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    web 2

    Explore " web 2" with insightful episodes like "Capsule #8 - Comprendre le Web 3 : une révolution inévitable - Crypto Facto", "DBS Prepping for the Metaverse", "Liz Perle Guest Hosts, TikTok Rises and Facebook Falls with Teens, Creator DAO Invests and Jake Paul Wants to Make Things BETR", "Ridhima Ahuja Kahn: Dapper Labs make the Top Shots using Flow Blockchain and serve up Brand Partnerships like Cryptokitties" and "Vladislav Ginzburg: P2: Alpha on Creator to Fan to Creator, what Utility do you Want?" from podcasts like ""Crypto Facto", "Word on the Block | Forkast.News", "Creator Upload", "COFFEE CULTURE with Holly Shannon" and "COFFEE CULTURE with Holly Shannon"" and more!

    Episodes (8)

    Capsule #8 - Comprendre le Web 3 : une révolution inévitable - Crypto Facto

    Capsule #8 - Comprendre le Web 3 : une révolution inévitable - Crypto Facto

    Avec Crypto Facto explorons le futur passionnant du Web 3.0 et les implications qu'il pourrait avoir sur notre monde numérique. Alors, prêts à plonger dans cette aventure ?

    L'Évolution du Web :
    Dans la première partie, nous remontons le temps pour explorer les trois étapes clés de l'évolution du World Wide Web. Du Web 1.0 initial, où tout a commencé, au Web 2.0 interactif que nous connaissons aujourd'hui. En sommes, nous découvrons comment chaque étape a façonné notre expérience en ligne.

    Web 3.0 : La Révolution en Cours :
    Découvrez comment cette prochaine étape de l'Internet, le Web 3,  promet la décentralisation, la confidentialité des données et la propriété des utilisateurs. Nous discutons également des défis auxquels le Web 3.0 est confronté, notamment la possible émergence de pouvoirs centralisés et les enjeux de réglementation.

    Les Caractéristiques Clés du Web 3.0 :
    Décentralisation, l'absence de permission (permissionless), l'absence de (besoin) confiance (trustless) et la montée de la finance décentralisée (DeFi) découvrez comment ces éléments transformeront notre expérience en ligne.

    Le Web 3.0 et les Cryptomonnaies :
    Le Web 3.0 repose sur la blockchain et les cryptomonnaies. Ainsi, nous explorons comment elles seront utilisées pour des transactions en ligne sécurisées, la création d'applications décentralisées (DApps) et bien plus encore. Découvrez comment les cryptomonnaies pourraient être au cœur de cette révolution.

    Lien mentionnées dans cet épisode:
    - Dossier #10 - Mina: la plus petite des blockchains qui a tout d'une grande
    - Capsule #7 - CBDC et Digital ID: entre simplification et contrainte
    - Capsule #6 - Les DAO (Decentralized Autonomous Organization) pour définir un nouveau modèle économique?
    - Dossier #4 - Oasis Network (ROSE): Protéger ses données personnelles grâce à la blockchain

    Pour me retrouver sur  LinkedIn, c'est par ici.

    Pour me contacter: info@suissecommecresus.com

    N'oubliez pas de partager cet épisode et de lui donner une note maximum si ce contenu vous a plu, c'est le seul moyen pour moi d'améliorer le référencement du podcast et de continuer mon travail. 

    Merci pour votre soutien et à bientôt pour de nouveaux dossiers.

    DBS Prepping for the Metaverse

    DBS Prepping for the Metaverse
    The Metaverse is coming but are we prepared? What are the opportunities and challenges this new alternate reality presents? And what role will demographic gravity play in easing us into the Metaverse? Will rules of the real world apply in the virtual one and what will it take to be a responsible corporate leader in it? And what could be the social and societal ramifications of living a digitally immersive life? Forkast chats with one of South East Asia’s largest banks to find out how it is getting ready to engage in this new world.

