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    ingridbergman

    Explore "ingridbergman" with insightful episodes like "A Matter of Time", "Episode 10 - Notorious d'Alfred Hitchcock - La Suspecte Idéale", "Casablanca (1942) Humphrey Bogart, Ingrid Bergman, Peter Lorre, & Dooley Wilson (Play Vs Movie)", ""Podróż do Włoch", reż. Roberto Rossellini | AWK, odc. 49" and "Episode 107: North by Northwest & Notorious" from podcasts like ""American International Podcast", "Emotion Side Story", "Book Vs Movie Podcast", "Accademia Włoskiego Kina | Podcast" and "Martini Giant"" and more!

    Episodes (13)

    A Matter of Time

    A Matter of Time
    A Matter of Time (1976)
    AIP Production #7615

    Jeff and Cheryl insert themselves into the memories of an aging Contessa living in genteel poverty in Italy in A Matter of Time.

    Directed by Vincente Minnelli
    Written by John Gay based on The Film of Memory, a 1955 novel by Maurice Druon
    Produced by Jack H. Skirball and J. Edmund Grainger for American International Pictures

    Starring:
    Liza Minnelli as Nina
    Ingrid Bergman as Contessa Lucretia Sanziani
    Charles Boyer as Conte Sanziani
    Isabella Rossellini as Sister Pia
    Tina Aumont as Valentina
    Fernando Rey as Charles Van Maar
    Spiros Fokas as Mario
    Gabriele Ferzetti as Antonio Vicari
    Orso Maria Guerrini as Gabriele d'Orazio
    Amedeo Nazzari as Tewfik
    Giampiero Albertini as Mr. DePerma
    Arnoldo Foà as Pavelli
    Anna Proclemer as Jeanne
    Blasto Dominot as Hotel Porter

    Produced and released under American International Pictures. Find this movie streaming, on Paramount Plus, or on DVD.

    Follow the American International Podcast on Letterboxd, Twitter and Instagram @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast.

    Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955)

    Episode 10 - Notorious d'Alfred Hitchcock - La Suspecte Idéale

    Episode 10 - Notorious d'Alfred Hitchcock - La Suspecte Idéale

    Notorious, une histoire d'amour malade pour l'un des plus beaux films du monde 

     

    Cette semaine, nous explorons Notorious d'Alfred Hitchcock, un thriller de 1946 avec Ingrid Bergman, Cary Grant et Claude Rains.  


    Notorious est un film où il est question de clé, de bouteille de vin et de long, très long baiser.  

     

    Notorious raconte l’histoire d’Alicia Huberman, fille d’un dignitaire allemand, interprétée par Ingrid Bergman qui va rejoindre les services d’espionnage américains pour déjouer un complot nazi au Brésil. Pour cela, elle travaille avec l’espion qui l’a recruté : TR Devlin, interprété par Cary Grant. Et ces deux-là ne vont pas tarder à tomber amoureux l’un de l’autre.

    Sous couvert de thriller et de film d’espionnage, Notorious est avant tout une histoire d’amour.
    Mais une histoire d’amour tordue, malade, pour ne pas dire malsaine comme les aime Alfred Hitchcock. 


    Notorious : La Suspecte Idéale  

     

    (ATTENTION CET EPISODE CONTIENT DES SPOILERS)

     

    Notorious met en scène un triangle amoureux qui dépeint une mécanique où la femme prétendument aimée devient une martyre. 

    Dans Notorious, l'amour est toxique au sens premier du terme et peut mener à la mort.
    Alicia Huberman, jouée par Ingrid Bergman, est la cible de tous les désirs masculins mais aussi de toutes les suspicions. 
    Elle est la suspecte idéale, en tant qu'allemande par son père, en tant que femme et en tant qu'épouse.

    “- Alicia: This is a very strange love affair.  
    - Devlin: Why?
    - Alicia: Maybe the fact that you don't love me.”


    "Le démon de la suspicion"

    Le soupçon est selon la définition du dictionnaire d’Alain Rey, "une conjecture par laquelle on attribue à quelqu’un des actes blâmables, des intentions mauvaises, plus ou moins fondées"(Alain Rey, 2005). 

    Tout est dans le « plus ou moins fondé »

    La suspicion renvoie à un a priori, un savoir invérifiable et donc imparable et comme un ogre, il s’autonourrit d’une défiance sans limite. 

