Logo
    Home > Topics > movies we like

    movies we like

    Explore "movies we like" with insightful episodes like "Apocalypse Now — Paul Cameron • Movies We Like", "Apocalypse Now — Paul Cameron • Movies We Like", "Fat City — Sam Levy • Movies We Like", "Fat City — Sam Levy • Movies We Like" and "Never Let Me Go — Alana Morshead • Movies We Like" from podcasts like ""The Next Reel Film Podcast", "The Next Reel Film Podcast", "The Next Reel Film Podcast", "The Next Reel Film Podcast" and "The Next Reel Film Podcast"" and more!

    Episodes (38)

    Apocalypse Now — Paul Cameron • Movies We Like

    Apocalypse Now — Paul Cameron • Movies We Like

    "You’re an errand boy sent by grocery clerks to collect a bill."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Paul Cameron joins us to talk about one of his favorite films, Apocalypse Now.

    We talk about why this film is such a key film for us and why Paul picked it, specifically the darkly poetic journey we go on with the characters, both internally and externally. We look at what Francis Ford Coppola went through to get this film made and how he, his crew and his cast all took their own dark journeys to make it happen. We discuss the script and what John Milius, Coppola and Michael Herr built into it as they adapted Joseph Conrad’s novella “Heart of Darkness” into a Vietnam setting. We chat about what the actors – notably Martin Sheen, Marlon Brando, Robert Duvall, Frederic Forrest, Larry Fishburne, Sam Bottoms, Albert Hall and Dennis Hopper – bring to the table. We discuss the importance of the look of the film, beautifully shot by Vittorio Storaro; and of the sound, designed by Walter Murch, Mark Berger, Richard Beggs and Nathan Boxer, and how it’s the grandfather of Dolby 5.1 Surround Sound. We touch on the original cut and Apocalypse Now Redux, not to mention Coppola’s wife’s documentary Hearts of Darkness: A Filmmaker’s Apocalypse and how all of the behind the scenes stories may affect one’s views of the film (if at all). And we look at how well the film did, assuaging any concerns Coppola had during the making (especially since it was self-financed and required him to mortgage his vineyards). 

    It’s a brilliant film, truly one of the great American classics and well worth talking about. We have a great chat with Paul about it, so check out the movie then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enOctober 04, 2016
    movies we like
    paul cameron

    Apocalypse Now — Paul Cameron • Movies We Like

    Apocalypse Now — Paul Cameron • Movies We Like

    "You’re an errand boy sent by grocery clerks to collect a bill."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Paul Cameron joins us to talk about one of his favorite films, Apocalypse Now.

    We talk about why this film is such a key film for us and why Paul picked it, specifically the darkly poetic journey we go on with the characters, both internally and externally. We look at what Francis Ford Coppola went through to get this film made and how he, his crew and his cast all took their own dark journeys to make it happen. We discuss the script and what John Milius, Coppola and Michael Herr built into it as they adapted Joseph Conrad’s novella “Heart of Darkness” into a Vietnam setting. We chat about what the actors – notably Martin Sheen, Marlon Brando, Robert Duvall, Frederic Forrest, Larry Fishburne, Sam Bottoms, Albert Hall and Dennis Hopper – bring to the table. We discuss the importance of the look of the film, beautifully shot by Vittorio Storaro; and of the sound, designed by Walter Murch, Mark Berger, Richard Beggs and Nathan Boxer, and how it’s the grandfather of Dolby 5.1 Surround Sound. We touch on the original cut and Apocalypse Now Redux, not to mention Coppola’s wife’s documentary Hearts of Darkness: A Filmmaker’s Apocalypse and how all of the behind the scenes stories may affect one’s views of the film (if at all). And we look at how well the film did, assuaging any concerns Coppola had during the making (especially since it was self-financed and required him to mortgage his vineyards). 

    It’s a brilliant film, truly one of the great American classics and well worth talking about. We have a great chat with Paul about it, so check out the movie then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enOctober 04, 2016
    movies we like
    paul cameron

    Fat City — Sam Levy • Movies We Like

    Fat City — Sam Levy • Movies We Like

    "How’d you like to wake up in the morning and be him?"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Sam Levy joins us to talk about one of his favorite films, John Huston’s 1972 boxing film Fat City. 

