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    sync licensing

    Explore " sync licensing" with insightful episodes like "212: Songwriting & Sync Licensing Deep Dive - With Lars Deutsch", "Mastering the Hidden World of Music Sync Licensing", "Music Industry Experts: Gabe McDonough, Music Supervisor at Music and Strategy", "How I Scored 260+ TV Placements For My Music" and "What About The Music S3.004 Michele Arnese" from podcasts like ""The Self-Recording Band", "Modern Producer Secrets", "Music You're Missing", "The Golden Voice Podcast" and "What About The Music"" and more!

    Episodes (28)

    212: Songwriting & Sync Licensing Deep Dive - With Lars Deutsch

    212: Songwriting & Sync Licensing Deep Dive - With Lars Deutsch

    Three next steps for you to take:

    1. Get our free video training & checklist,
    "Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
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    Episode show notes:

    We interviewed Lars Deutsch on the podcast and the result is a masterclass in songwriting and sync licensing. Is your song telling a story?

    This was our exclusive opportunity to pick the brain of a super successful songwriter and sync-licensing expert.

    Lars Deutsch currently lives in L.A. and has worked with brands and artists like Adidas, Amazon, Brett Gelman (Stranger Things, The Other Guys), Budweiser, FOX, Ghostface Killah (Wu-Tang Clan), Katie Melua, Mercedes-Benz, and many more.


    The two-time Emmy winner is self-recording his music, but also collaborating with other engineers, depending on the project.

    He went from heavy metal guitarist, to singer, to songwriter, to a Masters in classical composition, to international performances of his classical works, to lecturing in composition and audio production to scoring three hundred films / commercials that have collected over one hundred awards.


    His songs are in high demand and Lars is a producer at Built To Last Music, a company that features multiple Oscar nominees and Grammy winners.

    Recent projects include: Stephen King’s “The Passenger”, “Future Proof” with Keke Palmer, a commercial with James Earle Jones (Darth Vader), plus live mixes and an Intel commercial with the Higher Brothers. 


    If you're interested in the sync licensing world and want to know how to get started in this industry, this is for you.

    You'll learn how high the bar actually is when it comes to the quality of your music and what Lars does to keep his chops and creativity fresh.

    And if just want to improve your songwriting skills for your own projects, this is your chance to learn from a true master of the craft.



    PS: Please join the conversation by leaving a comment on YouTube, a rating and review on your podcast app, or a post inside our free Facebook community.

    --

    For links to everything we've mentioned in this episode, as well as full show notes go to: https://theselfrecordingband.com/212
    --

    If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    Mastering the Hidden World of Music Sync Licensing

    Mastering the Hidden World of Music Sync Licensing

    Do you observe the current music industry and feel that being a DJ or a touring artist is not your calling? Do you prefer to work behind the scenes in a studio, generating ideas and leaving your mark on other forms of media that will last forever? Join Cameron as he chats with a music industry veteran who has secured numerous sync placements. Together, they dive into the world of licensing and placements, exploring the key components contributing to Ed Hartman's legendary career. If you want to learn how to leverage this aspect of the music industry, tune in now.

     

    Get your music heard by millions of people and generate more income with Ed Hartman’s Modern Sync Licensing Bootcamp.

     

    Resources:

     

    Modern Producer Secrets Podcast is brought to you by Music Producers Alliance®. We help music producers elevate their brands online so they can consistently attract higher quality artists who will pay premium prices for their production services and make a bigger impact in the music industry. 

