【元瓅玩樂誌】戲曲的絕代風華_安祈戲說 S2EP26__從水袖與胭脂到百年戲樓|王安祈
之前花了三集時間談國光伶人第三部曲《水袖與胭脂》,本集先補充導演李小平何以以「戲衫懸吊」為舞台設計,接著進入國光伶人第二部曲《百年戲樓》,先談以「戲箱」為主要道具的隱喻作用。
Explore "隱微幽深" with insightful episodes like "【元瓅玩樂誌】戲曲的絕代風華_安祈戲說 S2EP26__從水袖與胭脂到百年戲樓|王安祈" and "【元瓅玩樂誌】戲曲的絕代風華_安祈戲說 S2EP26__從水袖與胭脂到百年戲樓|王安祈" from podcasts like ""戲曲的絕代風華__安祈戲說" and "元瓅書坊"" and more!
Stay up to date
For any inquiries, please email us at hello@podcastworld.io