives deep into the worlds of film and fashion. Each episode tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant—to the culture that spawned it, the people who wore it, and the audiences who watched it on screen.

    BREATHLESS is now streaming on MUBI in Italy and Turkey. Also, check out First Films First, our series of directorial debuts that launched the careers of some of cinema’s finest auteurs. Availability of films varies depending on your country.

    To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.

    Links to the books and video essay mentioned in the episode: BREATHLESS edited and with an introduction by Dudley Andrew, JE NE SUIS PAS PARISIENNE by Alice Pfeiffer, and the LILITH DVD that includes the extra “The Many Faces of Jean Seberg” featuring Pamela Hutchinson.

    Finally, Rico's disco look in all its resplendent glory 🤩

    MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI’s curators.

    =78. Histoire(s) du Cinéma

    =78. Histoire(s) du Cinéma

    Here it is. The moment you've all been waiting for. Histoire(s) du Cinéma. Four and a half hours. Eight chapters. The history/histories/story/stories of cinema, for your viewing (listening) pleasure. Did we survive this episode? Tune in to find out!

     

    Intro/outro music: 'Nectár' by Tenório Jr.

     

    HISTOIRE(S) DU CINÉMA (1988), France and Switzerland, written and directed by Jean-Luc Godard, original cinematography by Pierre Binggeli and Hervé Duhamel, featuring Jean-Luc Godard, Juliette Binoche, and Julie Delpy.

    =85. Pierrot le Fou

    =85. Pierrot le Fou

    This week, Charlie and Antonio tackle the first of four films directed by cinema's enfant terrible of the French New Wave: Jean-Luc Godard's PIERROT LE FOU. Featuring French superstars Jean-Paul Belmondo and Anna Karina, this film follows the familiar story of lovers on the run, though Godard's direction makes this anything but familiar. Join Charlie and Antonio in tackling this challenging film and the controversial man who made it. Pass it on!

     

    Intro/outro music: 'Battle of Algiers' composed by Ennio Morricone, covered by John Zorn

     

    PIERROT LE FOU (1965), France, written and directed by Jean-Luc Godard, cinematography by Raoul Coutard, featuring Jean-Paul Belmondo and Anna Karina.

    Folge 1229: DIE VERACHTUNG - Der Po der Bardot

    Folge 1229: DIE VERACHTUNG - Der Po der Bardot
    Vier Jahrzehnte Kinoleben hatte ich eine Regel: keine Nouvelle Vague. Die Zeit ist gekommen, diese Regel zu brechen, denn zum 60. Geburtstag von DIE VERACHTUNG von Jean-Luc Godard ist der Film in einer restaurierten 4K-Fassung zu sehen. Um es gleich zu sagen: DIE VERACHTUNG ist mit 60 Jahren Abstand eine irritierende Erfahrung. Im Mittelpunkt steht eine Ehefrau (Brigitte Bardot), deren Liebe zu ihrem Mann (Michel Piccoli) in Verachtung umschlägt, als er sie an einen amerikanischen Filmproduzenten (Jack Palance) „ausleiht“, um einen Drehbuchauftrag zu bekommen.

    Aus heutiger Sicht braucht es für die Trennung nicht mehr viel Worte – die Beziehung hat ganz offensichtlich keine Basis mehr. Aber Godard lässt die beiden für eine gefühlte Ewigkeit wie gefangene Tiere im Käfig ihrer Eigentumswohnung auf und ab laufen, streiten, versöhnen, streiten, streiten. Das ist inhaltlich sehr ermüdend. Als dann am Ende des Streits eine Pistole auftauchte, hatte ich die Hoffnung auf handfestere Handlung, aber – wie Johanna später erklärt – war das nur ein Witz von Godard über Tschechows Gun (also die Filmregel, das alles, was man sieht, für den Film notwendig sein muss).

    Als die Handlung sich zu den Dreharbeiten von „Odysseus“ nach Capri verlagert, dreht Godard als Regisseur so richtig auf: Die Inszenierung des Hauses, des Meeres, der Dreharbeiten ist atemberaubend, die Farben sind intensiv, hier ist die restaurierte Fassung spektakulär. Im Podcast direkt nach dem Film spreche ich mit Johanna über die nackte Bardot (das Aufzählen der Körperteile!), darüber wie wichtig 1963 die Diskussion über die Rolle und Unabhängigkeit der Frau und die Rolle und Unabhängigkeit der Kunst war, über Odysseus-Interpretationen, Fritz Lang, Ehebruch bei den Franzosen und die Neugier auf weitere Nouvelle Vague-Filme.

    À Bout De Souffle (Breathless) dir. by Jean-Luc Godard

    À Bout De Souffle (Breathless) dir. by Jean-Luc Godard

    <<<Spoiler alert>>>

    We strongly recommend watching À Bout De Souffle before listening to the episode - for many reasons that we get into in the episode, but mainly because it changed cinema forever. You can rent it on BFI player.