    Quoiqu’elle fasse, Alicia sera toujours suspecte. 

    Malgré tout son courage, toutes ses preuves d’amour, Devlin se méfiera toujours.
    Et il faudra que la mort la frôle littéralement pour qu’enfin il reconnaisse la sincérité d’Alicia.

    Dans le livre d’entretien Hitchcock/Truffaut , celui-ci dit que "La grande réussite de Notorious c’est probablement qu’il atteint au comble de la stylisation et au comble de la simplicité".
    En effet, Notorious, grâce àsa pureté esthétique et son romantisme pervers, continue de nous hanter bien longtemps après l'avoir visionné. 

     

    CREDITS:

    Extraits films:

    Notorious, Alfred Hitchcock, 1946


    Autres extraits :
    Extrait d'un séminaire AFI, 1970

    Extrait de l'émission The Dick Cavett Show, 1972

    Casablanca (1942) Humphrey Bogart, Ingrid Bergman, Peter Lorre, & Dooley Wilson (Play Vs Movie)

    Casablanca (1942) Humphrey Bogart, Ingrid Bergman, Peter Lorre, & Dooley Wilson (Play Vs Movie)
    Book Vs. Movie: Casablanca
    The 1940 Play Vs. the 1942 Classic Film


    This January, we are saluting plays that were turned into films, and this episode covers one of the most beloved and celebrated films of all time--Casablanca. Yes, it was a play first by playwrights Murray Burnett and Joan Allison, who was offered $20,000 in 1940 (over $300,000 in today’s costs) for their story about a cafe in Africa helping refugees seek asylum in America during WW2.


    The timing between the movie’s release in 1942, as the war effort in Northern Africa, was gaining and America was no longer playing neutral in the international crisis with Germany and Japan, was not a coincidence. The film was rushed into production to promote America’s armed forces and the people fleeing Europe from the Nazis.


    Everybody Comes to Rick’s has the basics of the film’s plot, with two former lovers meeting again at Rick’s cafe. Rick and Lois met in Paris before the Germans invaded France and became illicit lovers. Two years later, Rick has a “gin joint” in Casablanca (Rick’s Cafe) and assists people looking to exile into America. His friend is a piano player who goes by the name “Rabbit,” and he gets visits from former Parisian residents like Luis Rinaldo. Lois is married to a man named Victor Lazlo, and they are fleeing from the Nazis.


    They have a song, As Time Goes By, and reminisce about their affair in Paris. In the end, Rick helps Lois and her husband leave Casablanca while he takes off for parts unknown with Italian buddy Luis Rinaldo.


    Burnett and Alison could not find a Broadway producer for the play, so they sold the rights and went on with their lives, not realizing the movie would go on to be a Hollywood classic, winning several awards and with a screenplay people quote 80 years later. Worse, their contributions would not be recognized. Eventually, they were able to put on their play in 1991.
    The film stars Humphrey Bogart as Rick Blaine and Ingrid Bergman as his love interest--Ilsa Lund. The rest of the cast includes dozens of immigrants and refugees who felt passionate about the project. Casablanca is considered one of the best examples of propaganda in American film. We feel silly justifying how wonderful it is, but that is what we do at Book Vs. Movie!
    In this episode, the Margos discuss the significant differences between the book and the play and try to decide which we like better. (It’s not going to be close!)
    In this ep the Margos discuss:

    • The backstory of the play and movie
    • The international cast and what the world was like during filming
    • The differences between the play and the movie
    • The cast: Humphrey Bogart (Rick,) Ingrid Bergman (Ilsa,) Paul Henreid (Victor Lazlo,) Claude Rains (Captain Louis Renault,) Conrad Veidt (Major Heinrich Strasser,) Sydney Greenstreet (Signor Ferrari,) Dooley Wilson (Sam,) and Peter Lorre as Signor Ugarte.

    Clips used:

    Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts.
    Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie
    Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/
    Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine










    "Podróż do Włoch", reż. Roberto Rossellini | AWK, odc. 49

    "Podróż do Włoch", reż. Roberto Rossellini | AWK, odc. 49
    Przechodzące kryzys brytyjskie małżeństwo wybiera się w podróż do Neapolu, aby sprzedać odziedziczoną rezydencję. Atmosfera romantycznego miasta pozwala im na nowo przemyśleć czego chcą od życia i siebie nawzajem.