    Liz Perle Guest Hosts, TikTok Rises and Facebook Falls with Teens, Creator DAO Invests and Jake Paul Wants to Make Things BETR

    Liz Perle Guest Hosts, TikTok Rises and Facebook Falls with Teens, Creator DAO Invests and Jake Paul Wants to Make Things BETR

    In this episode:  

    • Liz Perle, Creator Economy Expert and Consultant, steps in for Lauren’s last week of vacation. We learn a lot! Like why Liz thinks the word “creator” is meaningless, generational differences in social media, and why she says, teenagers aren’t addicted to technology, but to each other. (This is all such good stuff!).
    • Josh and Liz discuss the latest Pew Research on teens and social media. Liz wants more detailed information and isn’t surprised, Josh is intrigued! 
    • Creator Dao is a thing and Josh and Liz break it down. 
    • Jake Paul starts a sports media company, but will it really be BETR? Our hosts have opinions. 
    • Uploads and Downloads – Dylan LeMay is into Ice Cream and BeReal is really popular!  

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    Ridhima Ahuja Kahn: Dapper Labs make the Top Shots using Flow Blockchain and serve up Brand Partnerships like Cryptokitties

    Ridhima Ahuja Kahn: Dapper Labs make the Top Shots using Flow Blockchain and serve up Brand Partnerships like Cryptokitties

    Ridhima Ahuja Kahn is the VP of Business Development at Dapper Labs. Her focus is helping build meaningful partnerships with the world’s top IPs, creators, and social media platforms as they look to build blockchain-based experiences.

    Prior to Dapper Labs, she was a Partner at Andreessen Horowitz (a16z) where she focused on sports, social, media & entertainment, collectibles (both in digital & physical), hospitality/travel and food.

    She has also spent time on the investment teams at the Hewlett Foundation & Grovenor Capital Management.

    - Tell me about how you shifted into this role at Dapper Labs and was the inspiration behind TopShot birthed at Dapper or was your sports background the impetus to this idea?

    - What does fandom look like in metaverse ? What does TopShot and Cryptokitties experiences look like there? And do you think experiences are the magic of an NFT and your utility? What do experiences look like in the Metaverse?

    - Flow blockchain technology is unique to Dapper, reducing the friction of Web 2 native users and Web 3 adventurers, do you think this shift in creating your own blockchain has been part of the the secret sauce for Dapper Labs?

    - Digital Fashion will likely see a ton of growth due to the concept of wearables and shopping in the Metaverse: Luxury brands will soar to the top fast bc of virtue signaling and the marketing machine they are built on. Can Dapper help creators or smaller brands with NFTs for this use case?

    - Because we are also an education platform on Culture Factor, can you define DAO  and is Dapper getting involved in the DAO space?

    - And what would a brainstorming session at Dapper look like in terms of iterating on best use cases, verticals or simply coming up with experiences?

    Ridhima Ahuja Kahn of Dapper Labs

    Holly Shannon’s Website

    Zero To Podcast on Amazon

    Holly Shannon, Linkedin

    Holly Shannon, Instagram

    Holly Shannon, Clubhouse

    https://youtu.be/PKCND4FqGLc

    #dapper, #metaverse, #blockchain, #creators, #digital, #flow, #create, #labs, #web3, #community, #physical, fashion, #technology, #experience, #nft, #brands


     

    Vladislav Ginzburg: P2: Alpha on Creator to Fan to Creator, what Utility do you Want?

    Vladislav Ginzburg: P2: Alpha on Creator to Fan to Creator, what Utility do you Want?

    Vladislav Ginzburg is the Chief Executive Officer at Blockparty.

    Ginzburg leads Blockparty and the mission to build a blockchain-agnostic platform for collectible NFTs at the intersection of art, music and culture. Blockparty launched their MVP In August 2020 with a number of mainstream oriented drops, including first digital artworks by 3lau Slime Sunday, Adventure Club, Dave Krugman and others.

    Earlier, Ginzburg was Chief Business Development officer at Blockparty Tickets where he introduced blockchain as an NFT powered ticketing system to music festivals and professional sports teams, including a partnership with the Sacramento Kings of the NBA.