     

    Producer & Host: Cameron Bashaw
    Guest: Edmund Hartman
    Editorial: Cameron Bashaw
    Edited in Descript. Try it for yourself (affiliate code in link)
    Published by: Teknofonic Recordings LLC
    Intro Song: Project OverthrowCameron Bashaw
    Outro song: Lost in A Remix – Pollux & Castor

    Music Industry Experts: Gabe McDonough, Music Supervisor at Music and Strategy

    Music Industry Experts: Gabe McDonough, Music Supervisor at Music and Strategy

    In an industry where the artistry of music meets the precision of strategy, individuals like Gabe McDonough, a Partner, Executive Producer, and Music Supervisor at Music and Strategy, serve as the vital conduits uniting brands with the profound influence of music. In a recent interview with Music You’re Missing’s Brendan Jeannetti, Gabe generously shared his insights into the mission and multifaceted functions of Music and Strategy, alongside his invaluable perspectives on the evolving dynamics of the music and advertising realm.

    Music and Strategy: Bridging Brands and Music

    At its core, Music and Strategy serves as a bridge between brands and music, offering a diverse range of services to meet the unique needs of each project. According to Gabe, the company's mission revolves around connecting brands with music, which can entail composing original music, finding existing tracks, matching artists with brands, and negotiating licensing deals. From major corporations with substantial budgets to emerging businesses with limited resources, Music and Strategy caters to a wide spectrum of clients.

    Two Key Pillars: Original Composition and Music Supervision

    Gabe outlined two primary pillars of Music and Strategy's operations: original music composition and music supervision. Original music involves creating music tailored to a brand's specific requirements, whether it's mood, genre, or vocal presence. This pillar allows brands to have a unique sonic identity that resonates with their audience.

    On the other hand, music supervision encompasses various tasks, such as identifying suitable music, securing licensing rights from record labels and publishers, and negotiating the necessary deals. This multifaceted role ensures that brands not only find the right music but also navigate the complex legal aspects of music usage.

    When asked about the breadth of music available for brands, Gabe emphasized that the world is their oyster. Music and Strategy's approach involves scouring the global music landscape to find the perfect fit for each project. Whether it's a well-known track that evokes nostalgia or an undiscovered gem that introduces listeners to something new, the company leaves no stone unturned in the quest for the ideal musical accompaniment.

    The Value of Familiarity vs. Discovery

    Gabe touched upon the pricing dynamics of music selection, highlighting that familiarity and recognizability often drive song costs. Well-known songs can elicit emotional responses and memories, making them valuable assets for brands. However, not every brand aims to trigger nostalgia. Some, like Apple, thrive on introducing audiences to new artists and sounds. Thus, the choice between familiar hits and fresh discoveries depends on a brand's unique objectives.

    The Rise of Synchronization Royalties

    Synchronization royalties, which encompass music usage in advertising, film, TV, and more, have seen a significant year-over-year increase. Gabe attributed this growth to the surge in content creation. As more streaming platforms, TV networks, and advertisers produce content, the demand for music synchronization rises. This uptick in demand results in higher synchronization royalties, reflecting the expanding opportunities in the industry.

    Navigating Copyright in the Digital Age

    The conversation also delved into copyright issues, particularly on platforms like TikTok. Gabe clarified that brands on TikTok should adhere to the platform's rules and make use of the commercial music library. Straying from licensed music could lead to legal consequences, and TikTok keeps a close eye on potential copyright violations.

    Managing Pleasure Pill: A Passion Project

    As part of his role at Music and Strategy, Gabe also serves as the manager for the band Pleasure Pill. His involvement with the band began as a result of his genuine love for music. Over time, the band's recognition grew, and Gabe's role evolved into that of a formal manager. He expressed his appreciation for the music community and the joy of helping talented artists like Pleasure Pill succeed.

    Gabe shared some insights into what makes a good artist manager. He stressed the importance of putting artists first, trusting their vision, and fostering a collaborative relationship. Managers should be supportive, honest, and hardworking, while also being fans of the artists they represent. The ability to navigate the fine line between involvement in the creative process and respecting the artist's vision is essential.

