Logo

    practical effects

    Explore " practical effects" with insightful episodes like "An American Werewolf in London (1981)", "RoboCop (1987) - Directed by Paul Verhoeven", "Episode 34: The Void (2016)", "The Fall / You're On the F**kin' Ride (Guest: Jessica Martin)" and "The Fisch Bowl Talks: With Faceoff's Special Makeup Effects Artist Autumn Cook Live At Pittsburgh's Horror Realm Con" from podcasts like ""Born To Watch - A Movie Podcast", "Roll It - A Movie Podcast", "The Wicked Wild Podcast", "The Review Review" and "The Fisch Bowl"" and more!

    Episodes (81)

    An American Werewolf in London (1981)

    An American Werewolf in London (1981)

    Released in 1981, "An American Werewolf in London" remains a timeless horror classic that combines elements of comedy, romance, and intense gore to deliver a unique and memorable cinematic experience. Directed by John Landis and featuring ground breaking special effects by Rick Baker, this film revolutionized the werewolf genre and set a new standard for horror-comedy. With its compelling storyline, impressive performances, and stunning practical effects, "An American Werewolf in London" continues to captivate audiences even over four decades after its initial release.

    The film follows the story of two American backpackers, David Kessler (played by David Naughton) and Jack Goodman (played by Griffin Dunne), who are attacked by a werewolf while wandering the moors of England. David survives the attack but soon realizes that he has become cursed with the werewolf's curse. As his condition worsens, David's life spirals into chaos, as he struggles with his newfound identity and the terrifying consequences of his transformation.

    What sets "An American Werewolf in London" apart is its unique blend of horror and humor. The film deftly balances moments of gut-wrenching terror with lighthearted comedic relief, creating a rollercoaster of emotions for the audience. The witty banter between David and the ghost of Jack, who frequently appears as a decaying corpse, provides dark humour amidst the gripping horror narrative.

    The performances in "An American Werewolf in London" are exceptional, particularly from David Naughton and Griffin Dunne. Naughton brings a compelling vulnerability to his role as David, effectively conveying his fear, confusion, and eventual acceptance of his monstrous nature. Dunne's portrayal of Jack as a decomposing, wisecracking spectre adds a surreal and macabre touch to the film. Their on-screen chemistry is engaging and authentic, making their friendship and the subsequent tragedy all the more impactful.

    John Landis's direction showcases his ability to balance horror and comedy while maintaining a consistent tone throughout the film. He expertly builds tension in the atmospheric scenes set in the eerie moors and the dimly lit London streets. The film's pacing is excellent, with Landis masterfully alternating between moments of dread and comic relief.

    One of the standout aspects of "An American Werewolf in London" is its ground breaking special effects, created by the legendary Rick Baker. The transformation scene, in which David painfully morphs into a werewolf, remains one of the most iconic and realistic sequences in horror cinema. The practical effects, achieved without the aid of CGI, are still astonishing by today's standards. Baker's attention to detail in capturing the visceral and gruesome nature of the transformation is unparalleled, leaving audiences both mesmerized and repulsed.

    "An American Werewolf in London" is a timeless masterpiece that successfully blends horror, comedy, and romance to create an unforgettable cinematic experience. John Landis's direction, coupled with outstanding performances from David Naughton and Griffin Dunne, elevates the film beyond typical genre fare. The remarkable practical effects by Rick Baker remain a benchmark in the industry, showcasing his mastery in creating visceral and realistic horror. With its engaging storyline, memorable characters, and a perfect balance between terror and humor, "An American Werewolf in London" remains an essential watch for horror enthusiasts and lovers of classic cinema alike.

    Please follow the Podcast and join our community at 

    https://linktr.ee/borntowatchpodcast

     If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fm

    Click the link below 

    https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

    RoboCop (1987) - Directed by Paul Verhoeven

    RoboCop (1987) - Directed by Paul Verhoeven

    We're back! After extensive technical issues and multiple efforts at recording this episode, we finally succeeded! This week we're once again diving into a Paul Verhoeven film, this time his 1987 effort - Robocop. We talk about Verhoeven's skill of satire, the great practical effects, RoboJesus, and much more. Tune in and check it, and hopefully we'll be back on schedule and be back in two weeks! Contact us at rollitpodcast@gmail.com or follow us!    

