louis malle

We go arthouse this week, and surprise surprise, we have some very different feelings about this one. This week we're talking the one and only, My Dinner with Andre. In this episode we're just two guys talking about two guys talking. We argue whether or not this film works, what could have been done differently, and the guts to make something this unique. Come back in two weeks for Guillermo del Toro's Pinocchio! Contact us at rollitpodcast@gmail.com and follow us, and enter our giveaway:    

Twitter - @RollItPodcast    
Instagram - @rollitpodcast    

Music by Ethan Rapp

Screenwriter and Producer, Gary L. Goldman, sits down with Poxy and Ragan to revisit his work on films such as Big Trouble in Little China, Total Recall, and Minority Report. Gary discusses his early days working with Director, Louis Malle, and Producer, Larry Gordon, at Paramount Studios. He also goes into depth about his ongoing lawsuit with Disney concerning the 2016 animated film, Zootopia. 

The “Cinephile Cuties” are ready to get stuck in an elevator. That’s because they’re chatting about Louis Malle’s Elevator to the Gallows. They also talk about deadly Patrick’s “bundling” addiction. Plus, Casey and Patrick put the film through their proprietary Fartsy Test. And Patrick recommends a drink pairing. 

If you like this show, tell a friend!

Follow Farthouse on Twitter and Instagram

Follow Patrick and Casey and on Twitter

And follow Patrick and Casey on Letterboxd

Ariel and Rabia speak with Don Palathara about his new film that premiered at the International Film Festival of Rotterdam, Everything is Cinema, an important narrative filmed as if it were a documentary of a difficult relationship in the midst of the pandemic.

Two old acquaintances meet-up for dinner at a New York City restaurant. Their ensuing conversation covers a range of diverse and fascinating topics. Ryan from Arnold at the Movies (https://ryanarnoldreviews.weebly.com) joins us to discuss the wonderfully low-key classic, My Dinner with Andre. 

In the eighth episode of Season 2, Noir Means Noir, Kyle is joined by film critic Tyler Harlow (of the After Credits Blog) and cinematographer Josh Carter to discuss the seminal pre-cursor to French New Wave and the extraordinary blend of noir style, mood, and existential pondering in Louis Malle's Elevator to the Gallows.

The Cinephile Cuties are ready to have an incomprehensibly boring conversation! That’s because they are discussing Louis Malle’s, My Dinner with Andre. The Cuties have never been so divided on a film, and it threatens the very existence of the show. Casey and Patrick also discuss being embarrassed about their jobs, the art of conversation, and Wallace Shawn’s beautifully odd visage. The boys run My Dinner with Andre through the “Fartsy Test.” Patrick recommends a drink pairing. And, they give each other notes to help improve the show. Listen in next week to see if that works!

If you like this show, tell a friend! 

Follow Farthouse on Twitter and Instagram

Follow Patrick and Casey on Twitter

And follow Patrick and Casey on Letterboxd

The Cinemondo gang takes another trip to Paris to check out Louis Malle’s 1958 jazzy crime drama ELEVATOR TO THE GALLOWS. This one has everything you want in a noir film from the beautiful femme fatale Jeanne Moreau to the classic bad choices that lead to devastating mayhem, unexpected plot twists that take the story down tangents you never saw coming, tragic Parisian street crooks, spy cameras, grappling hooks and a haunting score by none other than Miles Davis. It’s full of cigarette smoke and guns and some super cool cars… and we love it.

SPOILER WARNING: This episode contains MAJOR SPOILERS which means important story details will be revealed. We always advise listeners to: Watch First Listen Later.

Music composed and performed by Burk Sauls.

Join Cinemondo and over a hundred thousand podcasters already using Buzzsprout to get their message out to the world. Sign up here to get your podcast started!

We're also on Patreon! Help support the show and get some cool swag.
Become a Patron on Patreon

Cinemondo Podcast is a weekly show that's released every Monday. If you’d like to support our show, please subscribe to our podcast free in iTunes, and leave us a review! 

 We want to hear from you so write in with more recommendations and comments. Email us: CinemondoPodcast@gmail.com 

 Connect with us: 

 CinemondoPodcast.com

 twitter.com/CinemondoPod

 facebook.com/CinemondoPodcast

 instagram.com/CinemondoPodcast

In conversation with writer/director Ritesh Batra on themes and some of my favorite scenes from his films. 

We chatted about The Lunchbox, Our Souls at Night and Photograph. 

Ritesh also shared thoughts on writing, his process on the sets and why he likes Louis Malle's cinema. 


Feedback/comments/questions: loveofcinemasf@gmail.com





Credits:

Concept, script: Himanshu (@loveofcinemasf8)
Host: Himanshu 
Editor: Devika Joglekar
Music: Nakul Abhyankar

Copyrights © Love of Cinema 2020

If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support