biokinetics

It’s been a hot minute but I’m back and this week, we have an amazing one on one with biokineticist, Samantha Marshal. We discuss all of the benefits of seeing […]

This week, I chat to vegetarian IFBB athlete, Taryn Agliotti. We discuss whether being veggie has helped or hindered her performance as an athlete, how she gets her protein in […]

This week, Joe interviews Dr. Andy Galpin. Andy holds a PhD in Human Bioenergetics and is a professor at the Center for Sports Performance (Cal State, Fullerton). In Part 1 of this 2-part interview, Andy discusses a wide range of topics, some of which include: Why he decided to go the "academic/research" route; Balancing the physiology & psychology of training; Latest research on speed training; The best way to get your TRUE max heart rate; The 5 best predictors of mortality...and Much MORE! 

For Show Notes & Timestamps goto www.IndustrialStrengthShow.com

This week, Joe interviews Dr. Andy Galpin. Andy holds a PhD in Human Bioenergetics and is a professor at the Center for Sports Performance (Cal State, Fullerton). In Part 1 of this 2-part interview, Andy discusses a wide range of topics, some of which include: Why he decided to go the "academic/research" route; Balancing the physiology & psychology of training; Latest research on speed training; The best way to get your TRUE max heart rate; The 5 best predictors of mortality...and Much MORE! 

For Show Notes & Timestamps goto www.IndustrialStrengthShow.com

Molecular Aesthetics | Symposium

Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT).

It was in the 60s of the last century that the pores of our senses openend up. Was it the mescaline impregnated pictures of a Henri Michaux, was it the LSD-borne dreams of a Timothy Leary. Was it the wounds of the second world war, written down in the palm sized drawings of a »WOLS« (Wolfgang Schulze)
It was the high period of kinetics of a Jean Tinguely, of a Gerhard von Graevenitz, of the seriell paintings of a Victor Vasarely, generated from the value inverted pragmatism of emptiness of a Marcel Duchamp.
Everything screamed out for new art. Now it had to arrive, the biologically based kinetic. A word was spit out: Biokinetic. Realised for the first time in 1969 in the Musem Schloss Morsbroich of the city of chemistry, Leverkusen, the museum which had shortly before become a lanching pad into the infinite blue space of an Yves Klein.

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Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011
In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie.

Es war in den Sechzigern des vergangenen Jahrhunderts, als sich die Poren unserer Sinne öffneten. Waren es die Meskalin trächtigen Bilder eines Henri Michaux, waren es die LSD getragenen Träume eines Timothy Leary? Waren es die Wunden des 2. Weltkrieges, niedergeschrieben in den Handteller großen Zeichnungen eines “WOLS“ (Wolfgang Schulze)?
Es war die Hohe Zeit der Kinetik eines Jean Tinguely, eines Gerhard von Graevenitz, der seriellen Malerei eines Victor Vasarely, entstanden aus dem Werte umkehrenden Pragmatismus der Leere eines Marcel Duchamp.
Alles schrie nach neuer Kunst. Jetzt musste sie kommen, die biologisch getragene Kinetik. Ein Wort dafür wurde ausgespieen: Biokinetik. Erstmals realisiert 1969 im Museum Schloss Morsbroich der Chemiestadt Leverkusen, jenem Museum, das kurz zuvor Startrampe in den unendlichen blauen Raum eines Yves Klein gewesen ist.