    Advice for Independent Artists

    For independent artists seeking to break through in the visual media landscape, Gabe offered valuable advice. He emphasized the unpredictable nature of the industry, highlighting that there's no one-size-fits-all strategy. However, he stressed the significance of making authentic music that resonates with both the artist and the audience. Consistency, engagement, and adaptability are also crucial when navigating platforms like TikTok and Instagram Reels.

    Conclusion: A Journey of Growth

    As Gabe McDonough continues his journey in the music and advertising industry, he remains passionate about music's unique ability to connect people and brands. With a commitment to quality and an ever-evolving approach, he looks forward to exploring new opportunities, nurturing emerging talent, and expanding his horizons in the dynamic world where music and strategy intersect. Whether composing original music or curating tracks, Gabe's work continues to make a harmonious impact on the world of branding and music.

    LEARN MORE ABOUT MUSIC AND STRATEGY: 
    https://www.musicandstrategy.com/

    FOLLOW GABE MCDONOUGH: 
    https://www.linkedin.com/in/gabe-mcdonough-215b983/

    FOLLOW MUSIC YOU’RE MISSING:
    https://www.musicyouremissing.org/

    FOLLOW BRENDAN JEANNETTI:
    https://www.instagram.com/brendanjeannetti/ 
    https://www.linkedin.com/in/brendanjeannetti/

    Music You’re Missing is a top music podcast hosted by Brendan Jeannetti based in Boston Massachusetts.

    What About The Music S3.004 Michele Arnese

    What About The Music S3.004 Michele Arnese

    Founder and CEO of amp Michele Arnese joins Beto Azout to discuss all things sonic branding. With decades of experience in the advertising sector, Michele is one of the world’s foremost experts in the audio branding industry. The pair discuss the development of sonic identity awareness and the intricate role music played in a Mastercard campaign.

     

    Episode Highlights:

    02:55 - Michele shares the background of his company

    08:10 - Beto & Michele discuss how awareness surrounding sonic identity has developed over the years

    11:40 - Michele discusses his work with Mercedes Benz

    17:45 - Beto & Michele ponder why brands may not prioritize music and why that should change

    21:50 - Michele shares his advice for how brands can best approach music

     

    More on SoStereo:

    SoStereo makes it fast and easy for brands & agencies to use real music by real artists on their video content. Our goal is to help brands unlock the marketing power of music; to elevate content & better connect with consumers. Find out more at 

    sostereo.com

    What About The Music S3.003 Jon Drawbaugh

    What About The Music S3.003 Jon Drawbaugh

    Award winning industry executive Jon Drawbaugh, Head of Production at Argonaut, joins Beto Azout to unlock the power of music. With a history of producing high-quality creative, Jon has worked for some of the industry’s top creative shops including FCB West, DDB San Francisco, Mullen LA, and more. Jon discusses the significance of music in all aspects of production and shares how one of his favorite bands got involved in a prolific spot.

     

    Episode Highlights:

    00:50 - Jon shares his journey into the world of advertising & production

    04:35 - Jon shares how freelance work allowed him to bring new ideas to the table

    09:15 - Jon dives into his musical process and how he tackles each project

    20:20 - Beto asks Jon to share any pivotal moments in his career that were centered around music

    27:45 - Jon discusses the direction he’d like to see music in advertising take in the future 

     

    More on SoStereo:

    SoStereo makes it fast and easy for brands & agencies to use real music by real artists on their video content. Our goal is to help brands unlock the marketing power of music; to elevate content & better connect with consumers. Find out more at sostereo.com

    EP#65: Music Careers Without The Fear: In conversation with Vanessa Threadgold

    EP#65: Music Careers Without The Fear: In conversation with Vanessa Threadgold

    The role of a music manager can be pretty tough; not only do you have all the hopes and dreams of your artists wheying heavy on your shoulders but you also do all the hard-ball industry negotiations and career strategising too - none of which you can ever be sure will actually work out.