    We talk about the depressing story presented here as these characters try to reach the good life and why some of us can connect easier to it than others. We look at the incredible (and incredibly dark) cinematography by Conrad L. Hall and discuss the importance of a cinematographer getting to time their own film. We chat about the brilliant cast, from the actors like Stacy Keach, Jeff Bridges, Susan Tyrrell and Nicholas Colasanto; to the real-life boxers like Curtis Cokes and Sixto Rodriguez. We discuss Kris Kristofferson’s song “Help Me Make It Through the Night” and why it works so well in this movie. And we touch on what critics thought of the movie compared with how it did at the box office. 

    John Huston was at a period in his career where he’d been making some duds so it’s great to see him return to top form with Fat City. It’s a master class in cinematic realism and a boxing film well worth watching and discussing. Check it out then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enAugust 09, 2016
    sam levy
    movies we like

    Fat City — Sam Levy • Movies We Like

    Fat City — Sam Levy • Movies We Like

    "How’d you like to wake up in the morning and be him?"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, cinematographer Sam Levy joins us to talk about one of his favorite films, John Huston’s 1972 boxing film Fat City. 

    We talk about the depressing story presented here as these characters try to reach the good life and why some of us can connect easier to it than others. We look at the incredible (and incredibly dark) cinematography by Conrad L. Hall and discuss the importance of a cinematographer getting to time their own film. We chat about the brilliant cast, from the actors like Stacy Keach, Jeff Bridges, Susan Tyrrell and Nicholas Colasanto; to the real-life boxers like Curtis Cokes and Sixto Rodriguez. We discuss Kris Kristofferson’s song “Help Me Make It Through the Night” and why it works so well in this movie. And we touch on what critics thought of the movie compared with how it did at the box office. 

    John Huston was at a period in his career where he’d been making some duds so it’s great to see him return to top form with Fat City. It’s a master class in cinematic realism and a boxing film well worth watching and discussing. Check it out then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enAugust 09, 2016
    sam levy
    movies we like

    Never Let Me Go — Alana Morshead • Movies We Like

    Never Let Me Go — Alana Morshead • Movies We Like

    "You have to know who you are and what you are. It’s the only way you’ll lead decent lives."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, costume designer Alana Morshead joins us to talk about one of her favorite films, Mark Romanek’s 2010 film “Never Let Me Go” based on the book by Kazuo Ishiguro.

    We talk about the science fiction nature of this story and how it really operates more as a minor element of the world-building, allowing the viewers to focus so much more on the three main characters in the film and their relationships. We discuss the choices made by Romanek in the look of the film, the way the camera moved, and the nature of the love story. We look at what Carey Mulligan, Andrew Garfield and Keira Knightley bring to the table as the three principal characters, and how they compare with their youthful counterparts. And we struggle with the fact that this film didn’t connect with its audience, leaving it in the red by the time it left theatres, which really is a disappointment considering how much we really enjoyed it. 

    It’s a touching film and a fascinating glimpse at what strong writers can do with their science fiction. It’s something we enjoyed then found we connected to it more and more as time wore on. And it’s a thrill to have had it introduced to us finally as we’d both clearly missed it when it was released. So hopefully you’ll check it out, then tune in to the show!

    Film Sundries


    The Next Reel Film Podcast
    enJuly 05, 2016
    movies we like
    alanna morshead

    Never Let Me Go — Alana Morshead • Movies We Like

    Never Let Me Go — Alana Morshead • Movies We Like

    "You have to know who you are and what you are. It’s the only way you’ll lead decent lives."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, costume designer Alana Morshead joins us to talk about one of her favorite films, Mark Romanek’s 2010 film “Never Let Me Go” based on the book by Kazuo Ishiguro.

    We talk about the science fiction nature of this story and how it really operates more as a minor element of the world-building, allowing the viewers to focus so much more on the three main characters in the film and their relationships. We discuss the choices made by Romanek in the look of the film, the way the camera moved, and the nature of the love story. We look at what Carey Mulligan, Andrew Garfield and Keira Knightley bring to the table as the three principal characters, and how they compare with their youthful counterparts. And we struggle with the fact that this film didn’t connect with its audience, leaving it in the red by the time it left theatres, which really is a disappointment considering how much we really enjoyed it. 

