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    simon & garfunkel

    Explore " simon & garfunkel" with insightful episodes like "Bittersweet Melancholy", "Episode 126: Rory Cooper / Simon & Garfunkel", "My 80sography: Rob Mounsey (musician/arranger/producer) (Pt 1, 1980-83) (Steely Dan, Donald Fagen, Diana Ross, Simon & Garfunkel, Paul Simon, Billy Joel)", "Howard Bloom 2" and "Season 2 Mix Tape" from podcasts like ""Schwarzgesagt - Der Szene-Podcast", "Political Beats", "80sography - 80s music interviews", "Making Sound with Jann Klose" and "Song Sung New. Uncovering Cover Versions."" and more!

    Episodes (30)

    Bittersweet Melancholy

    Bittersweet Melancholy
    Was wäre das Leben als Gruftie, ohne einen - zumindest zeitweiligen - Hang zur Melancholie? Wahrscheinlich käme manch einer sich vor, wie ein Normie in schwarzen Klamotten. Nein, ein bisschen Wehmut, Weltschmerz, Sinnsuche oder einfach nur die Lust am Philosophieren kennen wohl alle in der Szene.

    So geht es auch Gatto Nero und Steve, die in dieser Episode einen Blick ins CD-Regal zur Grundlage eines langen Gespräches über die ihnen innewohnende Melancholie machen. Obwohl es rekordverdächtige 58 Songs auf die Schwarzgehört-Playlist schaffen, bleibt neben der Musik allerhand Zeit für persönliche Geschichten und einen Blick ins Seelenleben der beiden Podcaster. Folgt ihnen heute in eine Welt aus dunkler Schönheit, zauberhaften Klängen und eine gemeinsame Nähe, die auch Gatto Nero und Steve am Ende überrascht hat.

    Episode 126: Rory Cooper / Simon & Garfunkel

    Episode 126: Rory Cooper / Simon & Garfunkel

    Introducing the Band:
    Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Rory Cooper. He’s a partner at Purple Strategies, a corporate reputation and advocacy agency in Alexandria, Va., a former George W. Bush and Eric Cantor aide, and a longtime Republican strategist. He’s on Twitter at @rorycooper.

    Rory’s Music Pick: Simon & Garfunkel
    If you enjoyed Political Beats’ episode on the solo career of Paul Simon with Rory Cooper from a year and half ago, then kick right back after the Labor Day weekend and start feelin’ groovy while listening the epic George Lucas/Peter Jackson prequel extravaganza that is our discussion of Simon & Garfunkel! Yes, Rory has returned to discuss a pop duo formerly known as “Tom & Jerry,” whose music dominated both American and U.K. airwaves in the late Sixties. 

    With three #1 hits, nine more top 20 singles, two #1 albums, and their names attached to one of the decade’s most beloved films, we think it likely that you’re already somewhat familiar with Simon & Garfunkel. But this, like our Paul Simon episode, is the rare episode in which neither of your two esteemed hosts were actually deeply familiar with the albums (as opposed to the radio hits). How could this have happened? All is explained while we are rejoined by Rory Cooper, a guy who knows all the stories and loves Paul Simon’s music so much he named his kid after one of these songs. 

    In this episode, we explore the origins of Paul Simon and Art Garfunkel as schooldays choirboy friends in Queens, their brief “teen idol” phase as Tom & Jerry, and their -- rather awkward -- rebirth in the early Sixties as folkies on a Greenwich Village scene that resolutely disdained them for purported inauthenticity. Simon & Garfunkel’s 1964 debut album flopped so badly that Simon went to England and Garfunkel simply went back to school, until a Columbia producer desperate for a hit overdubbed electric backing onto a forgotten song from that debut called “The Sound of Silence.”

    And the rest is history. Simon & Garfunkel’s career resumed in a haste as “Sound of Silence” hit the top of the charts in January 1966, and what followed was a series of increasingly assured acoustic folk/pop/rock hits that culminated by the late Sixties in immortal and gnomic songs like “Mrs. Robinson,” “America,” and “The Boxer.” From being a pale imitator of Bob Dylan’s “intelligent folk” music, Simon & Garfunkel had evolved into a different, singular sound, anchored around Garfunkel’s peerlessly pitch-perfect high tenor voice and Simon’s insistently rhythmic sense of guitar-work and arrangement.

