waltz

Silas Farley is back with another deep dive into the Company's repertory in this week's Hear the Dance episode, devoted to George Balanchine's Liebeslieder Walzer. Farley is joined by former Principal Dancers Bart Cook and Maria Calegari, who share their memories of watching the ballet's iconic interpreters in its initial incarnations; learning individual parts within the challenging but "sublime" work; and coaching Liebeslieder in its entirety. As they describe, the ballet was like a "gift from Europe," for which many dancers have needed to learn the waltz anew—in the countless three-quarter versions Balanchine devised. (57:03)

Written by Silas Farley
Edited by Emilie Silvestri

Music:
Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky
Liebeslieder, Op. 52 (1869) by Johannes Brahms
Neue Liebeslieder, Op. 65 (1874) by Johannes Brahms
Waltzes for piano duet and vocal quartet, all set to poems by Friedrich Daumer, except last, by Goethe
All music performed by the New York City Ballet Orchestra

Reading List:
Balanchine Then and Now Edited by Anne Hogan
Mr. B: George Balanchine’s 20th Century by Jennifer Homans
Balanchine: A Biography by Bernard Taper
George Balanchine: Ballet Master by Richard Buckle in Collaboration with John Taras
Following Balanchine by Robert Garis
More Balanchine Variations by Nancy Goldner
Johannes Brahms: A Biography by Jan Swafford
Brahms and His Poets: A Handbook by Natasha Loges
Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler
Balanchine’s Ballerinas: Conversations with the Muses by Robert Tracy and Sharon DeLano
Goethe: Life as a Work of Art by Rüdiger Safranski, Translated by David Dollenmayer
Costumes by Karinska by Toni Bentley

Artur Rubinstein interpreta Fryderyk Chopin

Waltz No.1, Op.18, Grande Valse Brillante

Waltz No.2, Op.34 No.1, Valse Brillante

Ballades No. 1 in G minor op. 23 

Ballades No. 2 in F major op. 38

Scherzo No. 1 in B minor op. 20         

Scherzo No. 2 in B flat minor op. 31

Scherzo No. 3 in C sharp minor op. 39

In their inaugural visit to the year of our lord ninteen hundred and fifty three, Andrew and Dan immerse themselves in a time of novelty songs and jukebox hits. It's the Eisenhower era, baby! America's number one! And so was a young gal who was simply addicting to the idea of waltzing again with someone she knew. That gal's name: Teresa Brewer. 

The Timing Of the Waltz + The Taming of the Shrew

http://PinkieThePigPodcast.com

We’re ending the Most Dangerous Month where it began, with a remake of the 1932 classic based on the 1924 short story reimagined as a TV show released in short episodes on a steaming app in 2020, and then on another streaming service in 2021 when the first streaming service went bankrupt, and finally re-edited as a movie and released on a third streaming service in 2022. Look, we told you this month was dangerous! Longtime listeners will remember Hashtag #QuibiSucks, when we covered the rise and fall of the Jeffrey Katzenberg-backed steaming experiment in short-form television. After Quibi went under, Roku purchased and repurposed many shows from the Quibi library on their platform, including this one starring Liam Hemworth and Christoph Waltz. Now renewed for a second season, Amazon Prime has also released a movie-length compilation of the series - and that’s what we watched, because this a movie podcast. No matter how it started, we’re going to finish it. Most Dangerous Month, Most Dangerous App, Most Dangerous Game!

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On the newest Hear the Dance episode, host Jared Angle leads us through the five fasntasy-filled movements of Balanchine’s crowd- and dancer-pleasing Vienna Waltzes. He and Repertory Director Rebecca Krohn share recollections of learning the principal roles in the first Tales from the Vienna Woods and fourth Merry Widow movements from former principal dancer Karin von Aroldingen, describing the strikingly different moods of these two sections and the challenges of their romantic ballgowns. Then, Jared is joined by Principal Dancer Sterling Hyltin, who describes rehearsing the second Voices of Spring and third Explosions Polka movements with former principal dancer Sara “Sally” Leland, and how she has begun to learn the principal role in the final movement following a dreamed premonition, and just in time for her retirement. (58:45)

Written by Jared Angle

Music: 
Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky
Music Tales from the Vienna Woods, Op. 325 (1868), Voices of Spring, Op. 410 (1885) and Explosions Polka, Op. 43 (1848) by Johann Strauss II
Gold and Silver Waltz (1905) by Franz Lehar
First sequence of waltzes from Der Rosenkavalier (arranged 1944) by Richard Strauss

All music performed by the New York City Ballet Orchestra

Have you ever had a terrible, no good, very bad boss? Have you wish ill upon them? Have you ever hired an ex-con for 30 large,...make that, 5 large, to be your murder consultant? If you have thought about it, you may want to watch Horrible Bosses (2011) and Horrible Bosses 2 (2014) rather than risking life in prison. 

We love the combo of Bateman, Sudeikis, and Day along the recognizable cast of awful bosses. However, we feel like there was some more meat left on the bone. Come and find out for yourself.