    It’s a touching film and a fascinating glimpse at what strong writers can do with their science fiction. It’s something we enjoyed then found we connected to it more and more as time wore on. And it’s a thrill to have had it introduced to us finally as we’d both clearly missed it when it was released. So hopefully you’ll check it out, then tune in to the show!

    Film Sundries


    The Next Reel Film Podcast
    enJuly 05, 2016
    movies we like
    alanna morshead

    Terminator 2: Judgment Day — Sarah Trost • Movies We Like

    Terminator 2: Judgment Day — Sarah Trost • Movies We Like

    "Hasta la vista, baby."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, costume designer Sarah Trost joins us to talk about one of her favorite films, Terminator 2: Judgment Day. 

    We talk about why we all love this film so much and where this movie fits into our feelings for the entire franchise, and look at why James Cameron’s entries seemingly hold up so much better than the rest. We chat about the script that Cameron and William Wisher, Jr., put together here and the way they smartly chose to parallel elements from the first in the franchise. We look at how Cameron crafts films and why this film still holds up so incredibly well. We discuss the actors – Linda Hamilton, Arnold Schwarzenegger, Edward Furlong, Robert Patrick and Joe Morton primarily – and talk about what they all bring to the table, even commenting which of the actors delivers a performance that might have warranted an Oscar nomination. We look at the amazing cinematography, stunts, effects, makeup, costumes, models, music, editing – honestly, everyone involved in this film seems to be working at the top of their form and we talk about that. And we talk about the brilliant metal man effects work they did here bringing the T-1000 to life (and pushing this budget over $100 million, the first time a film cost that much). 

    It truly is an action film that’s set a standard for all action films to follow and a film that hardly shows its age. We have a great time talking with Sarah about this one so tune in! (Oh, and be prepared for some explicit language in this one.)

    Film Sundries


    The Next Reel Film Podcast
    enJune 07, 2016
    movies we like
    sarah trost

    Terminator 2: Judgment Day — Sarah Trost • Movies We Like

    Terminator 2: Judgment Day — Sarah Trost • Movies We Like

    "Hasta la vista, baby."

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, costume designer Sarah Trost joins us to talk about one of her favorite films, Terminator 2: Judgment Day. 

    We talk about why we all love this film so much and where this movie fits into our feelings for the entire franchise, and look at why James Cameron’s entries seemingly hold up so much better than the rest. We chat about the script that Cameron and William Wisher, Jr., put together here and the way they smartly chose to parallel elements from the first in the franchise. We look at how Cameron crafts films and why this film still holds up so incredibly well. We discuss the actors – Linda Hamilton, Arnold Schwarzenegger, Edward Furlong, Robert Patrick and Joe Morton primarily – and talk about what they all bring to the table, even commenting which of the actors delivers a performance that might have warranted an Oscar nomination. We look at the amazing cinematography, stunts, effects, makeup, costumes, models, music, editing – honestly, everyone involved in this film seems to be working at the top of their form and we talk about that. And we talk about the brilliant metal man effects work they did here bringing the T-1000 to life (and pushing this budget over $100 million, the first time a film cost that much). 

    It truly is an action film that’s set a standard for all action films to follow and a film that hardly shows its age. We have a great time talking with Sarah about this one so tune in! (Oh, and be prepared for some explicit language in this one.)

    Film Sundries


    The Next Reel Film Podcast
    enJune 07, 2016
    movies we like
    sarah trost

    Snatch. — Michael B. Koff • Movies We Like

    Snatch. — Michael B. Koff • Movies We Like

    "Is that a tea cozy on his head?"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, sound mixer Michael B. Koff joins us to talk about one of his favorite films, Guy Ritchie’s crime comedy thriller from the year 2000, “Snatch!” 

    We talk about Guy Ritchie’s style, why it works for us, and why some people complained at the time that it felt like “Lock, Stock and Two Smoking Barrels” redux. We discuss the incredible talent onscreen here – from Jason Statham and Brad Pitt to Dennis Farina Andolan Ford – and what they all bring to the table, not to mention how much balance there is with all of their parts. We chat about the blending of the two storylines throughout the film and why it's effective in the ‘hyperlink cinema’ style. And we look at the technical aspects of the film – the sound, the cinematography and the editing in particular – and how it ties into the storytelling style overall. 

