Explore "videotape" with insightful episodes like "Ep. 154 The Ken and Barbie Killers - Part 2", "Ep. 153 The Ken and Barbie Killers - Part 1", "A conversation with Masahiko "KITO-SAN" Kito_ THE SURF", "#32 - March Pick-Ups (2022)" and "Paso doble" from podcasts like ""Crack House Chronicles", "Crack House Chronicles", "L8night with Choccy", "Let's Get Physical (Media)" and "Basket BOB"" and more!
In this Part 2 episode of the Crack House Chronicles Donnie and Dale finish up our discussion Paul Bernardo and Karla Holmoka, also known as The Ken and Barbie Killers. Paul and Karla were so perfect as a couple that they were dubbed "Ken and Barbie". But their relationship had a dark side involving sex, rape, death, and videotape.
In this episode of the Crack House Chronicles Donnie and Dale discuss Paul Bernardo and Karla Holmoka, also known as The Ken and Barbie Killers. Paul and Karla were so perfect as a couple that they were dubbed "Ken and Barbie". But their relationship had a dark side involving sex, death, and videotape
Our guest this week is a Trail Blazer and Pioneer in the Japanese Surf Culture, opening a Surf Shop in 1971. With a passion in Filming and Photography he was able to Capture some of Surfing’s most Historic Moments! But, it was until meeting and sponsoring Tom Curren that really put Himself and The Surf Shop on the world stage by opening a Location in Huntington Beach in the 1980’s. He not only created a very successful Surf Shop Business, but he was also a huge influence and was instrumental in the development and successes of Tom Curren. We are beyond stoked and privileged to sit down and hear his story. We welcome The Sensei - Mr.Masahiko “KITO-SAN" Kito!
Grazie alla disponibilità di Fabio Facchini, importante ex arbitro del nostro sport, inizia una nuova avventura a Basket BOB: infatti, dedicheremo tutti gli episodi del Mercoledì a raccontarvi dei fondamentali della pallacanestro sfruttando la competenza e l'esperienza ad altissimi livelli del nostro nuovo compagno di viaggio. sperando di non incorrere in un fallo tecnico!
Have you heard about this weird podcast? They say if you listen to it, you will be granted a wish, and get a bunch of money and kisses. But if you don't share with 5 friends, a girl will KILL YOU! So, I guess you better listen as Jody and Alex talk about The Ring, The Ring Two (Ring Harder), and Rings! It's going to be a lot of fun.
I'm Brian. And I'm Kevin. And we're the Horror Guys!
Episode 82 Summary
This week we’ll be watching some more classics. We’ll begin with “Return of the Vampire” from 1943, do “The Horror of Frankenstein” from 1970, “The Room” from 2019, and finally, “V/H/S” from 2012. We might even sneak in a short film or two!
Time indexes: Introduction 00:00 Return of the Vampire 03:53 Horror of Frankenstein 14:42 Short: Dante: A Replication 26:35 V/H/S 29:40 The Room 38:45 Next Week’s films 47:00
And that’s our show. Thanks for joining us. Stop in during the week at our website for news and horror updates, to comment on this podcast, or to contact us.
Get ready for next week, where we’ll be watching some more classics, starting with “The Devil Commands” from 1943, “The Vampire Lovers” from 1970, the 2014 documentary “Monster Madness: The Gothic Revival of Horror” and “House” from 1986.
We’ll be sure to sneak in another short film or two.
Weâre that band, Radiohead. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by music and culture writer Josh Terry (@JoshhTerry) to break down Radioheadâs 2007 album In Rainbows. With a handful of interesting Radiohead options, the guys go the In Rainbows route out of deep appreciation, but maybe not because itâs their No. 1 Radiohead album. You, too, surely have a Radiohead album ranking take. Find out more about that choice, how Radiohead stayed ahead of the curve in a dynamic record industry environment in the mid-2000s, and why Scott Tenorman must die on this weekâs podcast.
Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty
Follow @ColumbiaHP on Twitter! Say hello to @BlakeMurphyODC and @JGoldsbie as well.
If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com
If you enjoyed todayâs show, please rate Columbia House Party 5-Stars on Apple Podcasts. See you next week for an all new episode of CHP.
Geno Cuddy discusses the Fine Bros. video featuring little kids reacting to the VCR and his reaction to their reactions. Along the way, he discusses his memories of the format and what it is still viable in the year 2019.
