gluck

Friends with Benefits stars Justin Timberlake & Mila Kunis as a couple who attempt to use their relationship as an experiment to see if they can just have sex and not a romantic relationship but that only leads to complications.

Timecodes:

00:00 - DMP Ad

:30 - Introduction

:46 - The Film stats

7:02 - Ironically talking about Natalie Portman when she isn’t even in this film.

9:44 - The Pickup Line

14:48 - Rom com cliches

18:25  Is Dill Weed bad?

19:33 - I am wrong, not Grand Central Station

29:40 - Head Trauma

29:42 - Smoochie, Smoochie, Smoochie

30:19 - Driving Review

31:04 - To the Numbers

References from the Show

I was wrong, it wasn’t grand central station. Justin Timberlake & Richard Jenkins dining at the airport image

And sorry, I couldn’t find the scene with the girl playing chess but if anyone does will you send it to me please.

To guess the theme of this month’s films you can email christi@dodgemediaproductions.com You can guess as many times as you would like. Guess the Monthly Theme for 2023 Contest - More Info Here

Next week’s film will be Two Night Stand (2011)

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Thanks for tuning into today’s episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Special thanks to Melissa Villagrana our social media posts.

Don’t forget to visit our website, connect with us on Instagram, Facebook, LinkedIn, and share your favorite episodes across social media. Email at christi@dodgemediaproductions.com

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Merci pour votre écoute  

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Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.    

This conversation (recorded live, December 16, 2021) featured ORPHEUS & EURYDICE stage director Chía Patiño, choreographer Donald Byrd, and conductor Stephen Stubbs. The inspiration for the earliest operas, as well as numerous retellings in each new generation, the ancient myth of Orpheus and Eurydice is a reflection on music’s power to express love and sorrow. It is a story that reflects our own time as we come to terms with our collective grief and, like Orpheus, grapple with the pain of letting go.

Stephen Stubbs, conductor of Seattle Opera’s upcoming ORFEO ED EURIDICE, by Gluck, joined us last year for an intermission chat when we rebroadcast Gluck’s IPHIGÉNIE EN TAURIDE. A native Seattleite, student (and professor) at University of Washington, Stubbs has been a leader in the world of early music for three decades. Among the hundreds of recordings he has made, his 2015 DESCENTE D’ORPHÉE AUX ENFERS (by Charpentier) won a Grammy for Best Opera Recording. He first appeared at Seattle Opera in 2007’s GIULIO CESARE, playing theorbo, and conducted our first-ever presentation with music by Monteverdi, 2017’s THE COMBAT. In this conversation Stubbs discusses Gluck with Christina Scheppelmann.

Peter Bohlin and Peter Gluck are two of most innovative and successful architects in residential Modernist design.  In careers spanning over 14 decades, if we add them all together, their award-winning practices created several hundred award-winning houses you can see at usmodernist.org/gluck and usmodernist.org/bohlin.  Later on, commentary on the the famous Farnsworth House by Mies van der Rohe with Louisa Whitmore. 

En radikal reformator 1700-tals-operans motsvarighet till Richard Wagner. Pionjär också för Sturm & Drang och förebild för gustavianen Joseph Martin Kraus.

Lyssna på alla avsnitt i Sveriges Radio Play.

Låtlista

• Ur Åsa-Nisse på hal is
• Gluck/Wagner, Ouverture ur Ifigenia & Aulis  – Christoph Spering, Das Neue Orchester 
• Gluck/Scambati, ur Orfeus och Euridike för piano – Yuja Wang 
• Orfeo e Euridike, Che puro ciel! –  Renee Jacobs, Freiburger Barockorchester
• Alceste ”Ombres larves” – Ann-Sofie von Otter, John Eliot Gardiner 
• Joseph Martin Kraus: Symfoni i C, sats 3 – Kammerorchester Basel, Giovanni Antonini 
• Joseph Martin Kraus: Funeral (Gustav III) – Ragnar Ulfung 
• Ifigenia på Tauris – Kör, Nicolai Gedda, Jessye Norman 

In heutigen Zeiten müssen Führungskräfte im Umgang mit den Ängsten ihrer Mitarbeiter zeigen, dass sie gute Krisenmanager sind.

In Krisenzeiten ist es wichtig, den Menschen als Menschen zu sehen – nicht als Humankapital. Mit Zahlen, Daten und Fakten zu begründen, warum du Mitarbeiter entlassen oder in Kurzarbeit schicken musst ist schlecht! In solch einer Situation muss man empathisch sein, auf Emotionen reagieren können, mit Rat und Tat zur Seite stehen.

Was kannst du als Führungskraft tun, um deine Mitarbeiter in Krisenzeiten zu motivieren?

In this series of podcasts, Seattle Opera Dramaturg Jonathan Dean gives listeners a taste of nine different types of traditional opera. Opera seria, traditional Italian serious opera, developed in the mid-1600s and lasted into the early 1800s. Handel’s Giulio Cesare (Julius Caesar), an opera from 1724, is a great masterpiece and an examplar of the genre; another is Gluck’s Orfeo ed Euridice (aka Orphée et Eurydice, aka Orpheus and Euridice, 1762/1774).

Musical examples on the podcast drawn from recordings of Gluck’s Iphigénie en Tauride, Les Musiciens du Louvre conducted by Mark Minkowski (Archiv 1999); Monteverdi’s L’incoronazione di Poppea, Della Jones and Mark Tucker with the City of London Baroque Sinfonia conducted by Richard Hickox (Virgin Classics 1988); Gluck’s Alceste, Kirsten Flagstad and Geraint Jones Orchestra conducted by Geraint Jones (Decca 1956); Ercole sul Termodonte, Topi Lehtipuu and Rolando Villazón conducted by Fabio Biondi (Virgin Classics 2009); Giulio Cesare, Anne Sofie von Otter, Marijana Mijanović, Magdalena Kožená, and Les Musiciens du Louvre conducted by Mark Minkowski (Archiv 2002); also Giulio Cesare, Derek Lee Ragin and Concerto Köln conducted by René Jacobs (Harmonia Mundi 1991); Gluck’s Orphée et Eurydice, Maria Callas and Orchestre National de la Radiodiffusion Française, 1961; and Seattle Opera’s 2015 production of Semele conducted by Gary Thor Wedow.

This week, we'll continue our talk of prosthetics, but this time focused on joints. As it turns out, joint replacements have been around for a long time, thanks to some early pioneers like Themistocles Gluck, and Jules Pean. After them, you have a series of scientists and doctors trying out new materials, getting new pros and cons each time, but steadily improving, which continues to this very day.

Pean's Artificial Shoulder

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Fasciné par les cabarets, les bals, les bistrots, les théâtres et les prostituées, Toulouse-Lautrec hante Montmartre, le Moulin-Rouge, le Mirliton, il laisse des centaines d'oeuvres, qui présentent les êtres humains dans ce qu'ils ont de plus vivants.

Est-ce pour oublier sa trop petite taille et le fait qu'il soit atteint d'une maladie génétique qui l'a rendu difforme? Il fait tout pour faire oublier son corps en montrant une énergie et une fougue contagieuse.  

Généreux, il dépense sans compter l'argent de sa famille issue de la haute noblesse de province. Mais alcoolique, rongé par la syphilis, il meurt à trente-six ans.  

Par son style coloré et puissant, Mégevand évoque la puissance de création de ce peintre.

Choix musical d'Idabelle de Borchgrave : Gluck "Orfeo" et I Muvrini "A Tè Corsica"