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    Explore "movies we like" with insightful episodes like "The Speakeasy Retrofit • Movies We Like", "The Speakeasy Retrofit • Movies We Like", "A Woman Under the Influence — Tami Reiker • Movies We Like", "A Woman Under the Influence — Tami Reiker • Movies We Like" and "The Sound of Music — Catherine Hand • Movies We Like" from podcasts like ""The Next Reel Film Podcast", "The Next Reel Film Podcast", "The Next Reel Film Podcast", "The Next Reel Film Podcast" and "The Next Reel Film Podcast"" and more!

    Episodes (38)

    The Speakeasy Retrofit • Movies We Like

    The Speakeasy Retrofit • Movies We Like

    When we started our movie podcast, the original name was Movies We Like. Eventually, as we began talking about some movies we didn't like, we figured we should rebrand. Hence, The Next Reel Film Podcast was born. But we never could let go of the name Movies We Like. We just didn't have a place for it at the time.

    Then, as we were looking at rebranding this podcast as we worked to bring more guests from the industry to join us in talking about a movie they liked, we realized that this would be the perfect show to use the name Movies We Like! 

    So here we are – a new era of the Speakeasy, now rebranded as Movies We Like. We're looking forward to the future conversations!


    We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?

    What are some other ways you can support us and show your love? Glad you asked!

    • You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.
    • Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
    • Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
    The Next Reel Film Podcast
    enApril 03, 2023
    movies we like

    The Speakeasy Retrofit • Movies We Like

    The Speakeasy Retrofit • Movies We Like

    When we started our movie podcast, the original name was Movies We Like. Eventually, as we began talking about some movies we didn't like, we figured we should rebrand. Hence, The Next Reel Film Podcast was born. But we never could let go of the name Movies We Like. We just didn't have a place for it at the time.

    Then, as we were looking at rebranding this podcast as we worked to bring more guests from the industry to join us in talking about a movie they liked, we realized that this would be the perfect show to use the name Movies We Like! 

    So here we are – a new era of the Speakeasy, now rebranded as Movies We Like. We're looking forward to the future conversations!


    We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?

    What are some other ways you can support us and show your love? Glad you asked!

    • You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.
    • Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
    • Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
    The Next Reel Film Podcast
    enApril 03, 2023
    movies we like

    A Woman Under the Influence — Tami Reiker • Movies We Like

    A Woman Under the Influence — Tami Reiker • Movies We Like

    “You think there’s something wrong with me or something? You think I’m wacko or something?”

    Talking About John Cassavetes’ 1974 film ‘A Woman Under the Influence with our guest Tami Reiker

    In this episode of The Speakeasy, we’re joined by award-winning cinematographer Tami Reiker to talk about one of her favorite movies, John Cassavetes’ 1974 film A Woman Under the Influence. This is a film Tami has often shown to directors she’s worked with as they discuss the projects that influence them and what they want to pull from it to bring in as influences on the project. It’s a powerful film that’s full of incredible moments brought by both leads – Gena Rowlands and Peter Falk – not to mention fascinating direction by Cassavetes himself. How has it influenced Tami over her career and what does she pull from it?

    Tami’s Current Project Surface on Apple TV+

    We also talk about the new series she’s worked on with director Sam Miller and star Gugu Mbatha-Raw, Surface. For the episodes she worked on, Tami and Miller wanted to use swing shift lenses to amplify the disconnection Mbatha-Raw’s character has from the world due to post-accident amnesia. It’s a powerful tool and connects directly with their authorial voice.

    There’s a lot to talk about with Tami about both A Woman Under the Influence and Surface on The Speakeasy. Tune in!

    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

    About Tami

    Award-winning cinematographer Tami Reiker, ASC, made history by becoming the first woman to win an American Society of Cinematographers award. She took home the ASC Outstanding Achievement in Cinematography Award for her work on the HBO pilot, Carnivalé.

    Reiker recently worked on the highly anticipated new Apple TV+ series Surface starring Gugu Mbatha-Raw and created by Veronica West, bringing together innovative technology and breathtaking visuals for the first two episodes of the psychological thriller, each with director Sam Miller. She also lensed Regina King’s directorial debut One Night In Miami, chronicling a fictional account of a real night when the lives of Cassius Clay, Sam Cooke, Jim Brown and Malcolm X are forever changed. The drama already made history at the 2020 Venice Film Festival as the first film directed by a Black woman to be selected and is also an official selection at the 2020 Toronto International Film Festival.