    It’s a raucous ride of a film that’s not talked about enough, so check it out then grab a drink and join us in the Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enMay 03, 2016
    movies we like
    michael b. koff

    Snatch. — Michael B. Koff • Movies We Like

    Snatch. — Michael B. Koff • Movies We Like

    "Is that a tea cozy on his head?"

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, sound mixer Michael B. Koff joins us to talk about one of his favorite films, Guy Ritchie’s crime comedy thriller from the year 2000, “Snatch!” 

    We talk about Guy Ritchie’s style, why it works for us, and why some people complained at the time that it felt like “Lock, Stock and Two Smoking Barrels” redux. We discuss the incredible talent onscreen here – from Jason Statham and Brad Pitt to Dennis Farina Andolan Ford – and what they all bring to the table, not to mention how much balance there is with all of their parts. We chat about the blending of the two storylines throughout the film and why it's effective in the ‘hyperlink cinema’ style. And we look at the technical aspects of the film – the sound, the cinematography and the editing in particular – and how it ties into the storytelling style overall. 

    It’s a raucous ride of a film that’s not talked about enough, so check it out then grab a drink and join us in the Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enMay 03, 2016
    movies we like
    michael b. koff

    The Silent Partner — Craig Anderson • Movies We Like

    The Silent Partner — Craig Anderson • Movies We Like

    “If you decide you’re not going to be reasonable, then one night when you come home, you’ll find me on the inside waiting for you, and that’ll be the night you’ll wish you’d never been born.”

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, actor, comedian and director Craig Anderson joins us to talk about one of his favorites, Daryl Duke’s Canadian bank heist thriller from 1978, “The Silent Partner.” We talk about the tone of films in the 70s and the nature of crime depicted in this film, not just of bank heists but also rampant infidelity and violent murder. We chat about the performances from Elliott Gould and Christopher Plummer and what they bring to the table, as well as those from Susannah York, John Candy and Céline Lomez to name a few. We discuss the taut screenplay adaptation by Curtis Hanson and the efficiency with which he crafts this story so as to avoid unnecessary exposition. And we ponder the manliness of Gould at this time in his career paired with the evil of Plummer. It’s a great film that isn’t talked about enough, so check it out then grab a drink and join us in the Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enApril 19, 2016
    craig anderson
    movies we like

    The Silent Partner — Craig Anderson • Movies We Like

    The Silent Partner — Craig Anderson • Movies We Like

    “If you decide you’re not going to be reasonable, then one night when you come home, you’ll find me on the inside waiting for you, and that’ll be the night you’ll wish you’d never been born.”

    The Next Reel’s Speakeasy is an ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, actor, comedian and director Craig Anderson joins us to talk about one of his favorites, Daryl Duke’s Canadian bank heist thriller from 1978, “The Silent Partner.” We talk about the tone of films in the 70s and the nature of crime depicted in this film, not just of bank heists but also rampant infidelity and violent murder. We chat about the performances from Elliott Gould and Christopher Plummer and what they bring to the table, as well as those from Susannah York, John Candy and Céline Lomez to name a few. We discuss the taut screenplay adaptation by Curtis Hanson and the efficiency with which he crafts this story so as to avoid unnecessary exposition. And we ponder the manliness of Gould at this time in his career paired with the evil of Plummer. It’s a great film that isn’t talked about enough, so check it out then grab a drink and join us in the Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enApril 19, 2016
    craig anderson
    movies we like

    Room — Dee Wallace • Movies We Like

    Room — Dee Wallace • Movies We Like

    “When I was small, I only knew small things, but now I’m five – I know everything!”

    The Next Reel’s Speakeasy is a new ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, actress Dee Wallace joins us to talk about one of her relatively new favorites, Lenny Abrahamson’s amazing film “Room.” We talk about the brilliant performances of Jacob Tremblay and Brie Larson and the fascinating exploration of this pair forced to live in the titular room. We talk about Abrahamson’s work, paired with DP Danny Cohen, to tell the film from 5-year-old Jack’s perspective and how well that works for this movie. We chat about the other actors, notably the trio of ‘villains’ played by William H. Macy, Sean Bridgers and Wendy Crewson. We touch on the origins of the story and how it translated to the film. And we debate the strength of the Oscars when a performance like Tremblay’s doesn’t get nominated. It’s a movie that can break you if you’re wusses like us, or at least can move you if you’re made of stronger stuff like Dee, so check it out then grab a drink and join us in the Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enMarch 01, 2016
    dee wallace
    movies we like

    Room — Dee Wallace • Movies We Like

    Room — Dee Wallace • Movies We Like

    “When I was small, I only knew small things, but now I’m five – I know everything!”

