RETRO: Hardball
We're getting closer to this year's baseball playoffs, so Matt & Ashley look back at Hardball, where Keanu Reeves plays a gambling addict who ends up coaching a Little League team from Near West Side of Chicago.
Explore " john hawkes" with insightful episodes like "RETRO: Hardball", "Stan Herd Pt. 2 - The Earthwork Movie", "From Dusk Till Dawn feat. Roxana Hadadi", "Episode 80 - Sweet Poison" and "Episode 25 | Identity (2003)" from podcasts like ""Mashley at the Movies", "The Stalk of the Town", "Hit Factory", "1991 Movie Rewind" and "The Cherry Picker"" and more!
We're getting closer to this year's baseball playoffs, so Matt & Ashley look back at Hardball, where Keanu Reeves plays a gambling addict who ends up coaching a Little League team from Near West Side of Chicago.
Earthwork, the movie about Stan Herd's life, was filmed right here on John and Karen's farm in 2007. In the film, Stan takes a huge risk as he travels from Kansas to New York City in order to create an environmental artwork on land owned by Donald Trump.
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Vulture critic Roxana Hadadi returns to Hit Factory for her hat trick to discuss Robert Rodriguez's 'From Dusk Till Dawn', a rambunctious genre hybrid that blends elements of crime pictures, westerns, and gory exploitation horror to uproarious effect.
We discuss the ascendancy of Rodriguez and screenwriter Quentin Tarantino during the mid-90s, the undeniable magnetism of a tribal-tattooed George Clooney (in his big screen debut), and ponder the significance of that eye-popping final shot.
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Read Up "All Night with George Clooney: From Dusk Till Dawn at 25" by Roxana at Crooked Marquee.
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Our theme song is "Mirror" by Chris Fish.
0:00 - Intro & Summary
2:00 - Movie Discussion
50:56 - Cast & Crew
54:49 - Pop Culture/TV
1:02:06 - Rankings & Ratings
To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/
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🍊 For this week's episode we're going with something a little more under-the-radar, and highlighting this twisty, whodunnit thriller from the early 2000s. If you haven't seen Identity yet, I recommend you watch it before listening, but we've kept the first 30 minutes of this episode spoiler-free in case you do want to switch us off and find the movie before finishing. Otherwise, we'll be talking about an array of topics, including the film's stellar ensemble cast, director James Mangold's film repertoire, whether or not the movie works as a successful entry in the murder mystery sub-genre, and of course, we'll also choose which character we think was most deserving to die.
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The theme is quirky films. Spanish director Pedro Almodovar's "Women on the Verge of a Nervous Breakdown" (1988) was a minor hit and probably minor Almodovar. Miranda July's "You and Me and Everyone We Know" (2005) nailed the quirkiness in a good way. A funny and sometimes sad film about lonely people making connections (or not).
Next up, desperate dudes with "Prince of the City" (1981) and "A Bittersweet Life" (달콤한 인생) (2005).
Thanks for listening!
Did we get something wrong? Have your own recommendations? Contact the show: 24theroadshow@gmail.com
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Have your own recommendations? Contact the show:
24theroadshow@gmail.com
Happy Memorial Day! We have a guest announcement to make, discuss the news surrounding the 2021 release of the Snyder cut, and then dive deep into a jam packed Trailer Park Roundup. Thanks for listening and subscribe and review!
Happy Monday! We kick off the show with the latest news from the Mandalorian, dive into another series of Trailer Park Roundup, and discuss the ramifications of a potential delay of Tenet. Enjoy and Rate and Subscribe!
In a world of instant clicks and information on demand, director Nicolas Winding Refn took his time to tell the tale of 'Too Old to Die Young,' his new series on Amazon Prime.
The Danish filmmaker — best known for the film 'Drive,' starring Ryan Gosling — has fully embraced the streaming revolution to experiment with pacing, narrative and character development. The 10-episode neon-lit noir features extended pauses between lines of dialogue. Miles Teller, who plays a crooked cop and vigilante assassin, leads a large, ensemble cast.
Refn says the 13-hour show — which he prefers to call a 13-hour movie — reflected his reaction to the “insanity” of the 2016 US presidential election.
Mark Olsen (@IndieFocus) talks with Refn (@NicolasWR) about his vision, his casting choices, and why he loves to set his stories in Los Angeles.
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