melanie griffith

Join actor/writer Vince Cusimano and me as we discuss one of the most overlooked gems of the 1970s. Arthur Penn's NIGHT MOVES! 

We break down the film's themes and it's cast as well as other great films that fit in the Neo-Noir genre.

WARNING: Spoilers as always!  

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This week on Mummy Dearest, Zach and Sloane unwrap 1994's child crime rom-com: Milk Money. The duo discuss everything from their love of Soft Soap (Milk & Honey scent, obviously) to their love of personal pan pizzas from Pizza Hut (yes they still slap!) There's talk of the sitting rooms mom had in the 90s where no one was actually allowed to sit and they discuss the impossibly adorable and sexy walk that Melanie Griffith does this entire film! All that and so much more on this week's episode of Mummy Dearest!

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Y además en El Gordo y La Flaca: Grupo Firme sigue celebrando su éxito tras un lleno total en el estadio Sofi y hablamos con ellos sobre el evento y el gran momento que vive la agrupación.

Laura Bozzo quedó atrapada en medio de una manifestación y muy a su manera trató de salir del embrollo.

Shakira disfrutó su estadía en Londres no solo en la Fórmula 1 sino aprovechando para un día de shopping.

¿Qué son los corridos tumbados y por qué están ganando tanto protagonismo? Aquí te contamos todo sobre el éxito de este nuevo género.

Arturo Carmona tiene entre ojos un ambicioso proyecto. Eduardo Capetillo ¿un esposo controlador? Melanie Griffith luce un nuevo tatuaje. Lady Gaga obtiene una victoria legal. Esto y mucho más en los Chismes Gordos.

Next up for Movie Challenge 5 is Milk Money. The 1994 comedy starring Melanie Griffith as "V", the hooker with a heart of gold, Michael Patrick Carter as the annoying son who wanted to see said hooker naked but inadvertently brings her to his home, and Ed Harris the loser dad who's memorized by the very same hooker.

Problematic may be one word to describe this film, but is there more to it than meets the eye? 

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Get your telescopes out and toast to Hollywood! Join me and actor/writer Vince Cusimano as we discuss one of our favorite films. The 1984 Brian De Palma classic.

Show note: Close out song "Have Me Arrested" by Craig Wasson. 

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CHICAGO  Book by Fred Ebb & Bob Fosse | Music by John Kander | Lyrics by Fred Ebb |  Based on the play by Maurine Dallas Watkins

Works Consulted & Reference :

• Chicago (Original Libretto) by  Fred Ebb & Bob Fosse
• Fosse by Sam Wasson
• Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz by John Kander, Fred Ebb, as told to Greg Lawrence

Music Credits:

• "Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin
• "The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble
• "Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer
• "Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie
• "Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne
• "What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble
• "Nobody" from Absysinia  | Music by Bert Williams, Lyrics by Alex Rogers | Recorded for the Victor label
• "Mister Cellophane” from  Chicago (New Broadway Cast Recording 1997) | Music by John Kander | Lyrics by Fred Ebb |  Performed by Joel Grey
• "Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon
• "My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews
• "Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas
• “What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

This week on Remainders we continue De Palma Days and talk about 1984 film Body Double. Possibly De Palma’s most Hitchcockian film, it’s the story of a man caught in between voyeurism and murder – essential Hitchcock tropes. We discuss its horror and pornographic elements, De Palma’s use of over-the-top acting and direction style, lead actor Craig Wasson’s effectiveness as the lead, Melanie Griffith’s introduction to Hollywood, and where it stands in De Palma’s filmography.

Other topics include Air and the Affleck brothers, Renfield, a legendary encounter with the great Leslie Nielson, the legitimacy of TMZ and CNN, the Twilight Zone, Stuart Gordon, monster movies and creature features, 80s special effects, and whether James Cameron brought Dee Dee Ramone pizza.

Songs of the Week

Down About It by The Lemonheads

Anything Could Happen by The Clean

Remainders Podcast Jukebox 

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Meg watches Something Wild for the first time in thirty years and sees what was hiding in plain sight. Jessica travels from Edwardian England to 80s NYC to chart the epic life and times of Quentin Crisp.