    Twitter - @RollItPodcast    
    Instagram - @rollitpodcast    

    Music by Ethan Rapp

    Episode 34: The Void (2016)

    Episode 34: The Void (2016)

    This week we head to the great white North to sample some of Canada's legendary independent horror!  Dave, John, Eli, and Jaime get into the twisted crowd-funded cosmic horror The Void--and they've got a lot of questions!  

    To learn more about The Wicked Wild, visit www.thewickedwild.com and follow us on Twitter: @wickedwildweare, Slasher: @wickedwildweare, and Instagram: @wickedwildpod. Please remember to subscribe to get notified as new episodes are published and rate and share within your favorite social media and podcasting apps

    The Fall / You're On the F**kin' Ride (Guest: Jessica Martin)

    The Fall / You're On the F**kin' Ride (Guest: Jessica Martin)

    Performer, writer, director, and general cool human Jessica Martin sits down with us, to then take "The Fall," (2006) Based on “Yo Ho Ho,” (1981). Starring; Lee Pace, Catinca Untaru, and Justine Waddell. A fantasy/adventure gem Directed and co-written by Tarsem Singh (The Cell, Mirror Mirror), and produced (?) by Spike Jonze, and David Fincher (maybe). We get swept away in the discussion of storytelling via color coding, Lee Pace, the greatness of practical effects, and the sheer power of Blu-Ray (tm). A film that must be experienced directly to truly understand, but we take a swing.

    Plot: In a hospital just outside of 1920s LA, an injured stuntman tells a fellow patient, a little girl with a broken arm, a fantastic story about 5 mythical heroes. Between his unstable mind, and her imagination, the line between fiction and reality blurs.

    If you, or someone you know is having thoughts of suicide, there is hope, and there is help. The National Suicide Prevention Hotline is available 24 hours a day, 7 days a week, 365 days a year, at 988.
    https://988lifeline.org/?utm_source=google&utm_medium=web&utm_campaign=onebox

    Recorded 12/22
    1hr 39mins

    **All episodes contain explicit language**
    Artwork - Ben McFadden
    Review Review Intro/Outro Theme - Jamie Henwood
    "What Are We Watching" Theme - Matthew Fosket
    Lead-Ins Edited/Conceptualized by - Ben McFadden
    Produced by - Ben McFadden & Paul Root
    Concept - Paul Root

    The Fisch Bowl Talks: With Faceoff's Special Makeup Effects Artist Autumn Cook Live At Pittsburgh's Horror Realm Con

    The Fisch Bowl Talks: With Faceoff's Special Makeup Effects Artist Autumn Cook Live At Pittsburgh's Horror Realm Con

    Attention all you Fisch's in the sea!!! Are you a fan of Syfy channel's Face Off? What about Special make up effects? If the answer's yes to both those questions, then you're going to want to swim down to the deepest depths of the sea, and checkout my exclusive interview with Autumn Cook live at Pittsburgh's Horror realm Con, where I discuss her career and horror films.

    Support the show

    Where the Scary Things Are - Delightfully Terrible in All the Right Ways

    Where the Scary Things Are - Delightfully Terrible in All the Right Ways

    PATREON PARTY PLEASER: 

    This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard!  

    Melvin and Melanie explain, beat for beat, the entirety of Where the Scary Things Are, one of 2022's most baffling and hilariously unwatchable features that nobody knows about. Amidst frustrated and confused laughter, the two bring you from opening to closing credits! Hilarity ensues! 

