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    derrida

    Explore " derrida" with insightful episodes like "What To Believe: A Conversation With John D Caputo", "RR Pod E26 Prof.Dr. Wouter J. Hanegraaff: Hermetic Embodiment, Interpretation, & Imagination", "Thanks", "Hauntology 2.0" and "How David was lost, then found" from podcasts like ""This Is Not Church Podcast", "Rejected Religion Podcast", "Make Saints", "Night Clerk Radio: Haunted Music Reviews" and "Conversations"" and more!

    Episodes (16)

    What To Believe: A Conversation With John D Caputo

    What To Believe: A Conversation With John D Caputo
    • This Quoircast podcast episode is brought to you by Religious Refugees by Mark Karris. Published by Quoir and available now.
    • In this episode we chat with John D Caputo
    • John D. Caputo is a hybrid philosopher/theologian intent on producing impure thoughts, thoughts which circulate between philosophy and theology, short-circuits which deny fixed and rigorous boundaries between philosophy and theology. Caputo treats "sacred" texts as a poetics of the human condition, or as a "theo-poetics," a poetics of the event harbored in the name of God. His past books have attempted to persuade us that hermeneutics goes all the way down (Radical Hermeneutics), that Derrida is a thinker to be reckoned with by theology (The Prayers and Tears of Jacques Derrida), and that theology is best served by getting over its love affair with power and authority and embracing what Caputo calls, following St. Paul, The Weakness of God. He has also addressed wider-than-academic audiences in On Religion and What Would Jesus Deconstruct? and has an interest in interacting with the working church groups like ikon and the “Emergent” Church. He is currently working in a book on our frail and mortal flesh, probably to be entitled The Fate of All Flesh: A Theology of the Event, II.
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    RR Pod E26 Prof.Dr. Wouter J. Hanegraaff: Hermetic Embodiment, Interpretation, & Imagination

    RR Pod E26 Prof.Dr. Wouter J. Hanegraaff: Hermetic Embodiment, Interpretation, & Imagination

    It was my pleasure to speak with Prof. Dr. Wouter Hanegraaff about his new book, Hermetic Spirituality and the Historical Imagination: Altered States of Knowledge in Late Antiquity. As Wouter preferred not to give a general summary, I chose four very important themes of the book to discuss: what the Hermetica is really all about; the notion of embodiment in the Hermetic texts; the difficult but extremely important task of interpreting the ancient texts; and the importance of the faculty of the imagination - not only within the Hermetica, but also for the scholar trying to understand what the texts are actually saying. 
    Wouter does an excellent job of explaining the terms gnosis and nous (that Wouter calls the "hero of the book") and how they are used within the Hermetic texts; these terms are crucial for the rest of the discussion.  Following the four themes, Wouter discusses in more detail how Platonism influenced the Hermetica, how Gadamer's concept of hermeneutics plays a role in the process of understanding these texts, the paradox of how we think about the term imagination, and how Wouter tries to 'systematically privilege weirdness' when studying the Hermetic texts. 

    PROGRAM NOTES

    Wouter's website: Home | Wouter Hanegraaff- Hoogleraar - UVA (wouterjhanegraaff.net)
    List of publications: Books | Wouter Hanegraaff (wouterjhanegraaff.net)
    Links to new book: Hermetic spirituality and historical imagination altered states knowledge late antiquity | History of religion | Cambridge University Press
    Hermetic Spirituality and the Historical Imagination: Altered States of Knowledge in Late Antiquity: Hanegraaff, Wouter J.: 9781009123068: Amazon.com: Books

    Corpus Hermeticum: The Corpus Hermeticum & Hermetic Tradition -- The Gnostic Society Library (gnosis.org)
    Poimandres: Poimandres—Corpus Hermeticum I | The Matheson Trust
    The Asclepius: The Perfect Sermon, or The Asclepius I - The Corpus Hermeticum - Sacred Texts - Hermetic Library

    Plato:
    Symposium: The Internet Classics Archive | Symposium by Plato (mit.edu)
    Phaedrus: The Internet Classics Archive | Phaedrus by Plato (mit.edu)