    Before entering the Blockchain and entertainment spaces, Ginzburg managed a fine art fund where he transacted more than $150 million in blue chip artworks. Ginzburg studied at Miami University in Oxford, Ohio as well as The New School in New York.

    Let’s dig into your art background first, I believe it lays the groundwork for your interest in NFT related art and event?

    In the art world,  Vladislav Ginzburg has managed several high-value growth funds in the fine art industry where he has executed transactions for iconic canvas works by Pablo Picasso, Andy Warhol, Jean-Michele Basquiat, Salvador Dali, Pierre Auguste Renoir, and hundreds of others for clients., including placing works into museum exhibitions globally

    1. What is your relationship with Warner Music and how will it compliment Blockparty goals for the artist?
    2. Opensea is the amazon for NFTs; it's the most common and most costly to mint because there's so many people on it. Rarible and a few others are less expensive. By having their own storefront on Blockparty (part Website, Etsy and Shopify?, Is this a solution to the two ends of the spectrum of Opensea and Rarible?
    3. Wants to dive into the live event aspect because of Lively partnership. Does Blockparty expect to be more of an event platform in the end? Or are they primarily a storefront/tools provider? What's the endgame?
    4. Ginzburg is the co-founder for Moonwalk. No code: there is code that sits behind the NFT. Moonwalk, being a no code platform, allows people who don’t have developers in their back pocket to mint NFTs and play in the same arena as people who do have their own developers. Is Moonwalk going to eventually live on Blockparty?
    5. Are Ginzburg’s platforms working toward democratizing crypto/NFTs for any and all?
    6. We are speaking on NFT.NYC in June!!
    7. Data to market yourself, your wallet, online habits, or curated social media look?
    8. Creators pushing for Blockparty to push further with them, innovating together
    9. Easy vs. creating smart contracts that work for the artists on the platform
    10. Dali and Warhol experimented with digital art, NFT artists that were painters, sculptors and photographers using AR and image recognition
    11. Token, receive it into your wallet, send it out of your wallet or stake it.
    12. look forward alpha: music NFTs will thrive with UGC (user generated content) selling viral content from fans taking and creating NFTs and sending to the viral TikTok artist.

    Vladislav Ginsburg on Twitter 

    Holly Shannon’s Website

    Zero To Podcast on Amazon

    Holly Shannon, Linkedin

    Holly Shannon, Instagram

    Holly Shannon, Clubhouse

    https://youtu.be/PKCND4FqGLc

    #utility #creator #warner #brands #art #creativetechnologist #music #musician #spinnin’records #integrity #intention #purpose #impact #lockeddiscord #accesskeys #rightsownership #Fortnight #wearables #legacy #warnermusic #indieartist #fans #nfts #nft #nftart #cryptocurrency #blockchain #metaverse #culturefactor #web3 #smartcontracts #bitcoin #nftartist #nftcollectors #eth #ethereum #youtubers #tiktok #instagram #reels #branding #bitcoin #web3 #smartcontracts #bitcoin #nftartist #nftcollectors #community #decentralizedeconomy

    Vladislav Ginzburg: P1: Warhol's Digital Art to NFTS & Blockparty's Creators in Web 3

    Vladislav Ginzburg: P1: Warhol's Digital Art to NFTS & Blockparty's Creators in Web 3

    Vladislav Ginzburg is the Chief Executive Officer at Blockparty.

    Ginzburg leads Blockparty and the mission to build a blockchain-agnostic platform for collectible NFTs at the intersection of art, music and culture. Blockparty launched their MVP In August 2020 with a number of mainstream oriented drops, including first digital artworks by 3lau Slime Sunday, Adventure Club, Dave Krugman and others.

    Earlier, Ginzburg was Chief Business Development officer at Blockparty Tickets where he introduced blockchain as an NFT powered ticketing system to music festivals and professional sports teams, including a partnership with the Sacramento Kings of the NBA.

