Explore " jennifer grey" with insightful episodes like "Ferris Bueller's Day Off", "Perfectly Twisted with Nicole Eggert #24", "Dirty Dancing (1987)", "240. Dirty Dancing (1987)" and "Ferris Bueller's Day Off (1986)" from podcasts like ""Late to the Movies", "Perfectly Twisted with Nicole Eggert", "Born To Watch - A Movie Podcast", "Why Do We Own This DVD?" and "Born To Watch - A Movie Podcast"" and more!
Dirty Dancing is the Born to Watch attempt at getting out of our comfort zone, well for two of us. We will let you decide which team member isn't going to put Baby in a corner.
It's rare for a film to capture the essence of a generation, to become a cultural touchstone that transcends time and speaks to audiences across generations. "Dirty Dancing," directed by Emile Ardolino and released in 1987, is one such cinematic gem that has managed to do just that. With its infectious energy, heartwarming romance, and a soundtrack that's become synonymous with the era, "Dirty Dancing" continues to sway hearts and ignite conversations even decades after its release.
Set in the summer of 1963, the film whisks us away to Kellerman's, a family resort nestled in the Catskill Mountains. This seemingly idyllic retreat becomes the backdrop for the transformational journey of Frances "Baby" Houseman, portrayed brilliantly by Jennifer Grey. Baby is an idealistic young woman on the brink of adulthood, her world view shaped by her upper-middle-class upbringing and the impending societal changes of the 1960s. Her life takes a thrilling turn when she stumbles upon the staff quarters and encounters the vivacious dance instructor Johnny Castle, played by the charismatic Patrick Swayze.
The film's title itself carries a provocative undertone, and indeed, dance serves as a metaphor for the hidden desires, social boundaries, and self-discovery that drive the narrative. As Baby watches the forbidden and electrifying world of "dirty dancing" unfold before her eyes, her journey from innocence to self-assuredness mirrors the societal shifts happening beyond the dance floor. The dance sequences are nothing short of mesmerising, as Swayze and Grey's chemistry ignites the screen, and their moves convey emotions that words often fail to express.
What truly elevates "Dirty Dancing" beyond its dazzling dance numbers is its unapologetic exploration of class, gender, and identity. The backdrop of the early 1960s allows the film to address these issues with a subtle yet poignant touch. Baby's encounter with the working-class staff challenges her preconceived notions, and her blossoming relationship with Johnny defies societal expectations. The dance routines themselves, at times sensual and raw, are symbolic of breaking free from the constraints of traditional roles.
Jennifer Grey's portrayal of Baby is a masterclass in character development. Her transition from a sheltered girl to a confident woman is believable and relatable. Grey's ability to convey vulnerability, determination, and passion draws the audience into Baby's world, making us cheer for her every step of the way. Patrick Swayze's Johnny is a complex character, harbouring dreams and burdens that go beyond his tough exterior. Swayze's magnetic presence brings depth to the character, making Johnny more than just a dance instructor – he becomes a symbol of aspiration and rebellion.
The supporting cast adds layers of charm and intrigue to the film. Jerry Orbach as Dr. Jake Houseman, Baby's father, delivers a touching performance as a well-intentioned parent struggling to come to terms with the changes his daughter is experiencing. The late, great actress Kelly Bishop shines as Marjorie Houseman, portraying the matriarch with a mix of grace and quiet understanding. And who could forget the scene-stealing turn by Cynthia Rhodes as Penny, Johnny's dance partner, whose predicament becomes a catalyst for Baby's transformation?
The film's soundtrack deserves special mention, as it's impossible to discuss "Dirty Dancing" without acknowledging its impact. The music not only accompanies the dance sequences but becomes an integral part of the storytelling. Tracks like "Time of My Life" by Bill Medley and Jennifer Warnes and "Hungry Eyes" by Eric Carmen infuse the film with a sense of nostalgia and romance, capturing the essence of the era and remaining etched in the memories of viewers.