    Previously, Reiker photographed the action epic The Old Guard for Netflix and frequent collaborator director Gina Prince-Bythewood. Based on the graphic novel series of the same name, the film follows a group of immortal soldiers who must defeat a corrupt man trying to expose their secret. The feature shattered records after its release, becoming one of the top ten most streamed films in Netflix’s history, with Prince-Bythewood becoming the first Black female director to land a spot on the list.

    Reiker’s additional feature credits include: Beyond the Lights for Gina Prince-Bythewood, starring Minnie Driver, Danny Glover and Gugu Mbatha-Raw; the critically praised Pieces of April for director Peter Hedges; and High Art, a visual collaboration with director Lisa Cholodenko, which earned Reiker a Best Cinematography nomination at the Independent Spirit Awards.

    For television, Reiker lensed: episode one of Woman of The Movement, directed by Gina Prince-Bythewood; HBO Max’s Delilah pilot for director James Griffiths; Marvel’s Cloak and Dagger pilot; CBS’s Charmed pilot, with director Brad Silberling; the pilot for Fox’s Shots Fired, the critically praised ten-part series chronicling the investigation of a police shooting; and HBO’s Getting On pilot for director Miguel Arteta.

    After beginning her career and making a name for herself in the New York film community, Reiker moved to Los Angeles where she still lives now, with her son. She is represented worldwide by DDA.

    Film Sundries

    Learn more about supporting The Speakeasy and TruStory FM’s other entertainment podcasts through your own membership.


    The Next Reel Film Podcast
    enAugust 09, 2022
    movies we like
    tami reiker

    A Woman Under the Influence — Tami Reiker • Movies We Like

    A Woman Under the Influence — Tami Reiker • Movies We Like

    “You think there’s something wrong with me or something? You think I’m wacko or something?”

    Talking About John Cassavetes’ 1974 film ‘A Woman Under the Influence with our guest Tami Reiker

    In this episode of The Speakeasy, we’re joined by award-winning cinematographer Tami Reiker to talk about one of her favorite movies, John Cassavetes’ 1974 film A Woman Under the Influence. This is a film Tami has often shown to directors she’s worked with as they discuss the projects that influence them and what they want to pull from it to bring in as influences on the project. It’s a powerful film that’s full of incredible moments brought by both leads – Gena Rowlands and Peter Falk – not to mention fascinating direction by Cassavetes himself. How has it influenced Tami over her career and what does she pull from it?

    Tami’s Current Project Surface on Apple TV+

    We also talk about the new series she’s worked on with director Sam Miller and star Gugu Mbatha-Raw, Surface. For the episodes she worked on, Tami and Miller wanted to use swing shift lenses to amplify the disconnection Mbatha-Raw’s character has from the world due to post-accident amnesia. It’s a powerful tool and connects directly with their authorial voice.

    There’s a lot to talk about with Tami about both A Woman Under the Influence and Surface on The Speakeasy. Tune in!

    Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

    About Tami

    Award-winning cinematographer Tami Reiker, ASC, made history by becoming the first woman to win an American Society of Cinematographers award. She took home the ASC Outstanding Achievement in Cinematography Award for her work on the HBO pilot, Carnivalé.

    Reiker recently worked on the highly anticipated new Apple TV+ series Surface starring Gugu Mbatha-Raw and created by Veronica West, bringing together innovative technology and breathtaking visuals for the first two episodes of the psychological thriller, each with director Sam Miller. She also lensed Regina King’s directorial debut One Night In Miami, chronicling a fictional account of a real night when the lives of Cassius Clay, Sam Cooke, Jim Brown and Malcolm X are forever changed. The drama already made history at the 2020 Venice Film Festival as the first film directed by a Black woman to be selected and is also an official selection at the 2020 Toronto International Film Festival.

    Previously, Reiker photographed the action epic The Old Guard for Netflix and frequent collaborator director Gina Prince-Bythewood. Based on the graphic novel series of the same name, the film follows a group of immortal soldiers who must defeat a corrupt man trying to expose their secret. The feature shattered records after its release, becoming one of the top ten most streamed films in Netflix’s history, with Prince-Bythewood becoming the first Black female director to land a spot on the list.