    Before entering the Blockchain and entertainment spaces, Ginzburg managed a fine art fund where he transacted more than $150 million in blue chip artworks. Ginzburg studied at Miami University in Oxford, Ohio as well as The New School in New York.

    Let’s dig into your art background first, I believe it lays the groundwork for your interest in NFT related art and event?

    In the art world,  Vladislav Ginzburg has managed several high-value growth funds in the fine art industry where he has executed transactions for iconic canvas works by Pablo Picasso, Andy Warhol, Jean-Michele Basquiat, Salvador Dali, Pierre Auguste Renoir, and hundreds of others for clients., including placing works into museum exhibitions globally

    1. What is your relationship with Warner Music and how will it compliment Blockparty goals for the artist?
    2. Opensea is the amazon for NFTs; it's the most common and most costly to mint because there's so many people on it. Rarible and a few others are less expensive. By having their own storefront on Blockparty (part Website, Etsy and Shopify?, Is this a solution to the two ends of the spectrum of Opensea and Rarible?
    3. Wants to dive into the live event aspect because of Lively partnership. Does Blockparty expect to be more of an event platform in the end? Or are they primarily a storefront/tools provider? What's the endgame?
    4. Ginzburg is the co-founder for Moonwalk. No code: there is code that sits behind the NFT. Moonwalk, being a no code platform, allows people who don’t have developers in their back pocket to mint NFTs and play in the same arena as people who do have their own developers. Is Moonwalk going to eventually live on Blockparty?
    5. Are Ginzburg’s platforms working toward democratizing crypto/NFTs for any and all?
    6. We are speaking on NFT.NYC in June!!
    7. Data to market yourself, your wallet, online habits, or curated social media look?
    8. Creators pushing for Blockparty to push further with them, innovating together
    9. Easy vs. creating smart contracts that work for the artists on the platform
    10. Dali and Warhol experimented with digital art, NFT artists that were painters, sculptors and photographers using AR and image recognition
    11. Token, receive it into your wallet, send it out of your wallet or stake it.
    12. look forward alpha: music NFTs will thrive with UGC (user generated content) selling viral content from fans taking and creating NFTs and sending to the viral TikTok artist.

    Vladislav Ginsburg on Twitter 

    Holly Shannon’s Website

    Zero To Podcast on Amazon

    Holly Shannon, Linkedin

    Holly Shannon, Instagram

    Holly Shannon, Clubhouse

    https://youtu.be/PKCND4FqGLc

    #blockparty #blue-chip #authenticity #prognosticator #wallstreet #artnet #database #creatorcollector #web2.5 #web2fatigue #nocode #massadoption #digitallynative #imagerecognition #nfts #nft #nftart #cryptocurrency #blockchain #metaverse #culturefactor #web3 #smartcontracts #bitcoin #nftartist #nftcollectors #eth #ethereum #youtubers #tiktok #instagram #reels #branding #bitcoin #web3 #smartcontracts #bitcoin #nftartist #nftcollectors #community #decentralizedeconomy

    Museum Learning 2.0: How (can) Web 2.0 technologies be used for enhancing the museum learning experience?

    Museum Learning 2.0: How (can) Web 2.0 technologies be used for enhancing the museum learning experience?
    Social media has emerged as a prominent element in the current digital landscape and its widespread use reflects how Web 2.0 technologies have become embedded in our lives. Use of social media technologies for learning signals a departure from the use of purely educational or institutional technologies, where educators or the institutions control the technology and the content and impose the rules. This development brings unique and fundamental opportunities, alongside challenges, for rethinking learning in museums. In a museum context, social media tools may make it possible for people to situate objects within contextual information, enable users to make links with other objects or topics and initiate discussions among them. These processes highlight the social aspect of museum experience, advocated by Falk and Dierking (1992; 2000), and it is thus hypothesised that use of social media will lead to - and enhance - a shared understanding around objects, which will facilitate the meaning-making process and thus, learning. The study presented in this paper (part of a PhD research project) is concerned with the potential of Web 2.0 technologies for enhancing young people's museum learning experience and facilitating their meaning-making process.
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