Nanna får en existensiell kris efter att hennes vän Lucia flyttat till Guatemala för att bli ayahuasca-instruktör. Hon bestämmer sig för att starta en youtubekanal som ett ironiskt konstprojekt
Nanna är 17 år och går andra året på Södra Latins gymnasium i Stockholm. Det är egentligen inget speciellt med henne men hon har en fördel - hennes bästa kompis Lucia.
Tänk er att en älva haffade en egyptisk prins blev gravid och bara åt glitter i 9 månader. Så fick världen Lucia. Hon känner alla som är något att känna och resten följer henne på instagram.
Men så bestämmer sig Lucia, efter att ha sett en vicedokumentär i ämnet, att hoppa av skolan och flytta till Guatemala för att bli schaman och ayahuasca-instruktör.
Det är Nannas värsta mardröm eftersom allt kul händer nära Lucia. Hon förstår att det är dags för att göra något och bestämmer sig för att starta en youtubekanal eller konstprojektet som hon själv kallar det. Du kan aldrig ana vad som händer sen...
I rollerna:
Lola Zackow
Lukas Wigardt
Armand Mirpour
Nanna Olasdotter Hallberg
Dramaturger:
Vendela Lundberg och Caroline Ringskog Ferrada Noli
Before you die, you hear our 79th Next 100 Project podcast. If you see any rings, that’s force majeure. Anyway, this wet creepfest’s influence is pretty strong on newer horror films. There’s a nifty twist in this movie too. Oh, and don’t forget to visit Sparkplug Coffee where you can now save 10% on your first order by using the discount code “Top100Project”.
Everyone's been partying too hard, so Travis plays a soft-rock show! ALL SOFT, ALL HOUR!
Plus an Iceage ticket giveaway that is sadly no longer valid! But thanks for entering!
Hear soft tunes from Jonathan Richman, Nick Lowe, The Men, Kurt Vile, Feel Alright, Old and Weird, Cousins, Makeout Videotape, Sean Nicholas Savage, Outdoor Miners, Sans AIDS, The Nerves, The Sonics, and Lewis!
Is nostalgic sentimentality the condition of a self which in its distance has grown indifferent to things & is therefore only capable of the most superficial kind of emotion, only capable of being moved in the instant, only capable of cheap, theatrical sentimentality? ~ from Technology as symptom and dream by Robert Donald Romanyshyn
New Year 2012, Nostalgic for Past Fantasies of the 19A0s
“Every age creates as an Utopian image a nostalgic rear-view mirror image of itself, which puts it thoroughly out of touch with the present. The present is the enemy. The present is the—and this will delight you Norman—the present is only faced in any generation by the artist. The artist is prepared to study the present as his material because it is the area of challenge to the whole sensory life, and therefore it is anti-Utopian, it is a world of anti-values. And the artist who comes into contact with the present produces an avant-garde image that is terrifying to his contemporaries.” ~ Marshall McLuhan
The Phantom Time Hypothesis, developed by Heribert Illig, proposes that error and falsification have radically distorted the historical record. In his analysis, we have dilated the course of true events, so that they appear to cover far greater lengths of time than in fact passed. The so-called dark ages, for example, only appear that way because those centuries were mere decades.
Respectable historians give this idea no credence. Rightly so, because the truth is even stranger. It is not the case that we have invented historical periods that do not exist. In truth, there are ages which we have so completely forgotten that modern textbooks exclude them entirely. In our research, we have identified at least three such periods.
Firstly, there appear to be several decades unaccounted for during the fifth century A.D., which may reveal the true circumstances of the Western Empire's final decline. Secondly, it is clear to us that the Mongols invaded northern Europe and conquered the Holy Roman Empire in the 13th century. The astounding deathtoll, and that of the crusades that subsequently dislodged the invaders, is now attributed to the plague.
Finally, evidence is mounting that points to a "lost decade" between what we now remember as the 1970s and 1980s, a time whose full cultural trauma and resulting suppression from memory was so complete as to effect itself even on the living.
Some of those who have recovered seek to reveal the secret history through unusual media such as fashionable tumblogs and private filesharing forums. By sharing elements of an intricate and rigorous symbology drawn from this interstitial history, this cabal works quietly to prepare us to learn the truth and its astonishing consequences...