    Films and TV shows referenced: 

    À Bout De Souffle (1960) dir. by Jean-Luc Godard

    Last Year in Marienbad (1961) dir. by Alain Resnais

    Practical Magic (1998) dir. by Griffin Dunne

    Southland Tales (2006) dir. by Richard Kelly

    Donnie Darko (2001) dir. by Richard Kelly

    Le Mépris (1963) dir. by Jean-Luc Godard

    Bande à part (1964) dir. by Jean-Luc Godard

    Alphaville (1965) dir. by Jean-Luc Godard

    Tangerine (2015) dir. by Sean Baker

    Following (1998) dir. by Christopher Nolan

    When Harry Met Sally (1989) dir. by Rob Reiner 

    Reservoir Dogs (1992) dir. by Quentin Tarantino 

    Pulp Fiction (1994) dir. by Quentin Tarantino 

    Mean Girls (2004) dir. by Mark Waters

    Euphoria (2019) created by Sam Levinson

    Breathless (1983) dir. By Jim McBride


    Other sources:

    Rubin Safaya, ‘À Bout de Souffle’, cinemalogue.com 

    Jacqueline Wallace, ‘À Bout de Souffle by Jean-Luc Godard: How did it reinvent modern cinema?’, the-artifice.com

    Buy the New York Herald Tribune shirt


    Editing and production by Lily Austin, original theme music by James Brailsford. 

    Thank you to Abby-Jo Sheldon for our logo.


    -----------
    If you love what we do, please like, subscribe and leave a review!

    Original music by James Brailsford
    Logo design by Abby-Jo Sheldon

    Follow us
    Email us

    Dog Eat Dog

    Dog Eat Dog
    All great things must come to an end, so what better way to conclude our ten episode misadventure through crime cinema than with Dog Eat Dog, 2016's gloriously indulgent psycho romp from master of the form Paul Schrader? First though, this episode's Blue Plate Special raises its glass to salute the life and career of French trailblazer Jean-Luc Godard- we attempt to put into words his incalculable contribution to the entirety of cinema - before we briefly recommend the new horror film Barbarian. But have no fear, we eventually dive head first into Nicolas Cage and Willem Dafoe's disasterpiece: listen as we discuss how Dog Eat Dog improbably charted a career comeback for its director, how exactly this stylish potboiler taps into Schrader's reliable thematic goodie bag of tricks and treats, and generally puzzle with fascination over how the heck Christopher Matthew Cook and his brisk but memorable character, Diesel, fits into the proceedings. This episode of Overlapping Dialogue represents a sort of end of an era for the podcast...be sure to stay tuned for the very end to hear us unveil a new format and focus moving forward that has us very excited for what our future holds! Feel free to skip to 1:35:37 for the beginning of our audio commentary. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://www.newyorker.com/culture/postscript/jean-luc-godard-was-cinemas-north-star

    Corte no Farmácia Popular afeta de remédio a fralda geriátrica

    Corte no Farmácia Popular afeta de remédio a fralda geriátrica

    No podcast ‘Notícia No Seu Tempo’, confira em áudio as principais notícias da edição impressa do jornal ‘O Estado de S. Paulo’ desta quarta-feira (14/09/22):

    A redução no orçamento do programa Farmácia Popular para 2023 vai afetar a distribuição de 13 tipos de remédios usados no tratamento de doenças como diabetes, hipertensão arterial e asma, além de produtos como fraldas geriátricas. Especialistas alertam que, além de afetar a saúde de milhões de pessoas, o corte pode pressionar a rede do SUS.

    E mais:

    Política: Com o PSDB sob ameaça, Garcia ataca Haddad e Tarcísio

    Economia: Lei Paulo Gustavo deve ter só R$ 300 mi

    Internacional: Caixão de Elizabeth II chega a Londres; rei é saudado em Belfast

    Metrópole: Brasil corre para criar imunizante próprio contra a varíola dos macacos

    Caderno 2: Aos 91 anos, um gênio escolhe morrer; Jean-Luc Godard optou por morte assistida por sentir 'cansaço'

    Especial Mobilidade: Cidades inteligentes avançam com novas soluções de mobilidade

    See omnystudio.com/listener for privacy information.

    Muses: Anna Karina

    Muses: Anna Karina

    Anna Karina (1940-2019) was the actress known as “the face of French New Wave cinema.” Her work with director Jean-Luc Godard shaped the evolution of film in the late 20th century. However, she wasn’t just an icon of the silver screen. She was also a director, hit singer, novelist, and model.