    Tommy Cowan, MA (res)
    (99+) What Most People Would Call Evil: The Archontic Spirituality of William S. Burroughs | Tommy P Cowan - Academia.edu
    (99+) Archontic States of Consciousness in Twentieth-century Neuromancy | Tommy P Cowan - Academia.edu
     

    Hans-Georg Gadamer
    Hans-Georg Gadamer (Stanford Encyclopedia of Philosophy)
    Gadamer, Hans-Georg | Internet Encyclopedia of Philosophy (utm.edu)
    Hermeneutics: Gadamer’s Hermeneutics - Northwestern University Press

    Jacques Derrida
    Jacques Derrida (Stanford Encyclopedia of Philosophy)
    Derrida, Jacques | Internet Encyclopedia of Philosophy (utm.edu)

    History of Hermetic Philosophy and Related Currents (University of Amsterdam): HHP | History of Hermetic Philosophy and related currents (amsterdamhermetica.nl)

    Theme music: Daniel P. Shea

    Other music: Stephanie Shea

    Hauntology 2.0

    Architecture and Objects with Graham Harman (Art after Nature 3)

    Architecture and Objects with Graham Harman (Art after Nature 3)

    Exploring new concepts of the relationship between form and function while thinking through object-oriented ontology (OOO), Graham Harman (ARCHITECTURE AND OBJECTS) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture.


    Art after Nature is a series from University of Minnesota Press that engages with the politics and contradictions of the Anthropocene. Each volume aims to provide the opportunity to creatively engage with new and alternative discourses at the intersection of art, science, and philosophy. More: z.umn.edu/artafternature.


    Graham Harman is distinguished professor of philosophy at the Southern California Institute of Architecture, Los Angeles, and author of many books, including Architecture and Objects; Speculative Realism; and Object-Oriented Ontology: A New Theory of Everything.



    Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor-in-chief of Antennae: The Journal of Nature in Visual Culture.



    Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.


    Episode references:

    Object-oriented ontology (OOO)

    Bruno Latour

    Martin Heidegger

    Jacques Derrida

    Gilles Deleuze

    David Ruy

    Aristotle

    Immanuel Kant

    Clement Greenberg

    Joanna Malinowska (exhibit, Time of Guerrilla Metaphysics)

    Edmund Husserl

    Michael Fried

    Aldo Rossi

    Jeffrey Kipnis

    Michael Young (Young & Ayata)

    Mark Foster Gage 

    Tom Wiscombe

    Marcel Duchamp


    How Language Shapes Our World with Dr. Lee Braver

    How Language Shapes Our World with Dr. Lee Braver

    In this episode, Dr. Lee Braver discusses philosophy, Heidegger, Derrida and how language shapes our world.

    To dig deeper into Dr. Braver's works and get updates on his newest book on polysemy, follow his Amazon author profile here 👉 https://www.amazon.com/Lee-Braver/e/B001JS8D10

    To watch the full episode, click here 👉 https://youtu.be/G61fnreQ3BM

    Or check out our blog on www.candidgoatproductions.com

    Who thinks that they can subdue Leviathan? Strength resides in its neck; dismay goes before it. When it rises up, the mighty are terrified. Nothing on earth is its equal. It is without fear. It looks down on all who are haughty; it is king over all who are proud.

    These words inspired PJ Wehry to create Chasing Leviathan. Chasing Leviathan was born out of two ideals: that truth is worth pursuing but will never be subjugated, and the discipline of listening is one of the most important habits anyone can develop.

    Every episode is a dialogue, a journey into the depths of a meaningful question explored through the lens of personal experience or professional expertise.

    Episode 32: Postmodernism and Freemasonry

    Episode 32: Postmodernism and Freemasonry
    Postmodernism, and its offspring Critical Theory, is a 20th Century philosophy that emerged in Europe following the World Wars. Critical of modernity and of narrative in all its forms, Postmodernism is a deconstructive philosophy that seeks to break down all grand structures and lay bare the systems of power that create and maintain them. How can the Freemason interpret Postmodernism and what does this philosophy, if anything, have in common with the sublime doctrines of Masonry?

