To learn more, please visit ARCA's website.
SHOW NOTES:
03:00 Dr. Charney’s interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA)
05:00 Charney’s first book
05:30 first conference to bring academics and art police together
06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure
11:00 ARCA’s summer conference on art crime in central Italy
14:00 Italy’s Carabinieri Art Squad
17:50 ARCA’s CEO Linda Albertson
18:30 Albertson’s blog post about return of objects to Cambodia by Doug Latchford’s Estate
19:00 ARCA’s blog
21:30 recommendations to those who want to return looted art or cultural heritage objects
24:00 Missing Masterpieces exhibition
25:35 thief of Van Gogh’s Parsonage arrested though painting is still missing
25:50 tip on whereabouts of Jean-Baptiste Oudry’s The White Duck
26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium
27:45 a work is ‘extant’ if its location is known
28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney’s Museum of Lost Art
29:00 The Deposition in the Prado in Madrid is now considered van der Weyden’s masterpiece
29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece
29:45 the Justice cycle destroyed in a fire circa early 17th C.
29:55 survivor bias - 2018 book The Museum of Lost Art
31:10 The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach
31:55 2017 book The Collector of Lives focuses on the life of Giorgio Vasari
33:00 rivalry of artists in Caravaggio’s 1599 The Calling of St. Matthew - artist used a duplicate of Sistine Chapel Ceiling’s hand of God by Michelangelo to paint hand of Jesus
34:15 Charney’s online discussion of Caravaggio’s 1599 The Calling of St. Matthew
34:50 Book of Drawings, twelve folios by Giorgio Vasari
36:05 Vinci’s Battle of Angiati; Vasari’s use of false walls to preserve works he valued like da Vinci’s Battle of Angiati
37:15 third work would be the Justice Cycle
37:30 Charney’s preference for work in situ
39:00 Vasari’s use of false walls to cover paintings
39:50 Vasari’s false wall in front of da Vinci’s Battle
40:50 Charney’s recommendations of books published by ARCA
41:10 Context Matters: Collating the Past by David W.J. Gill - essays on antiquities, looting and archaeology
41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse
41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl
42:45 Charney’s The Art Thief’s Handbook
Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]