    But as well as this, today's guest, Vanessa Threadgold, was also faced with an even bigger challenge throughout her career: how to make sure her female artists were protected against studio environments that, at worst, were unwelcoming and, at worst, down right exploitative and abusive.

    Inside this episode, Vanessa shares how this question led her to co-found Cactus City, a music studio and social enterprise helping women to have safer studio experiences and more opportunities to build a profitable music career too. 

    —------------------------

    Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O’Connor and is a Female DIY Musician Production.

    EPISODE HIGHLIGHTS
    {0:00} Intro
    {07:21} How Vanessa found her career in the music industry
    {18:07} Redefining success as a musician
    {33:41} What led Vanessa to set up Cactus City and create a safe recording space for women
    {52:15} In what other ways does Cactus City cultivate positive change in the music industry?
    {55:44} Maintaining a healthy work-life balance
    {01:23:26} How to start monetising your music
    {01:32:30} Ways to keep updated and get involved with Cactus City
    {01:33:59} Episode Summary

    Girls Twiddling Knobs listeners get 10% off iZotope's award-winning audio plugins and a 30 day free trial of their incredible Music Production Suite 4.1. Just use the code GIRLSPOD10
    here >>

    Fancy making your own safe studio space at home?
    Download my FREE 3 Step Guide To Sound Treating Your Home Recording Space >>

    Find out more about Cactus City >>

    Music Royalties Explained >>

    PRS for Music (UK performing right body) >>

    PPL (UK master rights body) >>

    Listen to the episode here
    Listen on Spotify

    Join the Girls Twiddling Knobs Podcast Community here >>

    Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >>

    Loved this week's episode? Share it with a friend 👯‍♀️

    Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.

    Explore more episodes here.

    Listen on Spotify.

    Join the Girls Twiddling Knobs Podcast Community here >>

    28. "YDEK" by YES NO YES feat. Seysei

    28. "YDEK" by YES NO YES feat. Seysei

    "Couldn't heal much, 'cause I faked I was okay."

    With these words, animated duo YES NO YES begin to tell the story of complicated young love.  Their lyrics explore the inevitability of change, the non-linear process of getting to know someone, and the faith it takes to stay together against a soundscape of upbeat electro-pop. In this episode, YES NO YES and Emmeline discuss the wild world of sync licensing, what it means to write to a brief, how parameters can actually increase creativity, and how some songs are born electronically.

    To learn more about YES NO YES, or to follow their musical journey, find them on YouTube or Facebook. For behind-the-scenes info and more about Journey of a Song, follow Emmeline on social media at @EmmelineMusic or visit the Journey of Series official webpage. You can hear songs from back episodes through the official Journey of a Song playlist on Spotify

    For behind-the-scenes info and more about Journey of a Song, follow @EmmelineMusic on social media or visit the Journey of Series official webpage. You can hear songs from previous episodes through the Journey of a Song Official Spotify Playlist.

    EMP EP 47 The Blurred Lines Between Contemporary and Production Music with Barry Whittaker-Gilbey and Brian Burrows part 2 of 2

    EMP EP 47 The Blurred Lines Between Contemporary and Production Music with Barry Whittaker-Gilbey and Brian Burrows part 2 of 2

    In this, Episode 46 (which is part of Series 5) of the SyncLodge Exploring Music Podcast we explore the blurred lines between contemporary music and production music for use in visual productions with industry experts Barry Whittaker-Gilbey and Brian Burrows part 2 of 2 


    Barry Whittaker-Gilbey, a frequently sought-after music industry consultant specialising in music licensing and synchronisation. He has over 20 years experience in the music industry working with clients and partners as diverse as Samsung, Universal, Warners, Sky TV, Fox, BBC to name a few. 

    He is also a composer in his own right, having credits with a vast range of companies both in the UK and worldwide. He has consistently throughout his career worked at the cutting edge of the music industry and developing technologies.