    S1 E32: Freud to Derrida

    S1 E32: Freud to Derrida

    Phenomenology: a branch of philosophy or a song famously covered by the Muppets? Find out on this episode of Unlimited Opinions! This time, Mark and Adam look at the last summaries of philosophers in the Modern Era of philosophy from Freud to Derrida. They discuss Freud's psychoanalysis, Husserl's phenomenology, the existentialism of Heidegger and Sartre, and the potentially complete satire of Derrida. They also talk and/or rant about how some people are just bad, how we limit our free will, and how it would be much easier to be a comedian if you are funny.

    Deconstruction and Fundamentalism

    Deconstruction and Fundamentalism

    I just got off the phone with a long-time friend who is now a coaching client. 

    It's the call I needed in order to finish this script. 

    This beloved friend began the conversation with the nearly universal phrase: "I feel like I'm always in the middle."

    And I get that. 

    Even though I disagree a bit. 

    I don't think he's in the "middle," per se; I think he's trapped in a relationship with people who hold somewhat opposing perspectives (political, social, theological) and hold those perspectives more tightly and more dearly than they do the people around them. 

    In other words, he is in a relationship with fundamentalists who hold differing opinions; People who are so sure that what they think is correct and who are so sure that the things they think are important that they are willing to sacrifice relationship in order to hold onto their perspectives and ideas.

    That's the actual trauma and tragedy of Fundamentalism; it strips people of their humanity and rends us from those we would otherwise love. I'm not allowed to be on a journey or in a process. I MUST come to conclusions and have some form of certainty. Namely about things the machinery I've aligned myself with has deemed most important. 

    --

    in 2008, I released a collection of songs entitled "Deconstruction." 

    The title was actually a remnant from my collegiate studies in philosophy, where I spent a bit of time around the work and words of Jaques Derrida. 

    At the time, "post-modernism" was the buzz phrase, particularly as some of its core tenants threatened the seemingly secure hold Modernity had on daily life. 

    Most western, white-male-dominated cultures stood firmly on the assumption that some things were "True" and, in their being True and immovable. 

    That assurance meant that the building of institutions and rules of life were safer and would be long-lasting. 

    What Derrida offered, though, was the suggestion that the language used to communicate and understand those assurances was fraught with contradiction and complexity; that language did not reliably point in the direction of a controlling and anchoring "Truth."

    Instead, words are bound together by the tension and connection found between themselves. There was (and is) no central reference point from which each individual word derives its meaning. More simply, if a word has "meaning," it has that meaning in relationship to the words around it. And that's the constant; language and the connection between words. 

    Some critics read Derrida as one more expression of "relative truth," but Derrida was up to something fundamentally different; he was suggesting that the "constant" was relationship itself. The relationship between words and between the people who used them. 

    For example: In a religious context, that Truth might be expressed in a phrase like "God is love. "For Derrida, the wild differences between what I mean by "God "and what you meant suggests a lack of common experience; there is no "thing" to be called "God." what there is, though, is the connection between you and me. And, in that case, meaning wasn't to be discovered in a common experience of whatever the word "God" meant; it was forged and fostered in the connection and tension in the relationship between you and I.

    He called this "Deconstruction."

    DERRIDADIAN DECONSTRUCTION: 

    • The inherent desire to have a center around which meaning revolves or in which meaning is rooted. 
    • The reduction of meaning to a set of definitions committed to writing (nothing beyond the text)
    • How that reduction of meaning to language captures opposition within the concept itself

    At the heart of his initial work was (and is) a frustration about the inherent desire in human hearts to place "meaning" at the center of existence. That just because we are alive, our lives must have meaning. He found this problematic and sought to undo it. 

    Derrida saw it problematic that philosophy was driven by the need to find a centering, grounding meaning at all. He bristled at the certainty with which philosophers sought to find meaning somewhere; believing their certainty in any kind of absolute blinded them. 

    My religious training counters that idea by suggesting that the desire in human hearts to live in and with meaning is a hunger similar to the hunger for food, a thing to actually schedule one's days around rather than learn to ignore, for really any reason. The details, of course, are negotiable, to say the least; but that nudge at the core of one's soul that says "there's more. not just out there, but in you" is real; it's part of what it means to be human. 