    Although the pairing did not -- and could not, for many reasons -- last long, it ended in a supreme achievement: Bridge Over Troubled Water (1970), a record whose commercial dominance and omnipresence in its day has been exceeded only by its subsequent critical reputation. And that was it; Garfunkel left for an acting career, and Simon for a solo one. (A brief reunion in the early Eighties went nowhere.) And that was for the best: They will forever be remembered for going out on the highest possible note. What happened next has already been discussed, but for now, enjoy the groovy Sixties and Paul Simon’s orthogonal, acutely self-conscious place within them as we count the cars on the New Jersey Turnpike, all gone to look for America. 

    My 80sography: Rob Mounsey (musician/arranger/producer) (Pt 1, 1980-83) (Steely Dan, Donald Fagen, Diana Ross, Simon & Garfunkel, Paul Simon, Billy Joel)

    My 80sography: Rob Mounsey (musician/arranger/producer) (Pt 1, 1980-83) (Steely Dan, Donald Fagen, Diana Ross, Simon & Garfunkel, Paul Simon, Billy Joel)


    We end season 5 (cripes, we nearly up to season 6??) with a two-parter with massively talented musician/producer/songwriter/horn & string arranger, Rob Mounsey.

    With the iconic likes of Diana Ross, Steely Dan and Karen Carpenter in his 80s CV as well as classic albums from the likes of Donald Fagen, Paul Simon and Billy Joel and his role as part of the band in the Simon & Garfunkel reunion at Central Park, Rob has many a tale to tell.

    pre-1980

    Animal House soundtrack

    1980

    Karen Carpenter - Karen Carpenter
    Steely Dan - Gaucho
    Irene Cara - Fame (this was recorded before her sad passing hence no reference to it)

    1981

    Rickie Lee Jones - Pirates
    Diana Ross - Why Do Fools Fall In Love
    Simon & Garfunkel - The Concert in Central Park

    1982

    Diana Ross - Silk Electric
    Donald Fagen - The Nightfly
    Billy Joel - The Nylon Curtain

    1983

    Michael Franks - Passionfruit
    Paul Simon - Hearts & Bones

    MOUNSEY'S MUST-HAVE's

    Rob gives his favourites of the 80s


    robmounsey.com
    80sography@gmail.com


                                              People Will See Me and Cry x

    Howard Bloom 2

    Howard Bloom 2

    EPISODE 68: Howard Bloom (born June 25, 1943) is an American author. He was a music publicist in the 1970s and 1980s for singers and bands such as Prince, Billy Joel, Michael Jackson and Styx. He has published a book on Islam, The Muhammad Code, an autobiography, How I Accidentally Started The Sixties, and three books on human evolution and group behavior: The Genius of the Beast, Global Brain, and The Lucifer Principle. Bloom was born to a Jewish family in Buffalo, New York. He became interested in science, especially cosmology and microbiology, as early as the age of ten. By age sixteen Bloom was working as an assistant researching the immune system at the Roswell Park Memorial Research Cancer Institute. Bloom graduated from New York University and, at the age of twenty-five, veered from his scientific studies to work as an editor for a rock magazine. Bloom would go on to found one of the largest public relations firms in the music industry. howardbloom.net

    Contact us: makingsoundpodcast.com
    Follow on Instagram: @makingsoundpodcast
    Follow on Threads: @jannklose
    Join our Facebook Group
    Please support the show with a donation, thank you for listening!

    Howard Bloom

    Howard Bloom

    EPISODE 67: Howard Bloom (born June 25, 1943) is an American author. He was a music publicist in the 1970s and 1980s for singers and bands such as Prince, Billy Joel, Michael Jackson and Styx. He has published a book on Islam, The Muhammad Code, an autobiography, How I Accidentally Started The Sixties, and three books on human evolution and group behavior: The Genius of the Beast, Global Brain, and The Lucifer Principle. Bloom was born to a Jewish family in Buffalo, New York. He became interested in science, especially cosmology and microbiology, as early as the age of ten. By age sixteen Bloom was working as an assistant researching the immune system at the Roswell Park Memorial Research Cancer Institute. Bloom graduated from New York University and, at the age of twenty-five, veered from his scientific studies to work as an editor for a rock magazine. Bloom would go on to found one of the largest public relations firms in the music industry. howardbloom.net

    Contact us: makingsoundpodcast.com
    Follow on Instagram: @makingsoundpodcast
    Follow on Threads: @jannklose
    Join our Facebook Group
    Please support the show with a donation, thank you for listening!

    1966 - November: Simon & Garfunkel "Parsley, Sage, Rosemary and Thyme"

    1966 - November:  Simon & Garfunkel  "Parsley, Sage, Rosemary and Thyme"

    Many consider Simon & Garfunkel's third studio album to be the breakthrough album.  The tracks on Parsley, Sage, Rosemary and Thyme were written primarily by Paul Simon during his time as a visitor in England in the prior year.  The songs maintain the folk feel of previous albums, and are heavily tilted towards acoustic instrumentation.  