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Victoria and Chelsea voice their contemporary concerns, without denying the supreme craft of this movie. Melanie Griffith said of WORKING GIRL: It changed everything. Everybody knew who I was all of a sudden, and I got a lot of jobs, and I never stopped working until I stopped working.

Theme Music "A Movie I'd Like to See" by Al Harley. 

Show Art: Cecily Brown 

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Now and Then: a mid-’90s coming of age movie with nostalgia for the ‘70s, beloved by kids who wouldn’t be teenagers until the aughts. Jordan and co-host Laura Leigh Abby (whose podcast is Seventeen: Conversations with my Teenage Self) both hold the film as a beloved classic, but as adults they notice some things in the film they didn’t see as kids. 

Before we go, Jordan X-plains it all!

Listen to Seventeen: Conversations with My Teenage Self

Jordan talks Deep Water on NPR’s Pop Culture Happy Hour

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With Jordan Crucchiola and Laura Leigh Abby

Growing up as girls we always watched this movie at slumber parties. Going through our teenage years this film was very helpful. We think everyone should watch this movie at least once!

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The gang sits down to drink and discuss Brian DePalma's 1984 thriller BODY DOUBLE...and drink. Digressions include Billy Idol vampires, weirdo space mansions and Alex knows A LOT about Frankie Goes To Hollywood. Black Dog Say Relax! www.blackdogvideo.ca  

Recorded at Black Dog Video 1470 Commercial Drive, Vancouver 

EXPLICIT / Not Safe for Work. Music by Tyger Burning Bright 

In the forty-second episode of Season 2, Noir Means Noir, Kyle is joined by script supervisor Katy Baldwin and fellow critic Tyler Harlow (of the After the Credits blog) to discuss a quintessential 70s malaise noir of dissatisfaction and obfuscation in Arthur Penn's detective criticism Night Moves.

In the forty-sixth episode of Season 1, Cult Flicks & Trash Picks, Kyle is joined by fellow cinephile David Guiterriez for a rare one-on-one conversation discussing Johnathan Demme's updated screwball comedy that subverts genre, character, and expectation in Something Wild. 

The Cinemondo gang discuss one of their favorite filmmakers:  Brian DePalma. We take a close look at some of his classics like OBSESSION, DRESSED TO KILL, BLOW OUT and BODY DOUBLE and the ups and downs of his impressive career crafting sometimes impossibly complex films that almost demand multiple viewings. He gathers A-List actors like Michael Caine, John Travolta, Angie Dickinson, Nic Cage and Melanie Griffith to make his cinematic dreams come true.

He’s often compared to Hitchcock, or accused of stealing from him. He’s accused of indulging in gratuitous shower scenes and voyeur fetishes. He’s even been called “immature” but despite a few clinkers, his list of intensely watchable and fascinatingly twisty films is something we all agree on. His films are CINEMA at its more entertainingly engaging and finely crafted. You have to pay attention to all of the details and keep your eyes and ears open. Join us as we heap the praise on one of our favorite filmmakers, Brian De Palma.

SPOILER WARNING: This episode contains MAJOR SPOILERS which means important story details will be revealed. We always advise listeners to: Watch First Listen Later.

Music composed and performed by Burk Sauls.

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Rachel Tashjian is the style writer at GQ and co-host of GQ's weekly style podcast "Corporate Lunch". Rachel steps in for Eve this episode and we cover the 1988 Mike Nichols film, "Working Girl" starring Harrison Ford, Melanie Griffith, and Sigourney Weaver.

You can follow Rachel at @theprophetpizza on Twitter and Instagram.

Music by Carli Cottrell
Graphics by Gala Tanaskovic
Equipment provided by our friend and ally, Jonathan Thiang

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Barry Norman called Brian De Palma's BODY BOUBLE "damn near pornographic". One of us thinks it's tour-de-force cinema, while the other believes it to be tittilating cobblers. Which of us is right? Find out in our latest episode. Warning: This podcast contains middle aged men giggling at rudies. Music by The Sonic Jewels.