    And this is why I find myself struggling with the use of the word "deconstruction" as a description for so much socio-religious conversation recently. The way I hear it, I think we're mostly talking about reorganization and maturity and growing and discernment, all of which is not just fine; it's good. It's true. It's beautiful. And I guess I wish we would let good things be good, sometimes. 

    Most of the institutional conversations i'm around feature a critique of systems that poorly reflect a central truth or Reality that deserves a better treatment and culture. 

    For many, churches are problematic, not because they're organized around a reality that is non-existent, but because their corporeal practices distract from the beauty and goodness of that Reality. 

    Yes, please? 

    I like that a lot. 

    But that's not deconstruction. 

    It's something ( i would suggest) richer and harder and more communal and more fluid and more human; it's the work part of belonging to people. It is the practice of Beloved Community. 

    I have long believed that one of the most corrosive aspects of Fundamentalism is that it convinces us that ideas and definitions are more vital and important than the people who hold them. 

    In that light, Fundamentalism convinces us that change is a necessarily deconstructive process; things are either true or false, black or white, real or not, in or out, Biblical or sinful, sacred or secular - alive to the Glory of and service of God or fit to be torn down and trampled... there is no movement or growth or progress or even redemption; I've either got it right, or I've got to go. 

    The glaring feature in that fundamentalist mindset is fear, mostly fear that the center won't hold if it's moved or challenged or not protected. 

    And.. here's where I'd like to land this plane: I don't think that's what we have on hand, collectively and culturally. I don't think despair at the absence of existential meaning is winning the day. I think that nudge.. got a lot stronger.. for a lot more people. And a lot more people want to move whatever it is in the way of getting more of that nudge.

    I think we're seeing a scandalously broad awakening ... that this nudge and the fact that I sense it matters MORE than the words some paid professional uses to describe it, control it and commodify it. 

    What I'm seeing is the fervent and sometimes angry tearing away at whatever artifice is deemed in the way of a clear vision of what's most real. 

    I'm hearing conviction and frustration that there is, in fact, a center (though it might not be static) and that there are fundamental truths (though they may be interpersonal in nature) but that all this gatekeeping garbage culture is keeping people we love and like and want and need from the goodness of it. 

    I don't mind the word "deconstruction" but historically, deconstruction is a very specific and often highly individualized process by which one unearths the very core and center of their being and decides that if there is meaning in their world or in their life, it must be constructed and held together by the sheer force of the own, individual will. 

    So, if that's you, I get it, and that's real and can be terrifying and also really good. 

    But if it's not, then consider that you might not be deconstructing. You might be feeling an invitation to a legitimate "awakening" to be shared by all kinds of people, with whom you agree and disagree; an awakening angled towards (and maybe even prompted by) a goodness, Truth, and beauty worth tearing things down for... as well as worth building around. 

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    Über das Schreiben – Friederike Mayröcker im Gespräch mit Romina Achatz

    Über das Schreiben – Friederike Mayröcker im Gespräch mit Romina Achatz

    In der Sendung ist Romina Achatz zu Besuch bei Friederike Mayröcker. Sie sprechen detailliert und einfühlsam über die Praxis des Schreibens sowie über ihr neues Buch, in dem sich eine „noch radikalere Art zu Denken und zu Schreiben“ zeigen wird.

    Im Anhang hören Sie eine Aufnahme von einer Lesung, die Friederike Mayröcker während der Ausstellung „Zeit im Bild“ im Dezember 2018 von Linde Waber in der Galerie Amarat in Wien gehalten hat.

    Kaum ein Werk der deutschen Literatur zählt so viele Titel wie das der 94-jährigen Schriftstellerin Friederike Mayröcker, die 2004 für den Literaturnobelpreis nominiert war. Ihre intensive Schreibpraxis brachte weit mehr als 80 Bücher und über 1500 Beiträge in Anthologien und Zeitschriften hervor.

     

    Jingle- Voice by multi- media artist Raphaela Salhofer

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