    His current list of positions include; Directory/Composer at Energy Music, Head of Sync and Licensing at Kycker, Producer/Composer/Consultant at Hodo Music, Board Member on Sheffield City Region Music Board, and continues to be a Recording Artist and composer.

    And joining Barry is Brian Burrows

    Brian Burrows is a Composer, Producer and Music Publisher who grew up in Liverpool playing on the live music scene, then moved to London aged 18. He spent his formative years as a songwriter/producer working with the likes of Liam Frost, Spek, Longview, Fil Eisler and as a remixer/engineer for many artists including Robbie Williams, Ian Brown and Roger Waters. Brian has been composing music for TV and Film for many years including the scores for the BAFTA nominated Channel 4 film, The Hunt For Tony Blair. His music has been used by many world class TV, Film and ad producers including BBC, Disney, Netflix, Channel 4, ESPN, National Geographic, Sky Sports, CNN, ITV, Amazon, Nokia, Toyota, BMW, Stihl and Becks. 

    The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.

    This episode conversation was recorded at The Joint in the Kings Cross area of London, England. For more information on their services please visit www.thejoint.org.uk


    The Exploring Music Podcast is produced by SyncLodge, the sync licensing project management system. For more information please visit www.synclodge.com 

    If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.

    Support the show

    EMP EP 48 What Makes A Good Deal with Richard Kirstein part 1 of 2

    EMP EP 48 What Makes A Good Deal with Richard Kirstein part 1 of 2

    In this, Episode 48 (which is part of Series 5) of the SyncLodge Exploring Music Podcast we explore what makes a good deal with music industry deal making expert Richard Kirstein


    Richard who has a BSc Honors in Music from the City University, London, is author of the book “Music Rights Without Fights” and an expert in music rights with senior level UK, US & European experience. Richard is a seasoned conference speaker and panellist, regular contributor to trade media, trainer and educationalist. He started his career as Head of Film, TV and Media at Zomba Music Publishers and then stepped up to start Leap Music Limited, the first music publishing company inside a UK ad agency, as it was part of BBH Communications. Ten years ago, Richard left Leap to start Resilient Music LLP which brokers music rights agreements for advertisers. Richard also consults for Advertising Production Resources, AKA APR as a their Music Rights Management Consultant. Having just reacquired the Leap catalogue from BBH, Richard is excited to be back in the publishing business with his new entity Richard Kirstein Ltd. For more information please visit https://resilientmusic.com/


    The music for this episode is by the Lex Records recording artist GILA from the album Energy Demonstrations, including tracks Energy Demonstrations, Perpetual Stew, Hail Force, and Aloe Dip. For more information please visit www.lexrecords.com 


    The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.

    This episode conversation was recorded at The Joint in the Kings Cross area of London, England. For more information on their services please visit www.thejoint.org.uk


    The Exploring Music Podcast is produced by SyncLodge, the sync licensing project management system. For more information please visit www.synclodge.com 

    If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.

    Support the show

    EMP EP 49 What Makes A Good Deal with Richard Kirstein part 2 of 2

    EMP EP 49 What Makes A Good Deal with Richard Kirstein part 2 of 2

    In this, Episode 48 (which is part of Series 5) of the SyncLodge Exploring Music Podcast we explore what makes a good deal with music industry deal making expert Richard Kirstein


    Richard who has a BSc Honors in Music from the City University, London, is author of the book “Music Rights Without Fights” and an expert in music rights with senior level UK, US & European experience. Richard is a seasoned conference speaker and panellist, regular contributor to trade media, trainer and educationalist. He started his career as Head of Film, TV and Media at Zomba Music Publishers and then stepped up to start Leap Music Limited, the first music publishing company inside a UK ad agency, as it was part of BBH Communications. Ten years ago, Richard left Leap to start Resilient Music LLP which brokers music rights agreements for advertisers. Richard also consults for Advertising Production Resources, AKA APR as a their Music Rights Management Consultant. Having just reacquired the Leap catalogue from BBH, Richard is excited to be back in the publishing business with his new entity Richard Kirstein Ltd. For more information please visit https://resilientmusic.com/


    The music for this episode is by the Lex Records recording artist GILA from the album Energy Demonstrations, including tracks Energy Demonstrations, Perpetual Stew, Hail Force, and Aloe Dip. For more information please visit www.lexrecords.com 


    The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.