"Dirty Dancing" is a quintessential coming-of-age story, a tale of love transcending social barriers, and a celebration of the power of dance to liberate the spirit. It's a film that reminds us that change is inevitable, that stepping out of our comfort zones can lead to remarkable transformations, and that true empowerment comes from embracing our passions and defying expectations. It's no wonder that the film's iconic line, "Nobody puts Baby in a corner," has become a rallying cry for individuality and self-expression.
In conclusion, "Dirty Dancing" is a cinematic treasure that continues to captivate audiences with its timeless themes, unforgettable performances, and mesmerising dance sequences. The film's ability to bridge generations and evoke emotions speaks to its enduring relevance. Whether you're watching it for the first time or revisiting it for the umpteenth time, "Dirty Dancing" will always have the power to make you laugh, cry, and dance like nobody's watching.
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Diane and Sean discuss the sweaty, sexy, 80's era film...Dirty Dancing. Episode music is "The Time of My Life", written by Franke Previte, Donald Markowitz, John DeNicola; performed by Bill Medley and Jennifer Warnes from the OST.
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Support the showOnce in a while a movie comes along that defines a generation or at the very least defines three people's youth that have a movie podcast. It was a great rewatch and made us all think about our mis spent youth trying to ditch school for a much better option.
Ferris Bueller's Day Off, directed by John Hughes and released in 1986, remains a beloved and influential film that captures the spirit of youthful rebellion and the desire for freedom. With its charming characters, clever humour, and iconic moments, this timeless classic continues to resonate with audiences of all ages. In this review, we will explore the various elements that make Ferris Bueller's Day Off an enduring gem in the world of cinema.
Ferris Bueller's Day Off revolves around the eponymous character, a high school student who fakes an illness to skip school and embark on a day filled with wild adventures in downtown Chicago. Bueller, played brilliantly by Matthew Broderick, is a charismatic and cunning teenager who effortlessly manipulates those around him. He enlists the help of his best friend, Cameron Frye (Alan Ruck), and girlfriend, Sloane Peterson (Mia Sara), to create the ultimate escapade.
The film's plot is a whirlwind of events, from joyriding in a Ferrari to evading his suspicious principal, Ed Rooney (Jeffrey Jones). Ferris's antics are both hilarious and audacious, creating a sense of exhilaration for the audience as they witness his elaborate schemes unfold. Meanwhile, Cameron's internal struggle with his overbearing father and Sloane's unwavering loyalty to Ferris provide emotional depth to the story, elevating it beyond mere teenage hijinks.
At its core, Ferris Bueller's Day Off is a comedy that masterfully blends slapstick humour with sharp wit. The film's comedic genius lies in its ability to poke fun at societal norms and institutions. From Rooney's bumbling attempts to catch Ferris to the iconic "Twist and Shout" parade scene, the film is a non-stop source of laughter.
Director John Hughes brilliantly captures the essence of teenage rebellion and the desire to break free from the constraints of authority. He infuses the film with biting social commentary, lampooning the rigid education system and the obsession with conformity. Ferris's philosophy of "life moves pretty fast" serves as a rallying cry for the youth of every generation, encouraging them to embrace spontaneity and live life to the fullest.
Ferris Bueller's Day Off had an immediate impact upon its release and continues to influence popular culture today. Its quotable lines, such as "Bueller? Bueller?" and "Save Ferris," have become embedded in the lexicon of film enthusiasts. The film's soundtrack, featuring iconic songs like "Oh Yeah" by Yellow and "Danke Schein" by Wayne Newton, adds another layer of nostalgia and vibrancy to the viewing experience.
Furthermore, the film's exploration of teenage rebellion and the quest for freedom resonates with audiences of all generations. Ferris Bueller's Day Off captures a universal desire to break free from the monotony of everyday life and to seize the moment. This message continues to inspire viewers to embrace their youthful spirit and challenge the status quo.
In conclusion, Ferris Bueller's Day Off remains an enduring masterpiece that effortlessly captures the essence of teenage rebellion, the pursuit of freedom, and the joy of embracing life's spontaneity. John Hughes's direction, coupled with the impeccable performances by the cast, ensures that this film will continue to captivate audiences for generations to come. With its timeless humour and insightful social commentary, Ferris Bueller's Day Off stands as a testament to the power of youth and the importance of living life on your own terms.