    The Next Reel’s Speakeasy is a new ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, actress Dee Wallace joins us to talk about one of her relatively new favorites, Lenny Abrahamson’s amazing film “Room.” We talk about the brilliant performances of Jacob Tremblay and Brie Larson and the fascinating exploration of this pair forced to live in the titular room. We talk about Abrahamson’s work, paired with DP Danny Cohen, to tell the film from 5-year-old Jack’s perspective and how well that works for this movie. We chat about the other actors, notably the trio of ‘villains’ played by William H. Macy, Sean Bridgers and Wendy Crewson. We touch on the origins of the story and how it translated to the film. And we debate the strength of the Oscars when a performance like Tremblay’s doesn’t get nominated. It’s a movie that can break you if you’re wusses like us, or at least can move you if you’re made of stronger stuff like Dee, so check it out then grab a drink and join us in the Speakeasy!

    Film Sundries


    The Next Reel Film Podcast
    enMarch 01, 2016
    dee wallace
    movies we like

    Casino Royale — Matthew Gratzner • Movies We Like

    Casino Royale — Matthew Gratzner • Movies We Like

    “I would ask you if you could remain emotionally detached, but I don’t think that’s your problem. Is it, Bond?”

    The Next Reel’s Speakeasy is a new ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, visual effects supervisor and director Matthew Gratzner joins us to talk about one of his faves, Martin Campbell’s reboot of the James Bond franchise that introduced us to Daniel Craig’s 007, “Casino Royale.” We talk about Craig and the rest of the cast, including Dame Judy Dench, Eva Green and Mads Mikkelsen, and look at what they bring to the table. We discuss the story and its origins, from Ian Fleming’s original novel and the rights to the book, to where the franchise had been with Pierce Brosnan as the previous Bond, and finally to the screenwriters Neal Purvis, Robert Wade and Paul Haggis and what they delivered here. We chat about Barbara Broccoli and Michael G. Wilson and how they’ve worked so hard as a driving force to keep the franchise alive, consistent and relevant. And we chat effects, from the amazing stuntwork and the incredibly limited CGI to the model work. It’s a fantastic movie in a franchise we all love and we have a great time talking about it, so grab a drink and join us in the Speakeasy!

    About Matthew Gratzner
    @MatthewGratzner

    Matthew Gratzner is a triple threat talent who balances directing, design and technology fluidly when creating content. Matthew has a pioneering spirit and is always willing to create with new tools while remaining grounded in story and character.

    Best known for his visual effects work on the biggest feature films over the last decade as Visual Effects Supervisor and co-founder New Deal Studios, Matthew is also an accomplished director. He has two feature films in post, several commercials, huge visual effects sequences, digital shorts and is now pioneering cinematic virtual reality content. He was the first to direct a cinematic live action virtual reality short called The Mission. He has directed live sports VR for the NHL. HIs Music Video for Galvanized Souls for the song “New Generation” that has been hugely popular this summer. His latest is virtual reality short is Mutiny for Nokia and their OZO camera. 

    Film Sundries


    The Next Reel Film Podcast
    enFebruary 02, 2016
    movies we like
    matthew gratzner

    Casino Royale — Matthew Gratzner • Movies We Like

    Casino Royale — Matthew Gratzner • Movies We Like

    “I would ask you if you could remain emotionally detached, but I don’t think that’s your problem. Is it, Bond?”

    The Next Reel’s Speakeasy is a new ongoing series of ours in which we invite an industry guest to join us and bring along one of their favorite movies to talk about. In this month’s episode, visual effects supervisor and director Matthew Gratzner joins us to talk about one of his faves, Martin Campbell’s reboot of the James Bond franchise that introduced us to Daniel Craig’s 007, “Casino Royale.” We talk about Craig and the rest of the cast, including Dame Judy Dench, Eva Green and Mads Mikkelsen, and look at what they bring to the table. We discuss the story and its origins, from Ian Fleming’s original novel and the rights to the book, to where the franchise had been with Pierce Brosnan as the previous Bond, and finally to the screenwriters Neal Purvis, Robert Wade and Paul Haggis and what they delivered here. We chat about Barbara Broccoli and Michael G. Wilson and how they’ve worked so hard as a driving force to keep the franchise alive, consistent and relevant. And we chat effects, from the amazing stuntwork and the incredibly limited CGI to the model work. It’s a fantastic movie in a franchise we all love and we have a great time talking about it, so grab a drink and join us in the Speakeasy!

