peter frampton

Embark on a riveting journey through the musical landscape as we celebrate a milestone anniversary with a return to the Rock and Roll Hall of Fame debates and beyond. This special episode is not just a trip down memory lane—it's a kaleidoscope of candid discussions, from Mary J. Blige's commanding presence to the subversive acts like Jane's Addiction that left an indelible imprint on alternative rock. We don't just scratch the surface; we examine the fabric of music history, questioning the Rock Hall's selection process, and propose whether it's time for it to evolve into a Music Hall of Fame to reflect the rich diversity of today's nominees.

Feel the pulse of the industry as we turn the spotlight onto the commercial dynamics that can make or break a career in the ever-changing world of music. We'll share personal anecdotes, like that near-encounter with Oasis' Liam Gallagher, and debate the controversial ticket pricing that tests the loyalty of die-hard fans. Through a blend of humor and depth, our discussions traverse the spectrum from the electric influence of ELO to the potential for an all-star jam session featuring Ozzy Osbourne at his hypothetical induction ceremony—Taylor Swift duet, anyone?

As we wrap up this celebratory episode, we reflect on three years of passionate music chats that have brought us closer to the heartbeat of the rock 'n' roll narrative. From the theatrics of Styx to the raw innovation of Pearl Jam, we've covered vast terrain, and yet there's so much more to explore. Join us, Brian Anthony and Mark Kirby, as we keep the turntable spinning, inviting you to subscribe and join the conversation that knows no end. Here's to the next three years and the countless playlists of discussion that await!

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We welcome the man who introduced Peter Frampton on Frampton Comes Alive! to talk about Bill Graham, Winterland, Rock and Roll, and the Tequila Sunrise

IT'S ALL HAPPENING! Quase Famosos (Almost Famous), lançado em 2000, é um dos filmes de rock mais celebrados de todos os tempos. O nosso quinto episódio embarca com o Stillwater na turnê de 1973 e coloca você dentro do ônibus como se fosse um convidado especial. Lado a lado com William Miller, Penny Lane e Russell Hammond, ao som de Tiny Dancer e das mais de 40 músicas sensacionais que aparecem nessa película, seguiremos nessa turnê - e nunca mais voaremos de avião! 

Podcast Quando o Som Bate no Peito, com os jornalistas Márcio Grings e Romero Carvalho falando de música boa com muita informação e descontração.

My guest is legendary bassist, Stanley Sheldon. Stanley and I do a deep dive into Peter Frampton's iconic "Do You Feel Like We Do" and compare the 1973 studio version from "Frampton's Camel" with Rick Wills on bass and Mick Gallagher on keyboards, with the live version from "Frampton Comes Alive," recorded in Plattsburgh, NY in November 1975, with Stanley on bass and the great Bob Mayo on keyboards. The great Siomos was the drummer on both versions, as well as all the classic Peter Frampton songs.

Stanley shares the story of auditioning for Peter Frampton in his hotel room in Los Angeles, meeting John Siomos and Bob Mayo for the first time at rehearsal at SIR in New York and the legendary rhythm section he and John created in Peter Frampton's band, and much more! 

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John’s guest is the great Jack Bruno! Jack is known for his always tasty playing and solid groove and in this episode, Jack talks about his Motown influences and “less is more” approach to playing a solid pocket. His early days in the Boston club scene, moving to Los Angeles in 1976 and his first major gig playing with Tina Turner, which would last over 30 years. He also discussed his long tenure playing with Joe Cocker, playing with Peter Frampton, Delbert McClinton and his current gig with Jim Messina of Loggins and Messina fame. Throughout, Jack offers great insight into supporting singers, and much more!   

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Too Slim & The Taildraggers New Live disc "Brace Yourself"

Grab some popcorn and join your hosts this week once again, as we check out more songs from flicks. That’s right, we are going to the movies and listening to the sounds from some of those Summer blockbusters! The 70s, 80s, and 90s were full of films featuring some awesome rocking tunes along with tons of films specifically about rock n’ roll. Grab your Reeses Pieces, large Coke, and some nachos, and hum along!

What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week Robert gets a glimpse into another collection of lost and forgotten songs from the silver screen! Our hope is that we turn you on to something new.