    Reiker’s additional feature credits include: Beyond the Lights for Gina Prince-Bythewood, starring Minnie Driver, Danny Glover and Gugu Mbatha-Raw; the critically praised Pieces of April for director Peter Hedges; and High Art, a visual collaboration with director Lisa Cholodenko, which earned Reiker a Best Cinematography nomination at the Independent Spirit Awards.

    For television, Reiker lensed: episode one of Woman of The Movement, directed by Gina Prince-Bythewood; HBO Max’s Delilah pilot for director James Griffiths; Marvel’s Cloak and Dagger pilot; CBS’s Charmed pilot, with director Brad Silberling; the pilot for Fox’s Shots Fired, the critically praised ten-part series chronicling the investigation of a police shooting; and HBO’s Getting On pilot for director Miguel Arteta.

    After beginning her career and making a name for herself in the New York film community, Reiker moved to Los Angeles where she still lives now, with her son. She is represented worldwide by DDA.

    Film Sundries

    Learn more about supporting The Speakeasy and TruStory FM’s other entertainment podcasts through your own membership.


    The Next Reel Film Podcast
    enAugust 09, 2022
    movies we like
    tami reiker

    The Sound of Music — Catherine Hand • Movies We Like

    The Sound of Music — Catherine Hand • Movies We Like

    "You brought music back into the house. I’d… forgotten."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, producer Catherine Hand joins us to talk about one of her favorite films, Robert Wise’s 1965 film The Sound of Music.

    We talk about how the story made it from Maria Von Trapp’s memoirs about her family to the big screen, with several detours along the way. We chat about the movie’s longevity and why it’s had such a long life. We discuss the performances of Julie Andrews and Christopher Plummer, not to mention Plummer’s disdain for the project until recently. And we spend some time looking at Catherine’s career, notably her decades-long pursuit to bring A Wrinkle in Time to the big screen.

    It’s a wonderful conversation with Catherine that ranges all over, so check out A Wrinkle in Time, revisit The Sound of Music, then tune in to the show!

    Film Sundries


    The Next Reel Film Podcast
    enJune 12, 2018
    movies we like
    catherine hand

    The Sound of Music — Catherine Hand • Movies We Like

    The Sound of Music — Catherine Hand • Movies We Like

    "You brought music back into the house. I’d… forgotten."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, producer Catherine Hand joins us to talk about one of her favorite films, Robert Wise’s 1965 film The Sound of Music.

    We talk about how the story made it from Maria Von Trapp’s memoirs about her family to the big screen, with several detours along the way. We chat about the movie’s longevity and why it’s had such a long life. We discuss the performances of Julie Andrews and Christopher Plummer, not to mention Plummer’s disdain for the project until recently. And we spend some time looking at Catherine’s career, notably her decades-long pursuit to bring A Wrinkle in Time to the big screen.

    It’s a wonderful conversation with Catherine that ranges all over, so check out A Wrinkle in Time, revisit The Sound of Music, then tune in to the show!

    Film Sundries


    The Next Reel Film Podcast
    enJune 12, 2018
    movies we like
    catherine hand

    All That Jazz — Nic Sadler • Movies We Like

    All That Jazz — Nic Sadler • Movies We Like

    "I think we just lost the family audience."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer and inventor Nic Sadler joins us to talk about one of his favorite films, Bob Fosse’s 1979 film All That Jazz.

    We talk about the incredible honesty with which Fosse made this semi-autobiographical film and why it resonates so well with us. We discuss how challenging the film is and why that might be a good thing. We talk about the incredible editing by Alan Heim which the Motion Picture Editors Guild lists as the 4th best edited film, and why it sets a high bar. We of course chat about one of our favorites – Roy Scheider – and how he truly ruled the 70s. We dig into why cinematographer Giuseppe Rotunno shot scenes the way he did, notably the readthrough where Joe has his heart attack. And we talk to Sadler about his own cinematography, notably the recent film Coherence, and how the filmmakers accomplished so much with so little.

    It’s a brilliant (but challenging) film that celebrates filmmaking as much as it shows the negative side of success. We have a blast talking about it with Sadler so check it out then tune in! The Next Reel – when the movie ends, our conversation begins.