    Topics: 

    • (PATREON EXCLUSIVE) 18-minutes discussing Christmas seasonal stress (gift giving and decorations) and the balancing Christian traditions with Western traditions (PATREON EXCLUSIVE) 
    • The blurb for Where the Scary Things Are is about a group of students who find a monster and turn it into an influencer. Sort of. 
    • The choice to shoot Where the Scary Things Are at Field of Screams, a real horror themed park, greatly benefits the general aesthetic of the film. 
    • A teacher gives the students their project to create a local myth, and while the film showcases him as a moral third-party, the things he does as a teacher are remarkably not great. 
    • Ayla is a combination of an extremely unhinged bully who also cares a lot about her grades, which is an inherently funny combination. 
    • There comes a point early on the audience will go, "Why are these kids even friends?" because it's clear nobody likes each other. 
    • The creature design for Where the Scary Things Are is a major plus to the film, despite the creature doing nothing throughout the movie. 
    • Melanie's biggest frustration is how unclear Where the Scary Things Are is when it comes to its tone and theme. 
    • Speaking of, there's one scene that theoretically comes together in showcasing the theme of Where the Scary Things Are, but it's a scene where the performances are so poorly executed that it completely disrupts the film. 
    • It takes an hour before the first kill happens and it's limited to the small viewfinder of a handheld camera, so the spectacle of violence is mostly stale. 
    • Melvin proposes what makes a "so bad its good" movie good, and how Where the Scary Things Are fits perfectly into that category. 

    Recommendations: 

    Support the show

    Support on Patreon for Unique Perks!

    • Early access to uncut episodes
    • Vote on a movie/show we review
    • One-time reward of two Cinematic Doctrine Stickers & Pins

    Social Links:

    Everyday Epiphanies w/ Katrina Kemp

    Everyday Epiphanies w/ Katrina Kemp

    Welcome back Katrina Kemp! Katrina is an actor, producer, activist, DJ, and intuitive from LA. 

    Katrina not only shares her own coming-of-age story as a person with pseudoachondroplasia but also speaks to the relatively new project of people with Dwarfism collecting their own history, free from the gaze of average-height people. 

    She explains how people with dwarfism were enslaved for centuries and how being forced to labor as circus performers still inform how they’re treated in the modern movie industry (and the world at large) today. Katrina traces the relationship between erasure and exploitation in media and reflects on how vital it was for her to find representation and community online growing up. 

    “We find each other deep, deep in the internet. But other people are finding us too,” Katrina says. 

    This sets the stage for our discussion of “Dear Average Height People,” a film Katrina is producing by director Aubrey Smalls. As far as Aubrey and Katrina know, this is the very first documentary comedy special to be directed and produced by people with Dwarfism. In fact, they haven’t been able to find ANY films, shows, or specials created by people with Dwarfism and urgently want that to change. 

    The film is about dwarfism, disability hate groups, agency, and freedom. It portrays a global network of people with dwarfism who may live far away from each other, but who live in deep solidarity. It illustrates the way obsessive hate groups target and harass people with Dwarfism online, as well as how platforms like Youtube encourage violence and monetize torment.  It also depicts how talented, beautiful, funny, and diverse the Dwarfism community is around the world. 

    Listen to hear Katrina’s many insights about beauty, bodies, surveillance, her bone to pick with Stephen Spielberg, Britney Spears, L’Express, Diane Arbus, inhalants, and more… 

    “People experience epiphanies with me every day… every hour if I allowed it,” Katrina says. 

    Follow Katrina on IG, Twitter, Twitch, and Youtube. Please consider contributing what you can to “Dear Average Height People.” Pledge your support on Indiegogo here.  Production crew volunteers, exhibition and performance spaces, and community partners are also welcome to donate resources. 

    + For more Katrina on the pod, listen to our Britney Spears episode from 2021. 

    Thanks to Margot Padilla for engineering and editing this episode. Our show music is “Let Me Love You” by Dis Fantasy. Follow me on IG: @TSTAR7

    Recorded 10/3 at Pirate Studios Silverlake. Pirate is open 24/7 in Silverlake and West Adams, as well as all over the US, UK, Germany, and Ireland. They have DJ, rehearsal, and podcast studios for everyone to use. Book online and let yourself inside. Click here and use the code TIERNEY for $10 off your first booking. Write me: tierneytierneytierneytalks@gmail.com

    Support the show

    27. Metamorphosis: The Alien Factor (1990) FEAT. Brian

    27. Metamorphosis: The Alien Factor (1990) FEAT. Brian

    This week, second time guest star extraordinaire  Brian takes the co-hosting reins and helps Steve talk about the early 90's sci-fi heavy alien horror fest, Metamorphosis: The Alien Factor.

