kim greist

Comet fever runs wild and city sewers should be off-limits! Look, comets can be exciting, I get that. But it just seems that it should go without saying that avoiding sewers is a good policy. Welcome to 1984.

Maybe everyone wanting to see the comet in Night of the Comet (1984) shouldn't be quite so eager? Unless you want to wake up as a pile of dust and clothes. Or some mutated zombie, and somehow not a pile of dust. Of course, if you were sleeping in a steel-reinforced projection booth, you're probably fine to go on living in this apocalyptic place.

And city streets seemed bad enough in the 80s. So, I can only assume that the sewers were even worse. C.H.U.D. (1984) seems to verify that. There are some kind of weird mutants down there. Radioactive waste. And come on, the smell cannot be particularly inviting.

The Summer of the 80s oozes on! And hey! Don't forget the Common Craig's Top 5 horror movies from 1984!

To officially conclude this year's Extra Milestone lineup, Jon Negroni and Will Ashton of the Cinemaholics podcast joined forces with me one last time to discuss two distinct (and oddly holiday-centric) auteur-driven classics. We start our conversation by digging through the muck of Terry Gilliam's Brazil, a bureaucratic odyssey of madness often regarded as one of the greatest films of all time. After that, we jump forward to Edward Scissorhands, an intensely personal story from Tim Burton that is both lighthearted and melancholy, and which has affected us all at one point or another.

SHOW NOTES:

• 00:02:06 – Brazil
• 01:04:16 – Edward Scissorhands

HOSTED BY: Sam Noland, Jon Negroni, and Will Ashton

MUSIC IN THIS EPISODE: "Office Theme" from Brazil composed by Michael Kamen and based off Ary Barroso's "Aquarela do Brasil," music from Edward Scissorhands composed by Danny Elfman

Support our show on Patreon: https://www.patreon.com/cinemaholics

See omnystudio.com/listener for privacy information.

To officially conclude this year's Extra Milestone lineup, Jon Negroni and Will Ashton of the Cinemaholics podcast joined forces with me one last time to discuss two distinct (and oddly holiday-centric) auteur-driven classics. We start our conversation by digging through the muck of Terry Gilliam's Brazil, a bureaucratic odyssey of madness often regarded as one of the greatest films of all time. After that, we jump forward to Edward Scissorhands, an intensely personal story from Tim Burton that is both lighthearted and melancholy, and which has affected us all at one point or another.

SHOW NOTES:

• 00:02:06 – Brazil
• 01:04:16 – Edward Scissorhands

HOSTED BY: Sam Noland, Jon Negroni, and Will Ashton

MUSIC IN THIS EPISODE: "Office Theme" from Brazil composed by Michael Kamen and based off Ary Barroso's "Aquarela do Brasil," music from Edward Scissorhands composed by Danny Elfman

Support our show on Patreon: https://www.patreon.com/cinemaholics

See omnystudio.com/listener for privacy information.