    Film Sundries

    Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel


    The Next Reel Film Podcast
    enApril 10, 2018
    movies we like
    nic sadler

    All That Jazz — Nic Sadler • Movies We Like

    All That Jazz — Nic Sadler • Movies We Like

    "I think we just lost the family audience."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer and inventor Nic Sadler joins us to talk about one of his favorite films, Bob Fosse’s 1979 film All That Jazz.

    We talk about the incredible honesty with which Fosse made this semi-autobiographical film and why it resonates so well with us. We discuss how challenging the film is and why that might be a good thing. We talk about the incredible editing by Alan Heim which the Motion Picture Editors Guild lists as the 4th best edited film, and why it sets a high bar. We of course chat about one of our favorites – Roy Scheider – and how he truly ruled the 70s. We dig into why cinematographer Giuseppe Rotunno shot scenes the way he did, notably the readthrough where Joe has his heart attack. And we talk to Sadler about his own cinematography, notably the recent film Coherence, and how the filmmakers accomplished so much with so little.

    It’s a brilliant (but challenging) film that celebrates filmmaking as much as it shows the negative side of success. We have a blast talking about it with Sadler so check it out then tune in! The Next Reel – when the movie ends, our conversation begins.

    Film Sundries

    Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel


    The Next Reel Film Podcast
    enApril 10, 2018
    movies we like
    nic sadler

    Local Hero — Andy Nelson • Movies We Like

    Local Hero — Andy Nelson • Movies We Like

    "I’m watching the sky, sir, and it’s doing some amazing things!"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, one of the many Andy Nelsons in the film world — specifically Andy Nelson the re-recording mixer — joins us to talk about one of his favorite films, Bill Forsyth’s 1983 film Local Hero.

    We talk about why the film resonates to this day and why the film is such a wonderful celebration of the little things, the details that make life so memorable. We chat about the cast and what they bring to the table, notably Peter Riegert and Burt Lancaster. We ponder the webbed feet of Jenny Seagrove and are presented with a new thought – what if it’s only how the character of Oldsen sees them? We look at the final moments of the film and why it breaks our hearts so much. We talk about Mark Knopfler’s wonderful score and why it hits so well for us. We debate the title and ponder who specifically is the eponymous character. And, of course, we chat with Nelson about his career and what specifically a re-recording mixer does.

    It’s a magical little film that warms our hearts and provides for a wonderful conversation. Check it out then tune in! The Next Reel. When the movie ends, our conversation begins.

    Film Sundries

    Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel


    The Next Reel Film Podcast
    enMarch 13, 2018
    andrew nelson
    movies we like

    Local Hero — Andy Nelson • Movies We Like

    Local Hero — Andy Nelson • Movies We Like

    "I’m watching the sky, sir, and it’s doing some amazing things!"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, one of the many Andy Nelsons in the film world — specifically Andy Nelson the re-recording mixer — joins us to talk about one of his favorite films, Bill Forsyth’s 1983 film Local Hero.

    We talk about why the film resonates to this day and why the film is such a wonderful celebration of the little things, the details that make life so memorable. We chat about the cast and what they bring to the table, notably Peter Riegert and Burt Lancaster. We ponder the webbed feet of Jenny Seagrove and are presented with a new thought – what if it’s only how the character of Oldsen sees them? We look at the final moments of the film and why it breaks our hearts so much. We talk about Mark Knopfler’s wonderful score and why it hits so well for us. We debate the title and ponder who specifically is the eponymous character. And, of course, we chat with Nelson about his career and what specifically a re-recording mixer does.

    It’s a magical little film that warms our hearts and provides for a wonderful conversation. Check it out then tune in! The Next Reel. When the movie ends, our conversation begins.

    Film Sundries

    Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel


    The Next Reel Film Podcast
    enMarch 13, 2018
    andrew nelson
    movies we like

    Dunkirk — Toby Oliver • Movies We Like

    Dunkirk — Toby Oliver • Movies We Like

    "We let you all down, didn’t we?"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Toby Oliver joins us to talk about one of his favorite films, Christopher Nolan’s 2017 film Dunkirk.

    We talk about Nolan’s decision to shoot on IMAX 65mm largely and how this affected the overall tone of the film and informed some of their decisions as to how it was shot. We chat about the nature of the story told across three separate time windows and how the structure gave us a fascinating perspective on how to look at this war story. We discuss the use of mostly new faces for the cast, barring a few key roles, and how that works effectively in a story with no real protagonist. We touch on Hans Zimmer and his tonal score and why it, paired with the incessant use of a ticking sound, is such a key part of the film. And we talk about Nolan’s insistence on using practical effects and why it likely helped inform the performances throughout the film by having real elements to which to react.