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Meg tells of the night Billy Ray Collins fought for his life at Madison Square Garden. Jessica introduces Jocelyn Wildenstein, the ultimate "cat lady."
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Episode Eighty-Two. The guys had the time of their lives... checking out Dirty Dancing (1987) for the first time ever with special guest, Caesar Evangelista. For this week's Double Feature, the guys put on their casting hats and reveal who they would cast as Johnny Castle and Baby Houseman in 2022. They also debate if a potential 2024 Dirty Dancing project should be a remake or a true sequel to the 1987 classic. After a quick break, the guys hand out their Weekly Reel Awards and Guess the Rotten Tomatoes Score.
What is your favorite dancing movie? Email us your comments/feedback at weeklyreelpod@gmail.com. Follow The Weekly Reel Podcast on Instagram (@weeklyreel) and TikTok (@weeklyreelpod).
Guest: Caesar Evangelista (@caesarevangelista)
Co-host: Ken Arceo (@free_ken_a)
Co-host: Jeremy Pulumbarit (@jp_flicks) / Watch The End of Yesterday (Short Film) on YouTube
Social Media: Andrea Pilapil (@andreajpilapil) / Linktree / Patreon
Music: Cameron Penaflorida (@bamsaidcam)
האם באמת יש צורך להציג את אחד מסרטי הפולחן הגדולים של כל הזמנים? כנראה שלא באמת! אבל בהחלט יש צורך לדון ולברר מהו סוד הקסם "ריקוד מושחת" גם בחלוף 35 שנה. התיישבנו יחד עם נועה אושרוב במאית מוכשרת, בעלת הפודקאסט חתונמי "אחרי החתונה" ואחת מאוהבות הסרט הגדולות בעולם על מנת לברר מדוע אנחנו חוזרים ושבים לסרט שהיה אמור להיות מוקרן בבתי הקולנוע רק שבוע אחד בעת יציאתו והפך לאחד מהלהיטים המפתיעים ביותר של האייטיז. על הדרך ניסינו גם לשכנע ולהדביק את שני באהבה לסרט משום ששוד ושבר הוא אינו סובל אותו! האם נועה וגילי הצליחו במשימה והצליחו לשכנע את שני לבצע שחזור של ההרמה המפורסמת בסוף? כל זאת ועוד הרבה יותר בפרק שלפניכן.ם כי אף אחד לא יעמיד את טראשטוק בפינה!!!
האזינו ל"אחרי החתונה" –->
https://open.spotify.com/show/65B9kmabYxfp8XjiUWPEhm?si=ab13f152251b425e
<< בואו להקרנה שלנו בסינמטק הרצליה! "למות בעד תשוקה", 31.08, יום רביעי, 20:30. קתלין טרנר מגלמת אישה שביום היא מעצבת אופנה מצליחה ובלילה מממשת לגברים את הפנטזיות שלהם כזונה. אל הסמטה שבה היא משוטטת נקלעים גבר שנישואיו עלו על שרטון וכומר מטורף בגילומו של אנתוני פרקינס (“פסיכו”), שמעוניין לגאול את המין הנשי באמצעות ויברטור משונן. כרטיסים - https://bit.ly/3zTvZu3 >>
In this first episode, Kevin and Travis draw 1987's American classic romantic dance drama, DIRTY DANCING from the DVD bin! Baby (Jennifer Grey) and Johnny (Patrick Swayze) join forces at a summer getaway for the time of their lives!
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“First dance. First love. The time of your life,” read the posters in 1987, as the words “Dirty Dancing” came to mean, that sweet little movie that brings a smile to your heart and a tap to your toe. Back then, the only way to see the film was to keep returning to the theater. And that is exactly what fans did. Over and over and over again. The only piece of that goodness that you could possess was the soundtrack, filled with dance inducing hits from the fifties and sixties and three new songs performed by Eric Carmen, Patrick Swayze, Bill Medley and Jennifer Warnes and written by our guests, Franke Previte, John DeNicola and Stacy Widelitz.