    An alien from outer space bites a bio-researcher on the hand and turns him into a monster. Its first victim is the guard at the laboratory he's working in. The guard's daughters are getting worried that their father hasn't called them and they go to the lab where they meet their worst nightmare.

    You can also give this movie a watch on YouTube here.

    Timecodes
    Intro: 0:00
    Horror Hour News Roundup: 2:44
    Metamorphosis The Alien Factor Discussion: 14:20
    Final Thoughts: 1:12:11

    LINKS:
    Instagram / TikTok
    Join the Patreon!
    Shop Merch
    Ugly Cowboy

    Call the Hot Take Hotline:
    916-538-4412

    Episode 198: 'All Jacked Up and Full of Worms' (2022)/'Weird: The Al Yankovic Story' (2022)

    Episode 198: 'All Jacked Up and Full of Worms' (2022)/'Weird: The Al Yankovic Story' (2022)

    We start the show with a look at some upcoming genre fare. (Yes, we know Wednesday is coming out.) We discuss an intense road trip movie about cannibals and growing up, whether you need to watch Nope, and the odd release schedule for the next Knives Out movie. Plus, some of the strangest sequels you have never heard of.

    Our first movie is probably the most gross we have talked about this year. All Jacked Up and Full of Worms is as weird as its title would have you believe. The story follows a group of people who have discovered that worms can be used as a hallucinogenic drug. What follows is a night of debauchery, death, and disgust.

    There is so much to unpack here. We talk about a doll that is creepy is a way that we did not ever want to see. The movie is filled with a sexuality that co-mingles with its strangeness in a way that should not be possible. It is also filled with great characters and what plot there is engaging. But why do we think some people will hate it?

    This week's feature presentation is Weird: The Al Yankovic Story. A parody of a parody about a musician who writes parodies, the film is definitely not for everybody. There is just a certain segment that have never gotten Weird Al, nor do they ever want to. Which is a shame because the movie is very clever, filled with fantastic performances, and is laugh out loud funny.

    Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.

    Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.

    Music in the background from https://www.FesliyanStudios.com

     

    Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.

    Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.

    Music in the background from https://www.FesliyanStudios.com

     

    Visual Effects | Dr Stuart Bender, Brendan Seals

    Visual Effects | Dr Stuart Bender, Brendan Seals

    As visual effects technologies advance and audience engagement changes, what could movies look like in the future?

    In this episode, Sarah is joined by Dr Stuart Bender and VFX Supervisor Brendan Seals, who has worked on 30 movies, including the Oscar-nominated Spider-Man: No Way Home, for VFX vendor Luma Pictures. 

    They discuss how visual effects are used on screen more than we realise, examine why audience reactions to visual effects have changed in the past 20 years, and predict how new technologies could transform the visual effects industry and even impact the real world.

    • Brendan’s visual effects work [01:19]
    • How audience attitudes to visual effects have changed [05:14]
    • LED StageCraft technologies as seen in The Mandalorian [13:02]
    • Shooting on camera vs. adding visual effects: the case of Top Gun: Maverick [15:13]
    • Deepfakes in the industry and the real world [19:05]
    • Advice for future visual effects artists [26:42]
    • What’s next for Stuart and Brendan? [31:27]

    Learn more

    Connect with our guests

    Dr Stuart Bender is the Major Coordinator for the Screen Arts program at Curtin University in the new Bachelor of Creative Arts.

    He has heavily researched psychological responses to high-emotion media, including cinema visual effects. In the past few years, he has frequently offered expert commentary on representations of violence, trauma and aggression in the media.

    Brendan Seals is a Visual Effects Supervisor at Luma Pictures, a world-class VFX studio based in Melbourne, Australia. With a design background in FX, lighting and composition, Seals’s credentials include working on the Oscar-nominated and critically acclaimed Spider-Man: No Way Home and Jojo Rabbit.

    He is a graduate of Curtin University’s Bachelor of Arts program. 

    Join Curtin University

    This podcast is brought to you by Curtin University. Curtin is a global university known for its commitment to making positive change happen through high-impact research, strong industry partnerships and practical teaching.