    W jaką podróż zabiera nas Rossellini? Jakie Włochy dane jest nam zobaczyć? Czy w "Podróży (...)" odnajdziemy ślady tradycji włoskiego neorealizmu? W jakim sensie dzieło Rosselliniego stało się wyznacznikiem filmowego modernizmu? Co tak naprawdę wiemy o współpracy Ingrid Bergman z włoskim reżyserem? Dlaczego Martin Scorsese uznaje "Podróż do Włoch" za jeden z najważniejszych filmów jakie powstał na Półwyspie Apenińskim? Na te oraz inne pytania odpowiedzi poszuka Filmoznawczyni Diana Dąbrowska!

    🐭🌻

    Episode 107: North by Northwest & Notorious

    Episode 107: North by Northwest & Notorious

    It's sort of amazing that Martini Giant has been going for years without covering one of the great film artists of the 20th century - Alfred Hitchcock - so we intend to make up for it by starting a new tradition with our first annual Hitch for the Holidays! Tonight we take on two of the master's finest collaborations with the perennially charming Cary Grant: first up, the moody postwar thriller “Notorious” with Ingrid Bergman and Claude Rains, followed by the very blueprint for mistaken identity movies, “North by Northwest!”

    Alfred Hitchcock's NOTORIOUS Decoded!

    Alfred Hitchcock's NOTORIOUS Decoded!

    Dinner parties, cocktail parties, tuxedos, espionage, World War II war criminals, love, deception, murder, infiltration, and secret plans are all in Alfred Hitchcock’s 1946 spy movie, NOTORIOUS

    Today we decode this Hitchcock classic, NOTORIOUS with our special co-host, Bill Koenig of The Spy Command!  Bill joined us on our February 1st 2022 episode when we decoded The Man Who Knew Too Much

    This is a fun discussion on a fantastic spy movie.

    Comments/Feedback: Info@SpyMovieNavigator.com

    Webpage: https://spymovienavigator.com/episode/alfred-hitchcocks-notorious-decoded/

     

     

    Alfred Hitchcock's NOTORIOUS Decoded!

    Alfred Hitchcock's NOTORIOUS Decoded!
    Dinner parties, cocktail parties, tuxedos, espionage, World War II war criminals, love, deception, murder, infiltration, and secret plans are all in Alfred Hitchcock’s 1946 spy movie, NOTORIOUS!  Today we decode this Hitchcock classic, NOTORIOUS with our special co-host, Bill Koenig of The Spy Command!  Bill joined us on our February 1st 2022 episode when we decoded The Man Who Knew Too Much.  This is a fun discussion on a fantastic spy movie. Comments/Feedback: Info@SpyMovieNavigator.com Webpage: https://spymovienavigator.com/episode/alfred-hitchcocks-notorious-decoded/   Â

    "Gaslight" (1944) Ingrid Bergman, Charles Boyer, Joseph Cotten, & Angela Lansbury

    "Gaslight" (1944) Ingrid Bergman, Charles Boyer, Joseph Cotten, & Angela Lansbury
    Book Vs. Movie: Gaslight
    The 1938 Play Vs the 1944 Film

    The expression “to gaslight” a person means to question their sanity to the point they lose control of themselves. It came into fashion in the 1940s with the 1944 George Cukor film starring Charles Boyer and is now recognized as a form of abuse. The tale of a manipulative husband trying to steal from his wife started as a play titled Gas Light by Patrick Hamilton in 1938.

    Hamilton, who also wrote Rope and Hangover Square, was dealing with his mother’s suicide and his own disabilities and disfigurement from being run over by a drunk driver when he wrote this tale in an 1880s setting in London. Jack Manningham is married to Bella and he is so controlling and obnoxious, that he flirts with the staff in front of her. Bella is convinced she is “hearing things” but Jack tells her it is in her imagination. He also disappears for hours at a time but will not tell her where or why he leaves.

    A detective (Rough) meets Bella and tells her that Jack is, in fact, a murderer and is looking for jewels in an apartment connected to her building. When the “gas lights” flicker, he is searching for the loot but tells Bella later they never went on or off in the first place. She later helps him catch her husband in the act and sends him off to the police. The show moved from London to Los Angeles to New York in 1941 starring Vincent Price and Judith Evelyn with a new title--Angel Street. The show ran for over 1200 performances and was a huge hit.