The Dirty Dancing album held Billboard’s number one spot for over four months, won piles of awards including an Oscar, has sold over 11 million copies and will still compel you to move. Hear all about the creation of this wonderful music, straight from the writers.
Plus Fritz and Weezy are opining on the Oscar slap. If you don’t like what we have to say, please don’t hit us.
Path Points of Interest:
Franke Previte
One World - Collaboration featuring Franke Previte
Sweetheart by Franke & The Knockouts
John DeNicola's Label - Omad Records
She's Like The Wind - Patrick Swayze and Wendy Fraser
(I've Had) The Time of My Life - Bill Medley & Jennifer Warnes
Grab your cutest jean cut-offs and practice your cha-cha as we embrace the world-opening summer fling that is 1987’s Dirty Dancing. If you do not sing along to this movie, are you a psychopath? Is Patrick Swayze too perfect in all his wounded vulnerability? Is Jennifer Grey actually taking advantage of him? At what point in life do you completely sympathize with World’s Best Dad Jerry Orbach? Should this movie be played on repeat until everyone learns the importance of ready access to reproductive health care? Why are those watermelons so huge?? And is “Nobody put Baby in a corner” the best movie line that makes absolutely no sense? All we know is that we had the time of our lives recording this ep.
Read Randall’s full episode notes at yourenofun.com.
Diane and Sean discuss the Studio Ghibli/Hayao Miyazaki animated masterpiece, The Wind Rises. Episode Music is "Un Voyage (Le Vol de Réve)" by Joe Hisaishi.
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Welcome to 15 minutes of Flog, the bitesize companion piece to the world-renowned FilmFloggers podcast! Here you'll find a Notorious waffler and a renowned Bullshit trivia expert trying to condense their useless long-winded points into just 15 minutes!
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Comedian Danny Palmer gets high and tries to explain the plot of the 1986 classic film "Ferris Bueller's Day Off". Spoiler: he doesn't explain it well. He also discusses his favorite film of all time: "Wargames".
This week LE2B Presents “Plot Smokers”. Dave Rosinsky gets high and tries to describe “Dirty Dancing” and doesn’t do a good job.
"You just put your pickle on everybody's plate, college boy, and leave the hard stuff to me."
This week the boys take a trip to Kellerman's and carry a watermelon as they take a look at Dirty Dancing! Is this film lightning in a bottle or has it not aged well at all?
So, make sure you join them as they break out their dancing shoes, have a beer and break down the film and as always feel free to get in touch and share your thoughts.
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On the 57th episode of the Slice By Slice podcast, Jesse and Josh take a look at the body of work of writer/director John Hughes, who some say was the voice of a generation. Recorded on 03/28/21. Released on 4/1/21
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Diane and Sean discuss John Hughes' love-letter to Chicago, Ferris Bueller's Day Off. Episode music is "Danke Schoen" by Wayne Newton, and "Twist and Shout" by the Beatles.
Bueller, Bueller, Bueller...We have reached #33 in our quest to watch the movies listed in 1001 Movies You Must See Before You Die. This week we had the luck of picking Ferris Bueller's Day Off written and directed by John Hughes. Being a couple of Gen Xers, we completely love and totally relate to this movie (and basically all John Hughes movies).
Make sure to listen to the end to find out our next movie. Since we have moved into October, we are going HALLOWEEN THEMED!! Find out what our next movie is at the end of the podcast.
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DRUNK ON CINEMA IS BACK FOR SEASON 2!! And what better movie to start with than Ferris Bueller's Day Off? If you haven't seen it be sure to watch it now, because we heard Ferris needs a new kidney or something, so time is of the essence.
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BUT WAIT, there's more!
We spent our time off making a new format that will be sure to answer life's most difficult questions like
What parts of the movie made you raise you glass & say cheers?
What parts made you spit out your drink because they didn't make sense?
Which character are you buying a drink for? Which character are letting drink alone?
Last call, where we don't care if you go home, but you can't stay here as we discuss our final thoughts.
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