    It’s a fascinating and powerful war film that feels very different and will be one to stand the test of time. We have a great time talking about it with Toby Oliver, as well as touching on his career. Check it out then tune in! The Next Reel – when the movie ends, our conversation begins.

    Film Sundries

    Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel


    The Next Reel Film Podcast
    enJanuary 16, 2018
    toby oliver
    movies we like

    Dunkirk — Toby Oliver • Movies We Like

    Dunkirk — Toby Oliver • Movies We Like

    "We let you all down, didn’t we?"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Toby Oliver joins us to talk about one of his favorite films, Christopher Nolan’s 2017 film Dunkirk.

    We talk about Nolan’s decision to shoot on IMAX 65mm largely and how this affected the overall tone of the film and informed some of their decisions as to how it was shot. We chat about the nature of the story told across three separate time windows and how the structure gave us a fascinating perspective on how to look at this war story. We discuss the use of mostly new faces for the cast, barring a few key roles, and how that works effectively in a story with no real protagonist. We touch on Hans Zimmer and his tonal score and why it, paired with the incessant use of a ticking sound, is such a key part of the film. And we talk about Nolan’s insistence on using practical effects and why it likely helped inform the performances throughout the film by having real elements to which to react.

    It’s a fascinating and powerful war film that feels very different and will be one to stand the test of time. We have a great time talking about it with Toby Oliver, as well as touching on his career. Check it out then tune in! The Next Reel – when the movie ends, our conversation begins.

    Film Sundries

    Thank you for supporting The Next Reel Film Podcast on Patreon! — https://patreon.com/thenextreel


    The Next Reel Film Podcast
    enJanuary 16, 2018
    toby oliver
    movies we like

    Silver Linings Playbook — Harry Gregson-Williams • Movies We Like

    Silver Linings Playbook — Harry Gregson-Williams • Movies We Like

    “I can’t apologize. I’m not going to apologize for this. You know what I will do? I will apologize on behalf of Ernest Hemingway because that’s who’s to blame here."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this episode, film composer Harry Gregson-Williams joins us to talk about one of his favorite films, David O. Russell’s 2012 film Silver Linings Playbook.

    We talk about why the film works so well and how Russell really infuses some serious energy into the film, almost as if the film is expressing the mental state of the two lead characters. We touch on how Russell’s experience with his son – who’s dealing with similar issues to our lead character – drew him to this story to help make mental health more accessible, which he does brilliantly. We discuss the brilliant cast and how perfect they all are in their roles, notably the four leads: Bradley Cooper, Jennifer Lawrence, Robert De Niro and Jackie Weaver. We look at what Russell does musically, bringing in an eclectic mix of songs and Danny Elfman’s score to help drive the story along. And we chat about how the movie blew up at the box office, making more than 11 times its budget.

    It’s an incredible film that seems to get better with age and Gregson-Williams brings a lot of insight to the conversation. Plus, we have a great chat with him about his career and how he got to where he is. So check out the movie then join us on the show!

    Film Sundries


    The Next Reel Film Podcast
    enMay 09, 2017
    harry gregson-williams
    movies we like

    Silver Linings Playbook — Harry Gregson-Williams • Movies We Like

    Silver Linings Playbook — Harry Gregson-Williams • Movies We Like

    “I can’t apologize. I’m not going to apologize for this. You know what I will do? I will apologize on behalf of Ernest Hemingway because that’s who’s to blame here."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this episode, film composer Harry Gregson-Williams joins us to talk about one of his favorite films, David O. Russell’s 2012 film Silver Linings Playbook.

    We talk about why the film works so well and how Russell really infuses some serious energy into the film, almost as if the film is expressing the mental state of the two lead characters. We touch on how Russell’s experience with his son – who’s dealing with similar issues to our lead character – drew him to this story to help make mental health more accessible, which he does brilliantly. We discuss the brilliant cast and how perfect they all are in their roles, notably the four leads: Bradley Cooper, Jennifer Lawrence, Robert De Niro and Jackie Weaver. We look at what Russell does musically, bringing in an eclectic mix of songs and Danny Elfman’s score to help drive the story along. And we chat about how the movie blew up at the box office, making more than 11 times its budget.