    This episode conversation was recorded at The Joint in the Kings Cross area of London, England. For more information on their services please visit www.thejoint.org.uk


    The Exploring Music Podcast is produced by SyncLodge, the sync licensing project management system. For more information please visit www.synclodge.com 

    If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.

    Support the show

    EMP EP 46 The Blurred Lines Between Contemporary and Production Music with Barry Whittaker-Gilbey and Brian Burrows part 1 of 2

    EMP EP 46 The Blurred Lines Between Contemporary and Production Music with Barry Whittaker-Gilbey and Brian Burrows part 1 of 2

    In this, Episode 46 (which is part of Series 5) of the SyncLodge Exploring Music Podcast we explore the blurred lines between contemporary music and production music for use in visual productions with industry experts Barry Whittaker-Gilbey and Brian Burrows part 1 of 2 


    Barry Whittaker-Gilbey, a frequently sought-after music industry consultant specialising in music licensing and synchronisation. He has over 20 years experience in the music industry working with clients and partners as diverse as Samsung, Universal, Warners, Sky TV, Fox, BBC to name a few. 

    He is also a composer in his own right, having credits with a vast range of companies both in the UK and worldwide. He has consistently throughout his career worked at the cutting edge of the music industry and developing technologies.

    His current list of positions include; Directory/Composer at Energy Music, Head of Sync and Licensing at Kycker, Producer/Composer/Consultant at Hodo Music, Board Member on Sheffield City Region Music Board, and continues to be a Recording Artist and composer.

    And joining Barry is Brian Burrows

    Brian Burrows is a Composer, Producer and Music Publisher who grew up in Liverpool playing on the live music scene, then moved to London aged 18. He spent his formative years as a songwriter/producer working with the likes of Liam Frost, Spek, Longview, Fil Eisler and as a remixer/engineer for many artists including Robbie Williams, Ian Brown and Roger Waters. Brian has been composing music for TV and Film for many years including the scores for the BAFTA nominated Channel 4 film, The Hunt For Tony Blair. His music has been used by many world class TV, Film and ad producers including BBC, Disney, Netflix, Channel 4, ESPN, National Geographic, Sky Sports, CNN, ITV, Amazon, Nokia, Toyota, BMW, Stihl and Becks. 

    The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.

    This episode conversation was recorded at The Joint in the Kings Cross area of London, England. For more information on their services please visit www.thejoint.org.uk


    The Exploring Music Podcast is produced by SyncLodge, the sync licensing project management system. For more information please visit www.synclodge.com 

    If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.

    Support the show

    Anthony Clint Jr. Talks TV & Film Licensing Secrets, Affiliate Marketing, Productivity Apps + More

    Anthony Clint Jr. Talks TV & Film Licensing Secrets, Affiliate Marketing, Productivity Apps + More

    My guest for this week is one of the most versatile music producers in the industry. I’m joined by Anthony Clint Jr., SESAC affiliated producer, songwriter, musician, and the founding CEO of Clint Productions LLC.

    His career path is fascinating because his success is spreading across many different sections of the music industry. Selling sound packs and kits, affiliate marketing, producing for both indie and major artists, courses, consultations… He’s done it all!

    But the main thing that I wanted to talk to him about today was a particularly intriguing topic for aspiring music producers all around the world - sync licensing.

    Clint was first introduced to music licensing back in 2006 when he learned about Taxi. It’s an online platform that helps artists get placements by connecting them with film and TV music supervisors, music libraries, ad agencies, and various other places.