    There was a 1940 English adaptation called Gaslight but in this episode, we focus on the more famous version which stars Boyer and Ingrid Bergman. The film was loved by critics and fans with a Best Actress Academy Award going to Bergman. The characters' names have changed but the plat remains the same and for many years “gaslighting” was a popular expression.

    So between the two, which did we like more? The play or the movie?

    In this ep the Margos discuss:
    The stage version and how it became a huge success.
    The life story of Patrick Hamilton
    The different filmed versions
    The cast: Charles Boyer (Gregory Anton/Sergis Bauer), Ingrid Bergman (Paula), Joseph Cotton (Brian Cameron), Dame Mae Witty (Miss Bessie), and Angela Lansbury as Nancy Oliver.


    Clips used:
    Gregory angry at Paula
    Gaslight 1944 trailer
    Paula & Gregory/Miss Bessie on the train
    Gregory flirting with Nancy
    Joseph Cotton talks sense into Paula
    Paula’s revenge
    Music by Bronislaw Kaper

    Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts
    .

    Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie

    Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/
    Twitter @bookversusmovie www.bookversusmovie.com
    Email us at bookversusmoviepodcast@gmail.com

    Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com
    Margo P. @ShesNachoMama https://coloniabook.weebly.com/

    Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

    #02 YouClip Movies: Gaslight (1944) di George Cukor. A cura di Sofia Baldolini - Cantautrice.

    #02 YouClip Movies: Gaslight (1944) di George Cukor. A cura di Sofia Baldolini - Cantautrice.
    Un film di George Cukor, con Ingrid Bergman, Charles Boyer. Genere Drammatico. USA, 1944.
    Adattamento dell’omonimo dramma teatrale del drammaturgo Patrick Hamilton, già portato al cinema nel 1940 da Thorold Dickinson .
    Un intenso dramma d’atmosfera, a metà strada fra noir e thriller, un racconto teso ed avvincente, fra realtà ed immaginazione, luce e buio, verità ed inganno. Pellicola che è valsa l'Oscar per la miglior scenografia, oltre che il primo Oscar come Miglior Attrice Protagonista per la grande Ingrid Bergman. Rimarchevole anche l’interpretazione dell’appena diciassettenne Angela Lansbury, qui al suo esordio, ottenne una nomination all’Oscar come Miglior Attrice Non Protagonista.

    Ep. 20 - "Vichy Water" (Casablanca) ft. Reid Vanier

    Ep. 20 - "Vichy Water" (Casablanca) ft. Reid Vanier

    It’s episode TWENTY BAYBEEEE! To mark this historic moment, we’re talking about the classic 1942 film Casablanca. We’ve brought on our Podfather himself, Reid Vanier; host of the The Doctor DC Podcast and a producer of our network, Brain Freeze Podcasts.

     

    We’re not tossing this “Vichy Water” in the trash

    • French Brandy
    • Jägermeister
    • Mix them together for German occupation or drink them separately for revolution!
    • BONUS: Serve it in a coupe glass and feel extra dainty

     

    Follows us on IG & FB: @haventseenitpodcast and Twitter: @Havent_Seen_It

     

    You can listen to Haven’t Seen It Podcast anywhere you find your podcasts!

    Episode 10 - Casablanca

    Episode 10 - Casablanca

    This week we have a Bogie in our sights as we tear apart one of the most acclaimed movies in Hollywood history, "Casablanca." This 1942 film noir "masterpiece" tends to stirrup the emotions in critics, but we feel that it's time to put it out to pasture.

    Humphrey Bogart plays Rick Blaine, a broken-hearted nightclub owner who has given up on the world after being jilted by a woman he only knew for a week. Ingrid Bergman plays Ilsa, the prodigal lover who now needs Rick to help her husband escape Nazi peril.

    We wonder why this movie thinks it's totally fine to have one of its hero characters, Captain Renault, extort sex from fleeing refugees. We also question how fugitives on the run have such extensive wardrobes and we opine on the equine countenance of the film's star.

    Tell us what you think by chatting with us (@filmsnuff) on TwitterFacebook and Instagram, or by shooting us an email over at mailbag@filmsnuff.com.

    This episode is sponsored by FoBewTay.

    Visit our website at https://www.filmsnuff.com.