    About Matthew Gratzner
    @MatthewGratzner

    Matthew Gratzner is a triple threat talent who balances directing, design and technology fluidly when creating content. Matthew has a pioneering spirit and is always willing to create with new tools while remaining grounded in story and character.

    Best known for his visual effects work on the biggest feature films over the last decade as Visual Effects Supervisor and co-founder New Deal Studios, Matthew is also an accomplished director. He has two feature films in post, several commercials, huge visual effects sequences, digital shorts and is now pioneering cinematic virtual reality content. He was the first to direct a cinematic live action virtual reality short called The Mission. He has directed live sports VR for the NHL. HIs Music Video for Galvanized Souls for the song “New Generation” that has been hugely popular this summer. His latest is virtual reality short is Mutiny for Nokia and their OZO camera. 

    Film Sundries


    The Next Reel Film Podcast
    enFebruary 02, 2016
    movies we like
    matthew gratzner

    My Favorite Year — Abraham Benrubi • Movies We Like

    My Favorite Year — Abraham Benrubi • Movies We Like

    “I’m not an actor, I’m a movie star!”

    The Next Reel’s Speakeasy is a new ongoing series of ours in which we invite an industry guest to join us and, instead of bringing their favorite cocktail, we have them bring along one of their favorite movies to talk about. In this inaugural episode, actor Abraham Benrubi joins us to talk about one of his faves, Richard Benjamin’s 1982 comedy gem “My Favorite Year,” starring Peter O’Toole and Mark Linn-Baker. We talk about the cast – from the brilliant (and Oscar-nominated) performance by O’Toole and the fantastic Linn-Baker to everyone else involved like Jessica Harper, Joseph Bologna, Bill Macy, Lainie Kazan, George Wyner, Selma Diamond and even an appearance by queen of the “Titanic” herself, Gloria Stewart. We chat about the origins of the story from writers who worked for Sid Caesar’s “Show of Shows” and how this fits in the world of live TV from the 50s. And we discuss the script and how it moves assuredly from the madcap comedy antics to some wonderfully poignant moments that really tug at your heartstrings. It’s a wonderful film to kick off this new series, so check it out then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enJanuary 05, 2016
    movies we like
    abe benrubi

    My Favorite Year — Abraham Benrubi • Movies We Like

    My Favorite Year — Abraham Benrubi • Movies We Like

    “I’m not an actor, I’m a movie star!”

    The Next Reel’s Speakeasy is a new ongoing series of ours in which we invite an industry guest to join us and, instead of bringing their favorite cocktail, we have them bring along one of their favorite movies to talk about. In this inaugural episode, actor Abraham Benrubi joins us to talk about one of his faves, Richard Benjamin’s 1982 comedy gem “My Favorite Year,” starring Peter O’Toole and Mark Linn-Baker. We talk about the cast – from the brilliant (and Oscar-nominated) performance by O’Toole and the fantastic Linn-Baker to everyone else involved like Jessica Harper, Joseph Bologna, Bill Macy, Lainie Kazan, George Wyner, Selma Diamond and even an appearance by queen of the “Titanic” herself, Gloria Stewart. We chat about the origins of the story from writers who worked for Sid Caesar’s “Show of Shows” and how this fits in the world of live TV from the 50s. And we discuss the script and how it moves assuredly from the madcap comedy antics to some wonderfully poignant moments that really tug at your heartstrings. It’s a wonderful film to kick off this new series, so check it out then tune in!

    Film Sundries


    The Next Reel Film Podcast
    enJanuary 05, 2016
    movies we like
    abe benrubi
    Logo

    © 2024 Podcastworld. All rights reserved

    TwitterYouTubeInstagramPinterestFacebookLinkedIn

    Pages

    PodcastsEpisodesTopics

    Support

    Refund PolicyTerms of ServiceContact usPrivacy Policy

    Stay up to date

    For any inquiries, please email us at hello@podcastworld.io