Logo

    The Good Liar: surprise v twist

    enMarch 13, 2024
    What was the main topic of the podcast episode?
    Summarise the key points discussed in the episode?
    Were there any notable quotes or insights from the speakers?
    Which popular books were mentioned in this episode?
    Were there any points particularly controversial or thought-provoking discussed in the episode?
    Were any current events or trending topics addressed in the episode?

    About this Episode

    The movie had both me and Valerie on the edge of our seats. When we come across a masterful movie we pull out as much as we can for you. This episode is chock-a-block full of info about point of view, narrative drive, clues, and liars. We also examine how the twist in The Good Liar is set up and pulled off. I continue to track the clues and motives this week...or should we say I track the lies. Valerie discusses how point of view and narrative drive work together to create this exciting thriller.

    If you're building up to your twisty ending, this episode will have you speedwriting to get to the big reveal. -M

    "When the whole meaning of a movie or a story changes, because of a vital piece of information REVEALED AT THE END then this is a device called a twist." - Melanie Hill

    Related Story Nerd Episodes

    Tinker Tailor Soldier Spy (Season 9, Episode 4)

    The Bourne Identity (Season 3, Episode 2)

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Recent Episodes from Story Nerd

    The Good Liar: surprise v twist

    The Good Liar: surprise v twist

    The movie had both me and Valerie on the edge of our seats. When we come across a masterful movie we pull out as much as we can for you. This episode is chock-a-block full of info about point of view, narrative drive, clues, and liars. We also examine how the twist in The Good Liar is set up and pulled off. I continue to track the clues and motives this week...or should we say I track the lies. Valerie discusses how point of view and narrative drive work together to create this exciting thriller.

    If you're building up to your twisty ending, this episode will have you speedwriting to get to the big reveal. -M

    "When the whole meaning of a movie or a story changes, because of a vital piece of information REVEALED AT THE END then this is a device called a twist." - Melanie Hill

    Related Story Nerd Episodes

    Tinker Tailor Soldier Spy (Season 9, Episode 4)

    The Bourne Identity (Season 3, Episode 2)

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    See How They Run: wasted potential

    See How They Run: wasted potential

    A comedic take on a murder mystery had so much potential, but unfortunately, the creators of SEE HOW THEY RUN wasted it with what can only be described as lazy writing and lazy editing. This is what happens when the writers of murder mysteries aren't also superfans of the genre, or when they try to cut corners. This week, Valerie discusses the unfortunate skinny wrist reveal, and Melanie walks us through all the clues and red herrings. Do you agree with their analysis?

    "If you're serious about getting published, be honest with yourself about the gaps in your knowledge. We all have them. It's okay." Valerie Francis

    Related Story Nerd Episodes

    Crooked House (Season 9, Episode 901)

    Death on the Nile (Season 2, Episode 207)

    Knives Out (Season 1, Episode 107)

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Tinker Tailor Soldier Spy: when did Smiley know?

    Tinker Tailor Soldier Spy: when did Smiley know?

    It's a long episode this week because there's a whole lot to talk about in this excellent adaptation of John le Carre's bestselling novel. Melanie gives her top tips for writing mysteries and Valerie discusses the type of protagonist we usually find in left-brained stories. One question lingered for them both: When did George Smiley discover who the mole was?

    "Your opinion of George Smiley will change if you read THE SPY WHO CAME IN FROM THE COLD, because there his morality is laid bare. His duality, or his willingness to sacrifice innocence, is more laid bare." - Melanie Hill

    RELATED STORY NERD EPISODES

    The Dry (Season 9, Episode 2)

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Story Nerd
    enFebruary 28, 2024

    The Game: why endings are important

    The Game: why endings are important

    By the time we get to the end of our manuscript, we can feel drained creatively. The temptation to phone it in looms large. But be careful. No matter how good the rest of your story is, if the ending is weak, the novel/film will fail to impress. This is just one of the lessons that Valerie and Melanie learned this week.

    "What I mean by a left-brained story is basically a story that appeals to our heads more than our hearts. It has to hook the reader intellectually." - Valerie Francis

    RELATED STORY NERD EPISODES:

    Death on the Nile (Season 2, Episode 207)

    Empathy (Season 6)

     

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    The Dry: an introduction to outback noir

    The Dry: an introduction to outback noir

    This week Valerie and Melanie continue their study of left-brained stories. They step into the outback to discover how Australian crime writers create an atmosphere of isolation by combining plot and setting. Melanie is tracking clues, motives, and murderers' actions to discover the techniques used to raise questions and divert attention in the story – and there are many! Valerie investigates the Central Dramatic Question and Character Archetypes.

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Crooked House: left-brained stories

    Crooked House: left-brained stories

    It's time for a brand new season of the show and this time around, Valerie and Melanie are studying the same topic: left-brained stories. Never heard of it before? Don't worry. Valerie made up the term to describe any story that has a puzzle of some kind and invites the reader/audience to try to solve the puzzle before the author reveals the solution. Left-brained stories tend to be mysteries/crime stories, thrillers, and spy stories but they can show up in any genre.

    In left-brained stories, storytelling principles are applied a little differently—and that's exactly what Valerie and Melanie will explore all season long.

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Character Lessons from an Actor

    Character Lessons from an Actor

    For the past two seasons Valerie has been talking about character dimension and cast design. The key to understanding both concepts is to recognize that a person isn't a uniform, constant creature. A person's behaviour changes depending on the situation she finds herself in and the people she finds herself interacting with.

    In this brief bonus episode, Valerie's daughter Avery (a theatre student at the York University Acting Conservatory) illustrates how this character shift plays out in real time. It's actually an acting assignment as part of her course work, but it sums up everything Valerie has been talking about over the course of the last twenty episodes. Enjoy!

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Our Best Advice: conflict + cast design

    Our Best Advice: conflict + cast design

    This week Valerie and Melanie round up their a-ha moments and the lessons they've learned over the past ten episodes. What are their key takeaways wrt creating conflict in a story? How can you design a cast that supports both the main character's development and the plot? Tune in to find out!

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X Instagram and Facebook @MelanieHillAuthor

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Story Nerd
    enJanuary 31, 2024

    The Lost Daughter: fisticuffs

    The Lost Daughter: fisticuffs

    The one thing Valerie and Melanie agree on this week is that the execution of this film isn't as good as it could, or should, have been. They disagreed on just about everything else and they each have a strong case for why they've come to the conclusions they've come to. The main points of disagreement? The protagonist's object of desire (want) and whether the protagonist was empathetic or not.

    What do you think? Do you agree with Melanie or Valerie?

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X Instagram and Facebook @MelanieHillAuthor

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor

    Lady Bird: writing female protagonists

    Lady Bird: writing female protagonists

    If you're writing a character-driven story with a female protagonist, or a female POV character, this episode is a must for you. With only one viewing it's easy to miss the storytelling goodness of Lady Bird because it doesn't offer up the kind of story Hollywood has trained us to expect (i.e., external action, male protagonist, hero's journey-style stories). What it does give is a nuanced, complex female protagonist whose internal conflict drives the story. Yay, Greta!

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X Instagram and Facebook @MelanieHillAuthor

    For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars

    For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle

    To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au

    Follow Valerie on X, Instagram and Threads @valerie_francis

    Follow Melanie on X, Instagram and Facebook @MelanieHillAuthor