1. The terminus ad quem of the interstitial history is identified by the earliest-dated reference to it the esoterica: footage broadcast in the early hours of the morning on an obscure television station to commemorate (in the 'new' timeline) the date that the "lost decade" was brought to an end.
2. Finally revealed, terms such as "19A0s" can now be searched for and uncovered in countless seemingly innocuous documents archived online, exposing them as critical ciphertexts of the movement.
RowThree.com writer and Cinecast co-host Andrew James returns to the show to discuss the very prolific Steven Soderbergh. We parse two of his most acclaimed films for this first look into what makes Soderbergh more than just a "dabbler" whose filmography happens to be all over the map, mostly for better than for worse. The three of us discuss his Palme D'Or Winning debut, SEX LIES & VIDEOTAPE as well as his 2nd film in the year 2000, TRAFFIC, which lead to Soderbergh's first Academy Award for Best Director. In addition, Andrews reviews MY WEEK WITH MARILYN, Jim proclaims his adoration for MELANCHOLIA, while Patrick defends and stands by his praise for MARTHA MARCY MAY MARLENE. Things get a bit heated for the first time in a long time, since everyone had different reactions to two interesting films about mental illness. We elaborate a bit more on a couple other Soderbergh films after the two main reviews, but expect us to return to this man's work for a 2nd look possibly sometime late next year.
About ten days before Christmas, our third returning guest, Kurt Halfyard of RowThree.com and TwitchFilm joins us to talk about a filmmaker that Patrick might very well despise although he's only seen one film (a film that Jim happens to love). The incredibly quirky Hal Hartley will be looked at, and although he's not a filmmaker everyone knows about, much is to be said about his love-it-or-hate-it style. Until next time, please send us your suggestions as well as any comments about Argento or any director we’ve discussed or will discuss on a future episode. Drop us a line if you’re a movie blogger/podcaster and would like a guest spot on the show to talk about a filmmaker whose work you admire (or despise). Thanks for listening and be sure to check out our updated upcoming schedule in the sidebar to see which directors we’ll be talking about soon! Leave us a voicemail to play on the show at 224-366-9528. Questions are always welcome via email: directorsclubpodcast@gmail.com
RowThree.com writer and Cinecast co-host Andrew James returns to the show to discuss the very prolific Steven Soderbergh. We parse two of his most acclaimed films for this first look into what makes Soderbergh more than just a "dabbler" whose filmography happens to be all over the map, mostly for better than for worse. The three of us discuss his Palme D'Or Winning debut, SEX LIES & VIDEOTAPE as well as his 2nd film in the year 2000, TRAFFIC, which lead to Soderbergh's first Academy Award for Best Director. In addition, Andrews reviews MY WEEK WITH MARILYN, Jim proclaims his adoration for MELANCHOLIA, while Patrick defends and stands by his praise for MARTHA MARCY MAY MARLENE. Things get a bit heated for the first time in a long time, since everyone had different reactions to two interesting films about mental illness. We elaborate a bit more on a couple other Soderbergh films after the two main reviews, but expect us to return to this man's work for a 2nd look possibly sometime late next year.
About ten days before Christmas, our third returning guest, Kurt Halfyard of RowThree.com and TwitchFilm joins us to talk about a filmmaker that Patrick might very well despise although he's only seen one film (a film that Jim happens to love). The incredibly quirky Hal Hartley will be looked at, and although he's not a filmmaker everyone knows about, much is to be said about his love-it-or-hate-it style. Until next time, please send us your suggestions as well as any comments about Argento or any director we’ve discussed or will discuss on a future episode. Drop us a line if you’re a movie blogger/podcaster and would like a guest spot on the show to talk about a filmmaker whose work you admire (or despise). Thanks for listening and be sure to check out our updated upcoming schedule in the sidebar to see which directors we’ll be talking about soon! Leave us a voicemail to play on the show at 224-366-9528. Questions are always welcome via email: directorsclubpodcast@gmail.com
Bronson: Do you like blood? Do you like violence? Do you like it when a movie can showcase both in a totally original way that is simultaneously repulsive and riveting? Then Bronson (2008) starring Tom Hardy is your movie. Check out Danny and Max's take on this hyper intense and surreal film about Charlie Bronson: Britain's most violent prisoner.
In this episode we take a quick look at the newest attempt to bring talking apes to the masses. Listen in as Max and Danny mince words and ideas about what they thought of the film.
