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    jennifer warnes

    Explore " jennifer warnes" with insightful episodes like "1987 - April: Whitesnake "Whitesnake"", "National Jennifer Day", "Dirty Dancing & Songwriting Magic", "Die besten Filmsongs aller Zeiten #1" and "Radio Jorns #18" from podcasts like ""What the Riff?!?", "Hey! Remember the 80's?", "Media Path Podcast", "BlahBlah Heroes" and "Radio Jorns"" and more!

    Episodes (6)

    1987 - April: Whitesnake "Whitesnake"

    1987 - April:  Whitesnake  "Whitesnake"

    While the album Whitesnake may not be the debut album from the band Whitesnake, this self-titled seventh studio album might as well be a debut, as only two members were present from the previous album.  Known in the UK as 1987, and in Japan as Serpens Albus, this album featured returning members John Sykes on guitars and backing vocals, and David Coverdale on lead vocals.  Additionally Neil Murray was on bass, Aynsley Dunbar was on percussion, and Don Airey was on keyboards.

    David Coverdale was the lead singer for Deep Purple, and left the group in 1976.  He did a couple of solo albums, the first of which was named “White Snake.”  He formed the band Whitesnake as his backing band in 1978.  They had a lot of success in the UK, Europe, and Japan with their early albums, but Coverdale wanted to break through in North America by the mid-80's.  He started moving from a blues/hard rock sound to a more glam metal sound, starting with the album "Slide It In" in 1984, and fully embraced the heavy metal sound and hair band image with this album.

    Whitesnake would get significant airplay, with two singles going to number 1 (Here I Go Again) and number 2 (Is This Love?) on the Billboard US charts.  Their videos would be staples of MTV, with prominent exposure of Tawny Kitaen, Coverdale's girlfriend and soon-to-be wife.  

    The band would be broken up shortly after the album was complete, leaving David Coverdale as the sole member by the time they went on tour.  This was despite the fact that John Sykes co-wrote all but two of the songs on the album.  

    Get your hair metal on as Bruce puts his metal hair on, presenting this week's album.

     

    Bad Boys
    A deeper cut, this song is heavy on the rock and light on the significance of the lyrics.  “Bad bad boys, getting wild in the street, wild in the city, I see you - you see me.”  Much of the album has this heavy rock sound.

    Crying In the Rain '87
    This track that starts the album is a reworked song originally released by the group in 1982.  The original is more bluesy and has a slower tempo than this version.  The song was inspired by David Coverdale's divorce.

    Give Me All Your Love
    This was the fourth single from the album, and it reached number 58 on the US Top 100 charts.  By the time the single was released in January 1988 a new guitar solo had been recorded by Vivian Campbell, replacing guitarist and co-writer John Sykes.  Campbell would tour with the band but would leave before the next album.

    Still of the Night
    The first single from the album may have only hit number 79 on the Billboard Hot 100, but it received significant airplay on rock stations and MTV.  The comparisons to Led Zeppelin were frequent, not just for the guitar riffs, but also for the heavy drumming and similarity between the vocalizations of Coverdale and Robert Plant.  The song is about obsession, maybe a vampire, maybe a stalker.

     

    ENTERTAINMENT TRACK:

    Love and Marriage by Frank Sinatra (from the television series “Married...With Children”)
    This anti-Cosby Show family dystopia followed the antics of shoe salesman Al Bundy and his family.

     

    STAFF PICKS:

    Tonight, Tonight, Tonight by Genesis
    Lynch gets the staff picks going with a single from Genesis's album Invisible Touch.  It went to number 3 on the Billboard Hot 100 despite being written less as a pop song and more like the prog rock style that Genesis used earlier in the decade.  The lyrics are about a conversation with a drug dealer, a fact that must have been missed when Michelob used the song to promote their beer.

    Love Removal Machine by The Cult
    Wayne's staff pick is the first single from The Cult's third album, Electric.  It went to number 15 on the Mainstream Rock charts in the United States.  Lead singer Ian Astbury compares this song to getting on your favorite motorcycle.  The opening riff is often compared to “Start Me Up” by the Rolling Stones.

    Ahead by Wire 
    Rob features the closest post punk band Wire would get to a pop single.  It has a spacey, ethereal sound.  Wire had extensive influence over many groups, including Sonic Youth, The Cure, and R.E.M.  