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Renata Grochal rozmawia z Hanną Gronkiewicz-Waltz.

Renata Grochal rozmawia z Hanną Gronkiewicz-Waltz.

Pieniądze leżały na stole, a prezes Glapiński i premier Morawiecki z taką beztroską mówią, że damy sobie radę bez nich. Bo jesteśmy tacy bogaci? Skąd weźmiemy, pożyczymy w Chinach, zaczniemy się zapożyczać jeszcze gdzie indziej? – mówi Hanna Gronkiewicz-Waltz, była prezes Narodowego Banku Polskiego w podcaście „Druga strona pieniądza”.

In this new See the Music episode, host and NYCB Orchestra Music Director Andrew Litton leads us through the history and multi-faceted movements of the music for George Balanchine's La Valse. Choreographed in 1951, the score combines two of Maurice Ravel's compositions: Valses Nobles et Sentimentales and La Valse—a "genius" merging of two interrelated works by Balanchine. Litton is joined by Solo Pianist Alan Moverman, whose piano renditions of excerpts from the score capture its by turns beguiling, bittersweet, and bombastic approaches to the waltz. (26:40)

Edited by Emilie Silvestri

Music:
Valses Nobles et Sentimentales (1911, orchestrated 1912) and La Valse (1920) by Maurice Ravel
Symphony in Three Movements (1945) by Igor Stravinsky

BUY TICKETS TO OUR UPCOMING LIVE SHOW HERE: https://www.tickettailor.com/events/goodshipcomedy/572834 - Worst Foot Forward Literary Salon, 7.30pm on 10th October 2021 at Backyard Comedy Club with special guests Bec Hill, Jay Foreman and Ria Lina!

With celebrity dance competition Strictly Come Dancing back on British TV, Barry sits Ben down to look a bit more closely at the dances featured on the show. We learn that the first performance of The Blue Danube waltz was considered a failure, that girl guides really know how to cha-cha and how Cab Calloway's jive talk inspired Harry Potter.

Follow us on Twitter: @worstfoot @bazmcstay @benvandervelde

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Visit www.worstfootforwardpodcast.com for all previous episodes and you can donate to us on Patreon if you’d like to support the show during this whole pandemic thing, and especially as we work on our first book and plan more live shows! https://www.patreon.com/WorstFootForward

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Patrick and Bob compare and contrast Gundam Wing and G Gundam by watching the Gundam Wing movie Endless Waltz to learn what works and does not about each of them. 

The cast says goodbye to Bob who is off to greener pastures now that Patrick has let him out of podcast jail. Lev plays it cools as Bob walks out of the recording booth for one last time, but everyone knows he's crying on the inside. Will Lev now include Bob on his annual Christmas card list? Find out on this week's episode of Zaku Talk!

E-mail the host as zakutalkcast@gmail.com

Read up on the opera 'Circus:Days and Nights' by the incomparable Philip Glass: https://cirkor.se/en/circusdaysandnights

Find the Zaku Talk podcast at: well, here. Good work, you made it.

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Opening song - White Reflection by Two-Mix

Ending song - Last Impression by Two-Mix

Artwork by Kiley Mantis

zaku, talk, gundam, skeyhill, quixotic, wing, g, skerry, movie, last, impression, white, reflection, endless, waltz

For this season’s final episode, Artistic Director Jonathon Stafford and Associate Artistic Director Wendy Whelan sat down to reflect on the concluding Digital Season, and to look forward to our return to the stage this fall. From the technical challenges of curating footage to the emotional heights of revisiting these performances, this unprecedented time in the Company’s history has inspired the Artistic team’s ambitious approach to the coming season’s programming, with special repertory revivals, our most diverse cast of choreographers, and the 50th anniversary Stravinsky Festival in the spring to look forward to—and, bridging the two seasons, a final stream of Balanchine’s Vienna Waltzes, a work with special memories for both. (39:40)

Music:
Serenade for Strings in C, Op. 48 (1880) by Peter Ilyitch Tschaikovsky

Earlier this month President Biden did what three of his predecessors could not: he announced an unconditional end to the war in Afghanistan. On this edition of the GZERO World Podcast, Mike Waltz, a decorated combat veteran and Republican Congressman, tells Ian Bremmer why he thinks that decision spells disaster. "The next 9/11, the next Pulse Night Club, which is right on the edge of my congressional district, the next San Bernardino, that's now on Biden's watch," says Waltz. "He owns it with this decision." 

Earlier this month President Biden did what three of his predecessors could not: he announced an unconditional end to the war in Afghanistan. On this edition of the GZERO World Podcast, Mike Waltz, a decorated combat veteran and Republican Congressman, tells Ian Bremmer why he thinks that decision spells disaster. "The next 9/11, the next Pulse Night Club, which is right on the edge of my congressional district, the next San Bernardino, that's now on Biden's watch," says Waltz. "He owns it with this decision." 

It's Jess's favorite movie ever? But does Mark agree? We go back to basics with the new Lacey Chabert....classic? It's Christmas Waltz!