    It’s an incredible film that seems to get better with age and Gregson-Williams brings a lot of insight to the conversation. Plus, we have a great chat with him about his career and how he got to where he is. So check out the movie then join us on the show!

    Film Sundries


    The Next Reel Film Podcast
    enMay 09, 2017
    harry gregson-williams
    movies we like

    Groundhog Day — Jim Jermanok • Movies We Like

    Groundhog Day — Jim Jermanok • Movies We Like

    "You couldn’t plan a day like this."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, writer, producer, director and former agent Jim Jermanok joins us to talk about one of his favorite movies, Harold Ramis’ 1993 film Groundhog Day. 

    We talk about how this film was received at the time of its release, why this film holds up so well and perhaps why it took people some time to really find the meaning in the movie. We look at what Bill Murray is doing here and discuss why his character, Phil Connor, is easy to connect to despite the fact that he starts out as horribly unlikeable. We chat about Andie MacDowell, Chris Elliott and Stephen Tobolowsky, as well as the rest of the cast, and what they bring to the table. We look at the evolution of Danny Rubin’s original script and how he and Ramis reworked it to create a timeless classic. And we ponder the strangeness of the actual Groundhog Day holiday and how it may have been just the perfect holiday to celebrate for a film like this.

    It’s a great film and Jim brings plenty of perspective to the conversation, having worked both the creative and business sides of the industry. So check out the movie then tune in to this month’s Speakeasy again… and again… and again….

    Film Sundries


    The Next Reel Film Podcast
    enJanuary 10, 2017
    movies we like
    jim jermanok

    Groundhog Day — Jim Jermanok • Movies We Like

    Groundhog Day — Jim Jermanok • Movies We Like

    "You couldn’t plan a day like this."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, writer, producer, director and former agent Jim Jermanok joins us to talk about one of his favorite movies, Harold Ramis’ 1993 film Groundhog Day. 

    We talk about how this film was received at the time of its release, why this film holds up so well and perhaps why it took people some time to really find the meaning in the movie. We look at what Bill Murray is doing here and discuss why his character, Phil Connor, is easy to connect to despite the fact that he starts out as horribly unlikeable. We chat about Andie MacDowell, Chris Elliott and Stephen Tobolowsky, as well as the rest of the cast, and what they bring to the table. We look at the evolution of Danny Rubin’s original script and how he and Ramis reworked it to create a timeless classic. And we ponder the strangeness of the actual Groundhog Day holiday and how it may have been just the perfect holiday to celebrate for a film like this.

    It’s a great film and Jim brings plenty of perspective to the conversation, having worked both the creative and business sides of the industry. So check out the movie then tune in to this month’s Speakeasy again… and again… and again….

    Film Sundries


    The Next Reel Film Podcast
    enJanuary 10, 2017
    movies we like
    jim jermanok

    101 Dalmatians — Tom and Tony Bancroft • Movies We Like

    101 Dalmatians — Tom and Tony Bancroft • Movies We Like

    "Such perfectly beautiful coats!"

    The Next Reel’s Speakeasy is our ongoing series in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, we’re honored to have two guests join us to discuss one of their favorite films – it’s the Bancroft Brothers! That’s right, twin brothers Tom and Tony Bancroft, both of whom are animators, are here to chat about Disney’s 1961 classic One Hundred and One Dalmatians. 

    We talk about why they picked this film and why this film is a key shift in the world of animation at Walt Disney Studios (hint: it involves xeroxing!). We look at the animators involved – Milt Kahl, Frank Thomas, Marc Davis, etc. – and how they all fit into the looks of characters like Cruella De Vil, Pongo, Perdita, Jasper, Horace and more, really bringing them to life. We discuss the importance of what art director/production designer Ken Anderson and color stylist Walt Peregoy did with the impressionistic backgrounds. We chat about what the film’s three directors – Clyde Geronimi, Hamilton Luske and Wolfgang Reitherman – did to bring the film together and how they likely split up tasks. We dig into the really amazing 3D modeling Ub Iwerks helped come up with to make Cruella De Vil’s car look more realistic. And, of course, we can’t talk about this movie without discussing Cruella’s cheekbones, which we do.