    Over the years, Clint became an expert in the field, and one of his passions is teaching young producers about how to get ahead in the music licensing game.

    If you’ve ever wondered about how to grow your music career with sync licensing, you should be able to find answers to all of your burning questions in today’s episode.

    Key Takeaways:

    • How Clint first got into sync licensing (1:10)
    • The joys of helping other artists get results (5:27)
    • The biggest mistakes artists make when trying to break into the world of music licensing (7:15)
    • Top tips for finding music libraries (9:31)
    • How to write music for TV and film placements (12:54)
    • How long does it take for royalties to come in? (14:49)
    • Why is it so important to manage expectations with music licensing (18:27)
    • Different ways of creating streams of revenue in the music industry (19:58)
    • Tips on doing affiliate marketing in the music industry (20:51)
    • Creating YouTube monetization set up (24:16)
    • How to balance work and family life (25:24)
    • Saving time by batching your tasks (26:59)
    • Best productivity apps for music producers (28:55)
    • Pivoting from real-life to virtual events (35:58)

    Additional Resources:

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    EP 14: Ed Hartman On Generating an Income from Music Sync Licensing

    EP 14: Ed Hartman On Generating an Income from Music Sync Licensing

    "If there is no community, create it." - Ed Hartman

    In this episode of the MFM Speaks Out, Adam Reifsteck interviews percussionist and composer Ed Hartman. The topics discussed include the evolution of Hartman's music career, the challenges musicians continue to face during the Coronavirus pandemic, and how to get started in the world of sync licensing as a lucrative income stream.

    Ed's music has been heard on television (HBO, NBC, ABC, CBS, MTV, Discovery, Green, TLC, WE, Travel, Women, Animal Planet, MSNBC) and in feature films, shorts commercials, documentaries, and even a planetarium. Ed's score for "As the Earth Turns" (also co-producer), has helped the film get into over 100 festivals, over 100 awards and nominations, including 29 for best score. 

    Visit Ed Hartman at https://edhartmanmusic.com/

    Check out "As the Earth Turns" film at https://www.astheearthturns.com

    The following music featured in this episode is provided courtesy of Ed Hartman

    Opening track: "The Spring's in Your Step" by Ed Hartman.

    Middle track: "Football Funk" by Ed Hartman

    Ending track: "As the Earth Turns: Main Title, War, and News on the March"  by Ed Hartman

    Credits
    Producer and host: Dawoud Kringle
    Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
    Technical support: Adam Reifsteck
    Links
    Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

    Ep. 9: Should You Create Your Own Music Library?

    Ep. 9: Should You Create Your Own Music Library?

    Is it a good idea to start your own Music Library? At what point in your licensing career would it make sense to do so? And what kinds of skills are needed to successfully operate a publishing company? This episode answers all of those questions!

    My guest this week, Mike Genato, is a producer who recently made the transition to Music Library owner. In this episode Mike shares his experience in creating his licensing company - the ups, downs & challenges he faced when stepping into the "business side" of the sync licensing business.

    New To Sync Licensing? Enroll Now In My Free Music Licensing Course

    Exploring Music E 15 Lyrics and Melodies part 02 of 02 with Alexandra Carlsson Norlin and Federica Farronato

    Exploring Music E 15 Lyrics and Melodies part 02 of 02 with Alexandra Carlsson Norlin and Federica Farronato

    Alexandra and Federrica discuss the importance, the difference and the relationship lyrics and melodies have in sync licensing and in personal lives.

    Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. 

    Alexandra Carlsson Norlin, who studied International Relations at the Stockholm University, has, for almost six years held the title of Music Supervisor in the London office of the international company Big Sync Music. She’s worked on numerous global projects where she’s been in charge of music on both the legal and creative side. This includes everything from finding and licensing existing tracks to creating original compositions and re-records. Her project client list includes AXE, Dove, Lipton, Casper and a ton more Unilever brands. 

