Midweek Mention... Pecker
Today we're taking a trip back to the late '90s to discuss a quirky, offbeat gem: Pecker (1998).
Directed by John Waters, Pecker is a comedy that tells the story of a young amateur photographer in Baltimore, played by Edward Furlong. Pecker, so nicknamed for his childhood habit of pecking at his food, captures pictures of his eccentric family and the colourful characters around his neighbourhood. When his work catches the eye of a New York art dealer, he's suddenly thrust into the world of high art - a world far removed from the close-knit community he loves.
Pecker is a classic Waters film in many ways, blending humour, irreverence, and a celebration of the unconventional. It’s a satirical look at the art world, poking fun at the pretentiousness of gallery culture while also offering a heartfelt homage to the oddities and charms of everyday life. Furlong brings a genuine, likable quality to his character, and the supporting cast, including Christina Ricci and Mary Kay Place, all contribute to the film's unique flavour.
As we dive into this review, we'll explore how Pecker captures the essence of the '90s indie film scene with its low-budget charm and how it stands out as a light-hearted critique of the often absurd art world. We'll talk about John Waters' distinct directorial style and how he's able to find beauty and humour in the most unexpected places.
So, dads, let's rewind to a simpler time in cinema, where a Baltimore teenager can become an overnight art sensation, and a sandwich shop can be a photography studio. As always, we’ll bring our dad's perspective to this cult classic, perhaps even sharing some of our own 'artistic' attempts from the '90s - brace yourselves for some hilarious throwback stories!
Join us on Bad Dads Film Review for a lively discussion on Pecker, a film that reminds us that art is everywhere and in everyone – sometimes in the most Pecker-ish ways! 📸🎥🎬👨👧👦
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Until next time, we remain...
Bad Dads