    It’s a fantastic conversation with two gentlemen who really know what they’re talking about helping us – Pete Wright and Andy Nelson – sound like we know what we’re doing. The conversation will really make you look at this movie and animation with so much more respect. So rewatch this Disney gem then tune in to this month’s Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enDecember 13, 2016
    tom bancroft
    movies we like
    tony bancroft

    101 Dalmatians — Tom and Tony Bancroft • Movies We Like

    101 Dalmatians — Tom and Tony Bancroft • Movies We Like

    "Such perfectly beautiful coats!"

    The Next Reel’s Speakeasy is our ongoing series in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, we’re honored to have two guests join us to discuss one of their favorite films – it’s the Bancroft Brothers! That’s right, twin brothers Tom and Tony Bancroft, both of whom are animators, are here to chat about Disney’s 1961 classic One Hundred and One Dalmatians. 

    We talk about why they picked this film and why this film is a key shift in the world of animation at Walt Disney Studios (hint: it involves xeroxing!). We look at the animators involved – Milt Kahl, Frank Thomas, Marc Davis, etc. – and how they all fit into the looks of characters like Cruella De Vil, Pongo, Perdita, Jasper, Horace and more, really bringing them to life. We discuss the importance of what art director/production designer Ken Anderson and color stylist Walt Peregoy did with the impressionistic backgrounds. We chat about what the film’s three directors – Clyde Geronimi, Hamilton Luske and Wolfgang Reitherman – did to bring the film together and how they likely split up tasks. We dig into the really amazing 3D modeling Ub Iwerks helped come up with to make Cruella De Vil’s car look more realistic. And, of course, we can’t talk about this movie without discussing Cruella’s cheekbones, which we do.

    It’s a fantastic conversation with two gentlemen who really know what they’re talking about helping us – Pete Wright and Andy Nelson – sound like we know what we’re doing. The conversation will really make you look at this movie and animation with so much more respect. So rewatch this Disney gem then tune in to this month’s Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enDecember 13, 2016
    tom bancroft
    movies we like
    tony bancroft

    The Philadelphia Story — Steve Miner • Movies We Like

    The Philadelphia Story — Steve Miner • Movies We Like

    "The prettiest sight in this fine, pretty world is the privileged class enjoying its privileges."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, director Steve Miner joins us to talk about one of his favorites, George Cukor’s 1940 film The Philadelphia Story.

    We talk about the nature of this story and how it’s so much more than a screwball comedy, which is how it’s often billed. We look at how Katharine Hepburn was intrinsic in getting both the original play and this film made, what it meant for her career at the time and how well it holds up today (despite one potentially nasty depiction of abuse). We discuss Hepburn, Cary Grant and Jimmy Stewart and how well they work together in this story. We look at what director George Cukor brings to the table, finding the right ways to bring the script to life. We talk about the nature of the media and paparazzi and how things really haven’t changed all that much. And we look at how the film did not just in the box office and during Awards season, but more importantly how it’s really proven that it can stand the test of time.

    It’s a marvelous film, one that’s well worth watching. We had a great time talking about it with Steve and hearing his perspective on why it’s one of his favorites. So check out the movie then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enNovember 01, 2016
    steve miner
    movies we like

    The Philadelphia Story — Steve Miner • Movies We Like

    The Philadelphia Story — Steve Miner • Movies We Like

    "The prettiest sight in this fine, pretty world is the privileged class enjoying its privileges."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, director Steve Miner joins us to talk about one of his favorites, George Cukor’s 1940 film The Philadelphia Story.

    We talk about the nature of this story and how it’s so much more than a screwball comedy, which is how it’s often billed. We look at how Katharine Hepburn was intrinsic in getting both the original play and this film made, what it meant for her career at the time and how well it holds up today (despite one potentially nasty depiction of abuse). We discuss Hepburn, Cary Grant and Jimmy Stewart and how well they work together in this story. We look at what director George Cukor brings to the table, finding the right ways to bring the script to life. We talk about the nature of the media and paparazzi and how things really haven’t changed all that much. And we look at how the film did not just in the box office and during Awards season, but more importantly how it’s really proven that it can stand the test of time.

    It’s a marvelous film, one that’s well worth watching. We had a great time talking about it with Steve and hearing his perspective on why it’s one of his favorites. So check out the movie then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enNovember 01, 2016
    steve miner
    movies we like
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