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    igor stravinsky

    Explore "igor stravinsky" with insightful episodes like "Stravinsky's The Rite of Spring (Madman or Genius?)", "Stravinsky’s Journey Through Neoclassicism", "Episode #103: Riot! At The Ballet", "How Performers Connect With Us Through Music" and "Musiktipp – Daniil Trifonov: Silver Age" from podcasts like ""The Classical Music Minute", "The Classical Music Minute", "The John Huff Podcast", "The Classical Music Minute" and "The Onliner"" and more!

    Episodes (9)

    Stravinsky's The Rite of Spring (Madman or Genius?)

    Stravinsky's The Rite of Spring (Madman or Genius?)

    Description
    The Rite of Spring composed by Igor Stravinsky premiered at the Théâtre des Champs-Elysées in Paris on May 29, 1913—it created quite an uproar with the audience claiming that Stravinsky was no composer but a madman. Take a minute to get the scoop!

    Fun Fact
    Like Stravinsky’s earlier works for the Ballet Russes, The Rite of Spring was inspired by Russian culture, but, unlike them, The Rite of Spring challenged the audience with its chaotic percussive momentum.
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    About Steven, Host
    Steven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.
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    It's thirsty work creating content for TCMM. Many sleepless nights spent crafting that perfect one-minute episode or editing my latest fab interview as a bonus episode for your listening pleasure. 🎙🤔📚 But a cup of coffee is always welcome to keep my creativity flowing. 🎼☕️✍🏽🙏
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    Got a topic? Pop me an email at: TCMMPodcast@Gmail.com

    A Note To Music Students et al.
    All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.

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    Stravinsky’s Journey Through Neoclassicism

    Stravinsky’s Journey Through Neoclassicism

    Description
    Igor Stravinsky was a huge proponent of Neoclassicism in music—much to the shock and dismay of some listeners and critics. Take a minute to get the scoop!

    Listen to: Igor Stravinsky - Octet for Wind Instruments [With score] ℅ YouTube

    Fun Fact
    A pupil of Rimsky-Korsakov in his native St. Petersburg, Stravinsky had inherited the style of the Russian nationalist group, the so-called kuchka or Mighty Handful, and the ballets he wrote for Sergei Diaghilev’s Ballets Russes before and during the First World War – The Firebird, Petrushka, The Rite of Spring, and Les Noces – are post-kuchka works, based on folk tales or rituals, using folk music or poetry, and largely ignoring the orthodox procedures of traditional classical music.

    About Steven, Host
    Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
    __________________________________________________________________

    You can FOLLOW ME on Instagram. 👋

    On a personal note, please consider a coffee donation. 🤓☕️

    It's thirsty work creating content for TCMM. Many sleepless nights spent crafting that perfect one-minute episode or editing my latest fab interview as a bonus episode for your listening pleasure. 🎙🤔📚 But a cup of coffee is always welcome to keep my creativity flowing. 🎼☕️✍🏽🙏

    Got a topic? Pop me an email at: TCMMPodcast@Gmail.com

    A Note To Music Students et al.
    All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.

    Support the show

    Episode #103: Riot! At The Ballet

    Episode #103: Riot! At The Ballet

    On Episode #103, your humble host presents a superficial history of the notorious premiere of The Rite of Spring, when Parisian ballet lovers rioted over Igor Stravinsky’s unusual score and Vaslav Nijinsky’s bizarre choreography in 1913.

    Follow the show at www.john-huff.com.

    Support on Patreon at www.patreon.com/johnhuffpodcast.

    * Door close sound effect by Caroline Ford, courtesy of soundbible.com. Creative Commons Attribution 3.0.

    How Performers Connect With Us Through Music

    How Performers Connect With Us Through Music

    Description
    Music has the power to arouse strong feelings and recall memories and the performer is the conduit to communicate this emotion. But it is actually far more complex than that. Join me, Steven Hobé, as we take a minute to get the scoop!

    Fun Fact
    We’ve all had those ‘Proustian rush’ moments when a piece of music, or a single movement or even a phrase, provokes an involuntary memory, sometimes with physical side-effects such as goosebumps or shivers. Sometimes we want to feel uplifted or transported by music, taking us out of ourselves and the mundanity of everyday life to another place, to experience something touching or transcendent. Such moments, and the memory of them, are very special and individual.

    About Steven
    Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.

    A Note To Music Students et al.
    All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.

    Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com 

    Support the show

    Episode 17: Stravinsky's late period explained

    Episode 17: Stravinsky's late period explained

    Samuel Andreyev presents an overview of Stravinsky's late style, beginning with the pivotal work Agon, and continuing through Threni, Movements for Piano and Orchestra, and Variations Aldous Huxley in Memoriam.


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    LINKS

    YouTube channel
    Official Website
    Twitter
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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    https://www.youtube.com/watch?v=AIWn7z7t3ZA

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    Igor Stravinsky's Symphony in 3 Movements - La Jolla Symphony and Chorus

    Igor Stravinsky's Symphony in 3 Movements - La Jolla Symphony and Chorus
    Though acknowledging connections between World War II and his "Symphony in 3 Movements," which premiered in 1946, Igor Stravinsky stated the piece was not program music based on extra-musical events, insisting that "the Symphony is not programmatic. Composers combine notes. That is all." In truth the 3 sections were each written for different purposes, then combined into a whole that, while very appealing, is not quite unified in the sense of a traditional symphony. Stravinsky himself suggested that a more accurate title might be "Three Symphonic Movements." No matter its genesis or stated ambitions, this piece is driven by the same exuberant, triumphal spirit as contemporaneous pieces written during the War. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33854]

    Igor Stravinsky's Symphony in 3 Movements - La Jolla Symphony and Chorus

    Igor Stravinsky's Symphony in 3 Movements - La Jolla Symphony and Chorus
    Though acknowledging connections between World War II and his "Symphony in 3 Movements," which premiered in 1946, Igor Stravinsky stated the piece was not program music based on extra-musical events, insisting that "the Symphony is not programmatic. Composers combine notes. That is all." In truth the 3 sections were each written for different purposes, then combined into a whole that, while very appealing, is not quite unified in the sense of a traditional symphony. Stravinsky himself suggested that a more accurate title might be "Three Symphonic Movements." No matter its genesis or stated ambitions, this piece is driven by the same exuberant, triumphal spirit as contemporaneous pieces written during the War. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33854]
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