    Paul Simon and Art Garfunkel met in elementary school in Queens, New York, in 1953.  They had their first minor hit as teenagers in 1957 under the stage name Tom and Jerry.  They began by emulating the sound of The Everly Brothers, but moved towards a folk sound as that genre gained in popularity.  

    Parsley, Sage, Rosemary and Thyme was a follow-up to their second album, which had been a commercial success, but which the duo felt was rushed.  Simon insisted on control of the recording process, and they took nine months to craft and record the album.  The result would be both a critical and commercial success, peaking at number 4 on the Billboard Pop Album Chart and eventually achieving Triple Platinum status with the RIAA.

    The duet would go on to record five studio albums before growing apart and breaking up in 1971.  The duo would reunite several times afterwards, perhaps most famously for their concert in Central Park in 1981.

     

    Scarborough Fair/Canticle
    The opening track originated from an English ballad that had its roots in a Scottish folk song from at least the 1670's.  Simon learned it from Martin Carthy in London, and set it in counterpoint against a song he had previously written in 1963.  It would appear as a single after being featured in the film "The Graduate" in 1968.

    Homeward Bound
    This song had previously appeared on the UK version of the duo's second studio album before appearing on the this American release.  The single hit number 5 on the Billboard Hot 100 earlier in 1966, and was on the charts for 12 weeks.  SImon wrote it after returning from England in 1964. 

    The 59th Street Bridge Song (Feelin' Groovy)
    The name of this song is from a bridge in New York, also known as the Ed Koch Queensboro Bridge.  The theme to the television series "H.R. Pufnstuf" originally considered composed by Sid and Marty Kroft, was found to be too similar to this song, and Paul Simon was given writing credits to this theme after a court suit.

    A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission) 
    This song is considered a parody of Bob Dylan's "Subterranean Homesick Blues," which was released the year before.  The lyrics name-drop many contemporary politicians, musicians, and celebrities, including Art Garfunkel.  Robert McNamara was the U.S. Secretary of Defense at the time the album was released.

     

    ENTERTAINMENT TRACK:

    The theme from the television series "The Saint" 
    Roger Moore starred as Simon Templar in this British spy series.  His work in The Saint would propel him to a future role as James Bond in the 007 movie franchise.

     

    STAFF PICKS:

    Psychotic Reaction by Count Five
    Wayne walks down the psychedelic path to open our staff picks.  The song name came from a professor in the lead singer's college psychology class.  The lyrics are about losing your mind due to heartache.  While this is a one-hit wonder, the Rock and Roll Hall of Fame lists this song as one of the "500 Songs That Shaped Rock."

    You Keep Me Hangin' On by The Supremes 
    Brian's staff pick was written by Holland-Dozier-Holland, authors of the Motown sound.  This song was written specifically for The Supremes, and details the tragedy of a relationship in which a man cannot let go of the woman, but can't commit to her either.  This was one of a string of four number 1 songs by The Supremes.

    Walk Away Renee by the Left Bank
    Bruce brings us a little baroque pop, complete with harpsicord and strings.  co-writer Michael Brown claims he wrote the song about Renee Fladen-Kamm, who was the girlfriend of The Left Bank bassist Tom Finn, and with whom Michael Brown was infatuated.  Co-writer Tony Sansone contradicts Brown, saying it was a French girl's name selected at random, inspired by the Beatles' song "Michelle."

    A Hazy Shade of Winter by Simon & Garfunkel
    Rob's closes out the staff picks with a famous Simon & Garfunkel single that was recorded during the studio sessions for the album, and was on the charts at the time, but which did not appear on this album.

     

    COMEDY TRACK:

    Boy Wonder, I Love You by Burt Ward
    This strange piece is a weird collaboration between Burt Ward (who played Robin in the 60's "Batman" series) and Frank Zappa.  

    Thanks for listening to “What the Riff?!?” 