    First We Take Manhattan by Jennifer Warnes
    Bruce closes out the staff picks with a song written by Canadian singer-songwriter Leonard Cohen.  Jennifer Warnes originally did this song for a Cohen tribute album, and it features guitarist extraordinaire Stevie Ray Vaughan.  The song itself is dark and apocalyptic, with lyrics told from the perspective of a terrorist.

     

    COMEDY TRACK:

    Put Down the Duckie by Hoots the Owl and Ernie
    We first learned that we have to put down the duckie if we want to play the saxophone from this skit, which aired on Sesame Street for the first time in April 1987.

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    National Jennifer Day

    National Jennifer Day

    Episode 209: Happy National Jennifer Day! Joe and Kari are here to make sure you celebrate responsibly. The plan was to discuss multiple Jennifer's of the 80's, but the research on singer Jennifer Warnes proved much more fruitful than expected. She is most well known for songs from the soundtracks to An Officer and a Gentleman and Dirty Dancing, but there is so much more! This deep dive includes a few detours to discuss songs from non-Jennifers as well. 

    Dirty Dancing & Songwriting Magic

    Dirty Dancing & Songwriting Magic

    “First dance. First love. The time of your life,” read the posters in 1987, as the words “Dirty Dancing” came to mean, that sweet little movie that brings a smile to your heart and a tap to your toe. Back then, the only way to see the film was to keep returning to the theater. And that is exactly what fans did. Over and over and over again. The only piece of that goodness  that you could possess was the soundtrack, filled with dance inducing hits from the fifties and sixties and three new songs performed by Eric Carmen, Patrick Swayze, Bill Medley and Jennifer Warnes and written by our guests, Franke Previte, John DeNicola and Stacy Widelitz.


    The Dirty Dancing album held Billboard’s number one spot for over four months, won piles of awards including an Oscar, has sold over 11 million copies and will still compel you to move. Hear all about the creation of this wonderful music, straight from the writers.


    Plus Fritz and Weezy are opining on the Oscar slap. If you don’t like what we have to say, please don’t hit us.

    Path Points of Interest:

    Franke Previte


    Franke and The Knockouts


    Dirty Dancing Demos


    Taylor Simon King Musical


    We Will Yacht You


    iHeart/Sweetheart in Concert

     

    One World - Collaboration featuring Franke Previte

     

    Sweetheart by Franke & The Knockouts 


    Franke Previte on Instagram


    John DeNicola


    John DeNicola's Label - Omad Records


    HUNGRY EYES by John DeNicola    

     

    Stacy Widelitz

                                            

    Stacy Widelitz on Instagram


    She's Like The Wind - Patrick Swayze and Wendy Fraser


    Hungry Eyes - Eric Carmen


    (I've Had) The Time of My Life - Bill Medley & Jennifer Warnes


    Dirty Dancing


    Chris Rock's Good Hair Documentary

    Die besten Filmsongs aller Zeiten #1

    Die besten Filmsongs aller Zeiten #1
     
    Heute widmen wir uns den besten Filmsongs aller Zeiten. Zum ersten Mal, aber sicher nicht zum letzen Mal. Stellt das Popcorn bereit und los gehts! :)

    Schreibt uns gerne in die Kommentare oder lasst uns eine Mail da: BlahBlahHeroes@aol.com

    Ganz viel Spaß wünschen wir euch!Ihr findet uns auch auf Spotify, ITunes und Amazon Music. Hört auch gerne dort mal rein :) 

    Radio Jorns #18

    Radio Jorns #18
    Wird es automatisch unprofessionell, wenn etwas fotografiert, das persönliche Vorlieben zeigt? Kann man sich als Fotograf überhaupt neutral verhalten? Spannende Fragen eines Zuhörers, auf die ich in dieser Folge eingehe. Das Ganze garniert mit großartiger Musik von Vinyl aus drei Jahrzehnten: Philipp Glass - Koyaanisqatsi (OST) | The Verve - The drugs don't work | The Verve - Sonnet | Antony & the Johnsons - Bird Guhl | Jennifer Warnes - Joan of Arc

    Iain Matthews and Steve Postell

    Iain Matthews and Steve Postell
    It is truly going to be a night of great music, great guitars, great musicians and great tone!! I am honored to have Iain Matthews and Steve Postell on the show! Iain is a legendary artist, having been a member of Fairport Convention and Matthews Southern Comfort. Steve has been on All About Guitar a few times and, besides being an accomplished artist in his own right, has worked with David Crosby, Danny Kortchmar, Robben Ford, Jennifer Warnes, among others. We talk to Iain and Steve about their current collaboration, and take a look at some of their music!
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