low budget horror

Whom among us hasn't considered answering a Craigslist ad for a little extra cash? Sure, there's always a risk that things might get weird, but what could really go wrong? Just kidding. We've seen the Lifetime movie about the Craigslist killer — and now we've also seen Creep (2014). The ultimate in low-budget horror, this found footage story shows just what two besties can come up with when all they have is a scary wolf mask and a dream. On a new episode of Spooky Tuesday, we're asking ourselves the hard questions about job prospects and unpacking improv king Mark Duplass's truly unsettling performance.

References:

https://influxmagazine.com/in-defense-of-creep-2014/

https://horrortheory.com/creep-2014-the-nature-of-creepiness-exploited-loneliness-and-fabricated-victimhood/

https://swiftsilentdeadly.com/8-defense-lessons-from-creep/

https://ew.com/article/2015/06/03/mark-duplass-creep-exclusive-trailer/

https://queer-voices.com/queer-movie-reviews-creep/

Alternate Endings: https://youtu.be/a1KE_Cx6k-w?si=sNUEh_22l8ki-Eox

May is Obscure Horror Remake month and we start with a big one. 'Nosferatu' may be the most recognized horror movie ever. What about the 1979 remake by Werner Herzog? Plus, we talk about indie horror film 'The Djinn'.

Demon Slayer surprised lots of people by taking the top box office slot from the highly anticipated Mortal Kombat.  There is no denying its popularity, but are we curious enough watch the series? And would we go to a theater to watch the movie?

The Feast premiered at South by Southwest and is one of the best movie we have ever reviewed. IFC Midnight recently announced they have picked it up and have tentatively scheduled it for a Thanksgiving release. Would watching it in a theater add to the intimate experience?

The Djinn is something of a throwback. Taking place over the course of one night in an apartment, the indie horror movie is about a child who wishes for his greatest desire. We talk about horror movie rules, how to use narration effectively, and the power of silence in horror.

May is Obscure Horror Remake Month and this week we talk 1979's Nosferatu the Vampyre. The original is one of the iconic horror films of all time and the Werner Herzog remake is certainly beautiful. But is it good? We talk about the Dracula mythos, the best Renfield ever, and the interesting ending.

Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.

Adventures in Movies! is hosted by Nathaniel Muir, Blake, and Danny. You can find Nathaniel on Instagram at nathaninpoortaste. Danny can be found on Twitter @default_player and on Instagram at default_player. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.

Intro by Julio Mena https://grooveasaurus.bandcamp.com/album/master-of-thieves-vol-iv Instagram https://www.instagram.com/grooveasaurus/?hl=en

Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.

Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.

Music in the background from https://www.FesliyanStudios.com

Episode 53. Features actors: Emalline Williams, Christopher J. Young and Haley Barna.
It was recorded on the set of "no budget" Horror film, "The Haunting of Jessie Ross". This horror suspense film was filmed in 5 days without a script or crew during the lockdown. (We did use a scene outline. In addition, story structure was worked out beforehand) We recorded this conversation the morning after a long (and last) night of filming. I was exhausted and forgot to turn on the good microphone. Audio in this episode is coming from the Mevo camera we used to film the podcast. My apologies for the low audio quality.