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

    Episode 69. Valentine's Special ❤️

    Episode 69. Valentine's Special ❤️

    This is the second annual Valentine's Day Special with songs of love and affection from the 1960's. Listen in with someone you care about. Happy Valentine's.  ❤️

    Also:

    Listen to previous shows at the main webpage at:
    https://www.buzzsprout.com/1329053

    Pamela Des Barres Home page for books, autographs, clothing and online writing classes.
    Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)

    Listen to more music by Laurie Larson at:
    Home | Shashké Music and Art (laurielarson.net)

    View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").
    Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)

    For unique Candles have a look at Stardust Lady's Etsy shop
    Where art and armor become one where gods are by TwistedByStardust (etsy.com)

    For your astrological chart reading, contact Astrologer Tisch Aitken at:
    https://www.facebook.com/AstrologerTisch/

    View and purchase wonderful art by Patricia Rodriguez at:
    patriciarodriguez (tigerbeearts.com)

    Tarot card readings by Kalinda available at
    The Mythical Muse | Facebook

    I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

    Please feel free to donate or Tip Jar the show at
    sonictyme@yahoo.com

    Episode 63. Christmas Holiday Special 🎄

    Episode 63. Christmas Holiday Special 🎄


    This is our holiday special complete with music to enhance the feeling of the Season. This is a Psychedelic Christmas and New Year Party show. Merry Christmas and Happy Holidays. 🎄🎅


    Also:

    Listen to previous shows at the main webpage at:
    https://www.buzzsprout.com/1329053

    Listen to more music by Laurie Larson at:
    Home | Shashké Music and Art (laurielarson.net)

    View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").
    Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)

    For unique Candles have a look at Stardust Lady's Etsy shop
    Where art and armor become one where gods are by TwistedByStardust (etsy.com)

    View and purchase wonderful art by Patricia Rodriguez at:
    patriciarodriguez (tigerbeearts.com)

    Tarot card readings by Kalinda available at
    The Mythical Muse | Facebook

    I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

    Please feel free to donate or Tip Jar the show at
    sonictyme@yahoo.com

    Episode #18 Week Ending May 2nd, 1970

    Episode #18 Week Ending May 2nd, 1970

    Join Keith and Dena as they began a new month, the week ending May 2nd, 1970 where they give a shout out and love to Mr. Ray Stevens, our first artist that reached out to us since we first started our podcast!!!!  Does Keith finally pick "Everything Is Beautiful" as a download playlist song like Dena did the last episode?  Download and listen to the podcast and find out!

    1960s - Part 2

    1960s - Part 2

    Which song saw The Rolling Stones leapfrog The Beatles for the only time?  Which song did Ray Davies consider unworthy of The Kinks? Which song is Paul Simon embarrassed about? Join Stevie Nix as he asnwers all of these questions and more on the final edition of songs of the 1960s.
    WARNING: This episode contains traces of The Applejacks.

    Featured songs [in chronological order]:

    Like A Rolling Stone [Shirley Henderson, Caecille Norby]
    (I Can't Get No) Satisfaction [Cat Power, Alice Phoebe Lou]
    I Go To Sleep [Chrissie Hynde]
    I Am A Rock [The Church]
    Mother's Little Helper [Mary Coughlan]
    Girl [Joe Jackson]
    Try A Little Tenderness [Jay Z & Kanye West, Florence + The Machine]
    Are You Experienced? [Patti Smith]
    Lucy In The Sky With Diamonds [Katie Melua]
    Everyday People [Jeff Buckley]
    Proud Mary [Solomon Burke]
    Don’t Let Me Down [Paolo Nutini, Gramatik]
    Honky Tonk Women [The Pogues]
    Lay Lady Lay [The Brothers & Sisters]

    Hidden track: 1960s medley

    20 Songs That Have The 1960s Covered #2

    Join Stevie on Spotify
    www.songsungnew.com

    Episode 50. Novelty & Humor

    Episode 50. Novelty & Humor

    There were several serious incidents during the Psychedelic era such as a televised War, race riots, protesters confronted by the police, the formation of dangerous cults, radical hippie groups looking for a clash of ideas both philosophically and physically. There was a lot of heaviness. Humor was a good antidote towards the harder side of the hippie age and several bands lightened the mood with humor while retaining their musicality. This 50th episode will feature some great examples of fun, whimsical lyrics, creative music and even using humor as a form of social commentary.

    You're  financial contributions are welcomed in helping to keep the production going.
    Paypal account: sonictyme@yahoo.com

    Also:

    Listen to previous shows at the main webpage at:
    https://www.buzzsprout.com/1329053

    View and purchase wonderful art by Patricia Rodriguez at:
    patriciarodriguez (tigerbeearts.com)

    View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").
    Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)

    Tarot card readings by Kalinda available at
    The Mythical Muse | Facebook

    For your astrological chart reading, contact Astrologer Tisch Aitken at:
    https://www.facebook.com/AstrologerTisch/

    I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

    Please feel free to donate or Tip Jar the show at
    sonictyme@yahoo.com

    1969 - April: The Who “Tommy”

    1969 - April:  The Who “Tommy”

    Believe it or not, many considered The Who to be a band in decline just before the release of their iconic rock opera Tommy.  Their recent releases hadn't been as popular as expected.  They had a popular stage show, but between Pete Townshend destroying his guitars and/or Keith Moon destroying his drums, the shows were expensive!  The double album Tommy would change the trajectory of the group and make them superstars of the rock genre.