    Federica Farronato, who holds a Bachelor’s Degree in Mass Communication and Media Studies from the University of Padua, Italy and studied Advanced Marketing at the City University London, is the Sync Manager at Chrysalis Records and Blue Raincoat Music. Before Chrysalis Federica was Music Supervisor at Big Sync Music. Federica also has extensive experience in radio and music PR. She is an enthusiastic and creative individual, with a strong history of working with teams and working to tight deadlines. She says her enjoyment and critical interest in the media ( music, radio, television, film journalism, and new media) has increased continuously throughout her professional career.
     
    We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. 

    This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. 

    If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

    If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

    Support the show

    Exploring Music E 14 Lyrics and Melodies part 01 of 02 with Alexandra Carlsson Norlin and Federica Farronato

    Exploring Music E 14 Lyrics and Melodies part 01 of 02 with Alexandra Carlsson Norlin and Federica Farronato

    Alexandra and Federrica discuss the importance, the difference and the relationship lyrics and melodies have in sync licensing and in personal lives.

    Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. 

    Alexandra Carlsson Norlin, who studied International Relations at the Stockholm University, has, for almost six years held the title of Music Supervisor in the London office of the international company Big Sync Music. She’s worked on numerous global projects where she’s been in charge of music on both the legal and creative side. This includes everything from finding and licensing existing tracks to creating original compositions and re-records. Her project client list includes AXE, Dove, Lipton, Casper and a ton more Unilever brands. 

    Federica Farronato, who holds a Bachelor’s Degree in Mass Communication and Media Studies from the University of Padua, Italy and studied Advanced Marketing at the City University London, is the Sync Manager at Chrysalis Records and Blue Raincoat Music. Before Chrysalis Federica was Music Supervisor at Big Sync Music. Federica also has extensive experience in radio and music PR. She is an enthusiastic and creative individual, with a strong history of working with teams and working to tight deadlines. She says her enjoyment and critical interest in the media ( music, radio, television, film journalism, and new media) has increased continuously throughout her professional career. 

    We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

    This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. 

    If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

    If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

    Support the show

    Exploring Music E 03 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 03 of 03

    Exploring Music E 03 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 03 of 03

    In this conversation Mark Garfield and Jonathan Watts discuss the obscure gems they find more and more called for in sync licensing.

    Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention.  

    Mark Garfield of Pop-Up Music and Jonathan Watts of Adelphoi Music discuss the rare finds, the lost gems, the unusual music that they have unearthed for use in visual media sync licensing. 

    Mark Garfield is the founder and co-director of Pop-Up Music, a global music library and publisher that provides music for sync licensing. Pop-Up has placed music with global advertising agencies such as McCann Erickson and Saatchi and Saatchi, in ad campaigns for Estee Lauder and NAB, in films such as Once Upon A Time In Hollywood, Vox Lux (the Natalie Portman movie) and Prospect, in video games like Far Cry 5, in TV series for Netflix, CBS, BBC, Starz and The History Channel among many others. Pop-Up has built a very interesting catalogue that covers a lot of quite unusual music. Mark is also a professional musician who has toured and recorded as a drummer for over twenty years, plus he has a long history of music production and song writing. 

    And joining Mark is Jonathan Watts. Jonathan is music producer and music supervisor at the multi award winning Adelphoi Music, which is a team of musicians, composers, producers, DJs and passionate music fans and whose extensive client list includes Nike, Lacoste, Qatar Airways, BMW, Ralph Lauren, Virgin, Amazon, Google, among many other world leading companies. Before his close to 5 years at Adelphoi, Jonathan held positions of Head of Production at Tsunami Music, Music Supervisor and Partnerships Manager at Square Enix specifically working on the game Sleeping Dogs, Business Development Manager plus Radio Presenter at the Ministry of Sound.

    We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.

    This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. 

    If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.

    If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.

    Support the show
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