    This month, we’re talking about muses–women who were drivers of creativity and inspiration. Once again, we’re proud to partner with Mercedes-Benz (whose famous namesake was inspired by a young muse named Mercedes). Tune in daily for stories of women whose lives inspired work that has shaped our culture.

    History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.

    Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. 

    Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. 

    Original theme music composed by Miles Moran.

    We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.

    Follow Wonder Media Network:

    See omnystudio.com/listener for privacy information.

    Pierrot le Fou by Jean-Luc Godard

    Pierrot le Fou by Jean-Luc Godard

    The “Cinephile Cuties” are ready to open their yearbooks. That’s because they’re going back in time and releasing the second episode they ever recorded! That’s right, the previously unreleased ‘Pierrot le Fou’ episode is being unleashed on the general public. Be gentle on the cuties! They were so young when they recorded this.

    If you like this show, join our Patreon!

    Follow Farthouse on Twitter and Instagram

    Follow Patrick and Casey on Twitter

    And follow Patrick and Casey on Letterboxd

    The 400 Blows by François Truffaut

    The 400 Blows by François Truffaut

    The cinephile cuties are back at it again! This week Casey and Patrick are talking about that classic French New Wave film The 400 Blows by the beloved “Farteur” François Truffaut. Casey yells at Patrick for rescheduling a recording. They chat about the first time they saw porn. They subject The 400 Blows to their proprietary ‘Fartsy Test.’ Patrick gives a drink pairing recommendation to go with the film. And, as always, they have notes for each other on how the other can improve.

    If you like this show, tell a friend! 

    Next week the Farthouse boys will discuss The Red Shoes

    Follow Farthouse on Twitter and Instagram

    Follow Patrick and Casey on Twitter

    And follow Patrick and Casey on Letterboxd

    Breathless (1960), Eyes Without A Face (1960), Deep Red (1975)

    Breathless (1960), Eyes Without A Face (1960), Deep Red (1975)

    In what will go down as the very first triple header in Extra Milestone history, I am joined once again by Anyway, That's All I Got veteran Jason Read! Jason and I take a look at both the French New Wave and the work of Jean-Luc Godard with Breathless (1960), explore a fantastic and somewhat lesser-known horror classic with Eyes Without A Face (1960), and round out the show with an exploration of the Giallo subgenre and the work of Dario Argento with the fiendishly frightening Deep Red (1975). Although we went heavily into detail with Breathless, we took special care not to give too much away about the latter two films, so feel free to listen to those segments whether they are old favorites or completely new to you. It's a delightful series of conversations that traverses a broad section of the cinematic landscape, and we hope it's just as fun to listen to as it was to record!

    SHOW NOTES:

    • 00:08:25 – Breathless
    • 00:54:55 – Eyes Without A Face
    • 01:25:40 – Deep Red

    Next week on Extra Milestone, tune in to hear Sam, Jon, Will, and special guest Emily Kubincanek discuss Alfred Hitchcock's Rebecca (1940) and Jacques Becker's Le Trou (1960)!

    Music in this episode: The theme of Eyes Without A Face, arranged by Maurice Jarre; music from the trailers for Breathless and Deep Red.

    Cinemaholics in this episode: Sam Noland & Jason Read

    Support our show on Patreon: https://www.patreon.com/cinemaholics

    See omnystudio.com/listener for privacy information.

    Breathless (1960), Eyes Without A Face (1960), Deep Red (1975)

    Breathless (1960), Eyes Without A Face (1960), Deep Red (1975)

    In what will go down as the very first triple header in Extra Milestone history, I am joined once again by Anyway, That's All I Got veteran Jason Read! Jason and I take a look at both the French New Wave and the work of Jean-Luc Godard with Breathless (1960), explore a fantastic and somewhat lesser-known horror classic with Eyes Without A Face (1960), and round out the show with an exploration of the Giallo subgenre and the work of Dario Argento with the fiendishly frightening Deep Red (1975). Although we went heavily into detail with Breathless, we took special care not to give too much away about the latter two films, so feel free to listen to those segments whether they are old favorites or completely new to you. It's a delightful series of conversations that traverses a broad section of the cinematic landscape, and we hope it's just as fun to listen to as it was to record!

    SHOW NOTES:

    • 00:08:25 – Breathless
    • 00:54:55 – Eyes Without A Face
    • 01:25:40 – Deep Red

    Next week on Extra Milestone, tune in to hear Sam, Jon, Will, and special guest Emily Kubincanek discuss Alfred Hitchcock's Rebecca (1940) and Jacques Becker's Le Trou (1960)!

    Music in this episode: The theme of Eyes Without A Face, arranged by Maurice Jarre; music from the trailers for Breathless and Deep Red.

    Cinemaholics in this episode: Sam Noland & Jason Read

    Support our show on Patreon: https://www.patreon.com/cinemaholics

    See omnystudio.com/listener for privacy information.