no angels

Was hat uns im Jahr 2001 musikalisch bewegt? Klar: 9/11 und damit auch "Only Time von Enya. Aber auch Big Brother und "Es ist geil, ein Arschloch zu sein" von Christian.  Die Millennials skippen sich durch die Top 40 der offiziellen Jahrescharts und stellen fest, dass es von längst vergessenen Quatsch-Songs bis zu großen Meisterwerken in diesem Jahr wirklich nicht weit ist. Und dass sie sowohl Phil Collins, als auch die Weather Girls ohne die entsprechenden Coversongs vielleicht nie entdeckt hätten. Achtung: Es muss auch wieder gelegentlich angesungen werden!

The stories behind the life of global hit songwriter Pam Sheyne.

Now based in Los Angeles, New Zealand born Pam Sheyne’s career has resulted in a number of globally recognised hit records, major film end titles, sales of 50+ million records, 100+ platinum, gold and silver sales certifications, 7 BMI Pop airplay citations and a prestigious Ivor Novello award.

Whilst best known for the global breakthrough single “Genie In A Bottle” for Christina Aguilera (No.1 USA Hot 100/No.1 UK), she was also responsible for Dream’s debut hit “He Loves U Not” (USA No.2 Hot 100/No.1 Soundscan) as well as Jessica Simpson’s “Irresistible” (No.15 USA Hot 100).

Her songs have been covered by a number of international artists including Seal, Corrine Bailey Rae, The Backstreet Boys, O Town, Nick Lachey, Laura Pausini, Hayley Westenra, Lindsay Lohan, Eternal, Play, No Angels, Cece Winans, Point of Grace and The Saturdays.

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EPISODE 27: American soprano Alyson Cambridge is one of the most diverse and compelling vocal artists on the scene today. She is praised for her “powerful, clear voice” by The New York Times, hailed by critics for her “radiant, vocally assured, dramatically subtle and artistically imaginative” performances (Washington Post), and celebrated for her “sultry and seductive readings” (Opera News). Combined with a striking stage presence and affecting musical and dramatic interpretation, she has two decades of success on the world’s leading opera and concert stages, including The Metropolitan Opera, Carnegie Hall, Washington National Opera at The Kennedy Center, Lyric Opera of Chicago, Los Angeles Opera, Glimmerglass Festival, London’s Royal Albert Hall, Deutsche Oper Berlin, Vienna Konzerthaus, and New York's Broadway Theatre, to name a few. Her operatic repertoire includes the beloved heroines of Puccini, Verdi, and Mozart (Madama Butterfly, Mimi in La Bohème and Donna Elvira in Don Giovanni frequently among them), as well as her signature title roles of Carmen and Bess in Porgy and Bess. She has also made successful forays into the Broadway and jazz worlds, most notably with award-winning and critically-acclaimed performances as Julie in Show Boat, Vi in Gershwin’s rarely performed jazz-opera Blue Monday, and her 2018 Broadway debut in Rocktopia. She also has released three acclaimed classical and jazz albums, From the Diary of Sally Hemings and Until Now, respectively.  Her most recent album, “Sisters In Song”, is a unique compilation of opera, art songs, and African-American spiritual duets with fellow soprano Nicole Cabell, and was an Opera News 'Critic's Choice' for 2019. alysoncambridge.com

As guitarist, producer, composer and/or music director, Tony Bruno has worked with Rihanna, Joan Jett, Kanye West, Enrique Iglesias, Mandy Moore, Donna Summer, INXS, Colin Hay among many other major artists. Bruno's TV credits include The Grammys, America's Got Talent, La Voz Kids, X-Factor, the AMAs, Jay Leno, Top Of The Pops, MTV Music Awards and TRL, and Wetten Das, and countless others. His song "Daylight in Your Eyes" that he co-wrote with Tommy Byrnes for German girl group, No Angels, was the second best-selling German single of all time. He currently lives in Brooklyn where he has his recording studio and writes for TV, Broadway and Film. tonybrunomusic.com

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Das mobile Zeitalter wurde in den 2000er Jahren bei uns nicht nur durch Laptops und Handys eingeläutet - auch die Getränke wurden mobil. Heute wissen wir, dass das Ganze zum Leidwesen der Umwelt ist, doch Dörthe und Laura wissen noch: Damals war das Ganze Lifestyle und ein Hauch von Selbstoptimierung. Darum, und darum warum die Songs von Bro'Sis, No Angels und Co gerade von Millennials wieder rauf und runter gehört werden (könnten), geht es in dieser Folge.