    Pete Townshend was looking for something different when he created this rock opera.  He was dissatisfied with the style of rock advanced by The Beatles and The Beach Boys, which was highly produced but not well suiting for live tours.  He had experimented with smaller suites on earlier albums, but Tommy was on a completely different level - a double album telling a cohesive story.  

    Tommy tells the story of a boy left deaf, dumb, and blind after his father, Captain Walker, kills his mother's lover.  After many unsuccessful attempts to cure him, he is left neglected and molested by members of his family.  Once he grows older, he finds himself unusually gifted with playing pinball.  A new doctor correctly identifies Tommy's issues as psychosomatic, and he is eventually cured.  He then briefly becomes a leader of a religious movement, using enforced sensory depravation and pinball machines to enlighten his adherents.  His strange practices are soon rejected by his followers.

    The album would come out in May of 1969, but its first performance was in April, which is why we are featuring it here.

     

    Pinball Wizard
    The first single from the album is one of the ban's most famous songs.  It tells of the skills of Tommy Walker from the perspective of a pinball champion "a Bally table king" who declares "that deaf, dumb, and blind kid sure plays a mean pinball!"  Elton John  would perform this song in the 1975 film adaptation of the rock opera.

    The Acid Queen
    Pete Townshend is on lead vocals for this song.  It chronicles Tommy's experience with a gypsy healer who uses LSD to treat his ailments.  On the album the song leads into the instrumental "Underture," which represents Tommy's hallucination.  Tina Turner plays the Acid Queen in the 1975 film and sings this song.

    I'm Free
    This song features Roger Daltry on lead vocals, and tells of Tommy's release from blindness and deafness.  It also tells of Tommy's rise to spiritual leader as his popularity skyrockets after his cure.  Townshend was partly inspired by the Rolling Stones' "Street Fighting Man" when he wrote this one.

    We're Not Gonna Take It
    The followers ultimately reject Tommy in this final track of the album.  It is actually a suite, with movements including "We're Not Gonna Take It,"  and reprises of "See Me, Feel Me," and "Listening to You."   Townshend had originally intended this song to be a critique of politics before it was incorporated into the rock opera.

     

    ENTERTAINMENT TRACK:

    “The Brother's Theme” (from the television series “The Smothers Brothers”)
    The Smothers Brothers comedy show would go off the air in April 1969 after clashes with the CBS network censors over their portraying of the Vietnam War.

     

    STAFF PICKS:

    The Boxer by Simon & Garfunkel
    Bruce's staff pick is the most highly produced of the Simon and Garfunkel songs, taking over 100 hours to record, and recorded at multiple locations.  The lyrics are about a person struggling with life and loneliness in New York City.  The "lie-la-lie" in the chorus was intended to be a placeholder, but became part of the song.

    Gimme Gimme Good Lovin' by Crazy Elephant
    Rob picked this one out mistakenly thinking it was "Gimme Summa Lovin'," but this one-hit wonder has a good groove.  It is considered psychedelic rock, or garage rock.  Super K Productions put this band together, and several covers were done, including one by Dusty Springfield.

    Traces by Classics IV
    Brian's staff pick features a laid back tune as his staff pick.  The single came out in January and peaked in April at number 2 on the Billboard Hot 100.  It is about lost love, and dealing with it as the years go on.  The Classics IV also performed the songs "Stormy" and "Spooky," the latter of which would be covered by the Atlanta Rhythm Section.  

    Grazing in the Grass by The Friends of Distinction
    Harry Elson wrote the lyrics to what had been a #1 instrumental recorded by Hugh Masekela.  Wayne's staff pick features The Friends of Distinction, discovered by NFL great Jim Brown.  The original members were Floyd Butler, Harry Elston, Jessica Cleaves, and Barbara Jean Love.  They had 3 top 40 hits, and this highest charting one was inspired by seeing cattle in pastures from the tour bus.

    INSTRUMENTAL TRACK:

    Underture by The Who
    This instrumental number from the Tommy double album lets us do a little double dipping on the album feature as we close out the podcast with some observations on Keith Moon.

    Thanks for listening to “What the Riff?!?” 

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

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