    Got any questions, or suggestions for future topics?

    Email thefutureof@curtin.edu.au

    Social media

    Transcript

    Read the transcript

    Behind the scenes

    Host: Sarah Taillier

    Researcher and Editor: Daniel Jauk 

    Recordist: Annabelle Fouchard

    Executive Producers: Anita Shore and Jarrad Long

    Assistant Producer: Alexandra Eftos

    Social Media Coordinator: Amy Hosking

    First Nations Acknowledgement

    Curtin University acknowledges the traditional owners of the land on which Curtin Perth is located, the Whadjuk people of the Nyungar Nation, and on Curtin Kalgoorlie, the Wongutha people of the North-Eastern Goldfields; and the First Nations peoples on all Curtin locations.

    Music

    OKAY by 13ounce Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Music promoted by Audio Library.

     

    Curtin University supports academic freedom of speech. The views expressed in The Future Of podcast may not reflect those of Curtin University.

    Duo Minisode - Labyrinth (1986)

    Duo Minisode - Labyrinth (1986)

    David Bowie's pervy package and a teenage girl's sexual awakening as written by grown ass men — what more could you ask for in an 80's fantasy movie? Enter the Labyrinth with Mally and Jonah to learn about all the amazing puppets, the people who created them (and their son, Toby himself!) and have a somber moment in honor of Jim Henson. Directed by Jim Henson. Starring David Bowie, Jennifer Connelly, Toby Froud.

    Thanks for listening — please remember to rate, review and subscribe!

    Hang out with us on:

    This is a Mally Creative podcast.

    Intro music composed by Jonah Weingarten.

    Support the show

    What We Do in the Shadows - Lifeforce

    What We Do in the Shadows - Lifeforce

    I have a running theory.  Pick a movie, any movie.  Ok, now somewhere out there, there is another movie that is essentially the same thing, but with vampires.  Especially if the first movie you picked was a vampire movie.  But this isn't a commercial for Nosferatu Gardens, oh no.  Nasty Nate is back and we're covering some vampire flicks.  Although I would argue the later of the two films is barely vampire related with the exception of the amazing bat monster.  Either way, get ready to sink your teeth into another hard succ episode of It's Just 2 Movies!

    Contact the show via email at:   itsjust2movies@gmail.com

    Facebook, Tiktok, Twitter, Instagram, Letterboxd and the like  @itsjust2movies

    Need to buy some stuff on Amazon?  Visit our Amazon affiliate link to do your shopping and it helps the show financially!  Wow!  Amazing!
    *As Amazon associates we earn from qualifying purchases*
    http://www.amazon.com/dp/B01M7SPZUA/ref=nosim?tag=itsjust2mov04-20

    Want to support the show more directly and chuck in a buck?
    http://www.buymeacoffee.com/itsjust2movies

    Don't use Spotify, Apple Podcasts, or any of those other platforms?  The show is always free on our website.   :)
    http://www.itsjust2movies.com

    ***SPECIAL THANKS TO THESE FOLKS WHO CONTRIBUTE TO THIS DUMB SHOW***

    Lamplighter Productions for our artwork.     @lamplighter_productions_il

    Brad Sexton for our tunes.  Check out SUNDS at:   http://sunds.bandcamp.com/ 

    Godsized & Growing for musical guest appearances.     @godsized_growing

    Mad thanks to Dave, @wheep3d our video editor.  Find our YouTube listed below.
    https://www.youtube.com/channel/UC_G0gNvKXIsQtnTf1gkZEGw 

    Support the show

    Cronos (1993)

    Cronos (1993)

    What's your favorite vampire movie? Is it Guillermo del Toro's Cronos (1993)? Jason Furie and Adam Roth go back to where it all began and discuss this simple yet effective film  from on of our favorite directors. Let's discusss how this stacks up against the rest of del Toro's filmography and have a chat about our favorite vampire flicks. Did we mention Ron Perlman was here all along?

    Visit Website | Join Newsletter | Support | Facebook | Instagram

    Logo

    © 2024 Podcastworld. All rights reserved

    Stay up to date

    For any inquiries, please email us at hello@podcastworld.io