Songs this week include:

1. For Love Not Lisa - “Slip Slide Melting” from The Crow – Original Motion Picture Soundtrack (1994)
2. W.A.S.P. - “Show No Mercy” from Dudes – The Original Motion Picture Soundtrack Album (1987)
3. Super Transatlantic - “Super Down” from American Pie (Music From The Motion Picture) (1999)
4. Josie & The Pussycats - “3 Small Words” from Josie & The Pussycats - Music From The Motion Picture (2001)
5. Stillwater - “Fever Dog” from Almost Famous (Music From The Motion Picture) (2000)
6. Tesla - “Last Action Hero” from Last Action Hero: Music From The Original Motion Picture (1993)
7. Porno For Pyros - “Hard Charger” from Private Parts: The Album (1997)

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If you’d like to check out Kevin’s band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/

If you want to hear Robert and Kevin’s band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Check out Robert’s amazing fire sculptures and metal workings here: http://flamewerx.com/

Crobot's Chris Bishop.

On this episode Scott tests the audience on their knowledge of songs that are remakes

Can we get a witness??? Testify! This week our rock n’ roll grave robbers witness the rise of sumthin’ funky! This time our journey through funky town takes sharp left and right turns as we get funk rock from bands that may not necessarily be associated with funk. Sometimes bands just get the urge to write songs that makes your body move and your booty groove. That’s why we are asking the question, “Wah Da Funk???”

What is it that we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode we take a listen to all 3, as we move n’ groove our way through funk-infused rock n’ roll from bands that don’t typically play in the sphere of funkitude. 

Songs this week include:

1. Jason Becker – “We Are One” from Triumphant Hearts (2018)
2. I Mother Earth – “Like A Girl” from Scenery And Fish (1996)
3. Steve Marriott  – “Late Night Lady” from MARRIOTT (1976)
4. The Organization – “Brainstorm” from The Organization (1993)
5. The BusBoys – “D Day” from Minimum Wage Rock & Roll (1980)
6. Petra – “Holy Ghost Power” from Come And Join Us (1977)
7. fIREHOSE – “It Matters” from Ragin’, Full-On (1986)
8. LoveWar – “Keep Your Hands Off My Stuff” from Soak Your Brain (1993)

Please subscribe everywhere that you listen to podcasts!

Visit us: https://inobscuria.com/

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Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=u

If you’d like to check out Kevin’s band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/

If you want to hear Robert and Kevin’s band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Check out Robert’s amazing fire sculptures and metal workings here: http://flamewerx.com/

The pressure on the Eagles to create an album to follow up their 1976 masterpiece "Hotel California" was intense, and it took 18 months and five different studios to produce The Long Run.  This was their sixth studio album, and their last album before thier 14-year hiatus.  It would mark the introduction of Timothy B. Schmit to the band, who took over bass and high vocal duties from the departing founder, Randy Meisner.

The Long Run was originally intended to be a double album, but the band just didn't have enough songs in their creative arsenal for that.  In fact, the band was completely burned out after a long tour prior to entering the studio.  Don Henley, Glen Frey, and Don Felder were joined by Joe Walsh (who was added to the group on the "Hotel California" album) and Timothy B. Schmit.  Frey and Henley would contribute most of the songs, but Schmit and Walsh would contribute songs they had originated, and frequent collaborator J.D. Souther would add to the tracks.  Bob Segar would contribute as well.

The album would be a hit, going 7x platinum, and would sport multiple number 1 singles, including the Grammy award winning "Heartache Tonight."  Nevertheless, they would receive disappointing critical reviews.  Perhaps this is not surprising given the comparisons to "Hotel California."  

Friend of the show John Lynch joins us in Wayne's absence for this last-of-the millennium album from the Eagles.

The Long Run
The title track is a Memphis blues-inspired tune.  The lyrics are a response to critics who considered the Eagles to be washed up, and unable to compete with the disco and punk sounds prevalent in the late 70's.  Henley and Frey answer, "who is gonna make it?  We'll find out in the long run."

I Can't Tell You Why
This is a song composed primarily by Timothy B. Schmit prior to joining the band, and was loosely based on his own experiences.  The rock ballad would be their third single released from the album.  Uncommonly for Eagles songs, Glen Frey plays lead on this song, and Don Felder is on the organ.

In the City
Joe Walsh originally recorded this song for the soundtrack to the film "The Warriors," and it was re-recorded by the Eagles for this album. Though not released as a single, it got significant airplay on AOR stations at the time.  It has become a staple for band tours.

The Sad Café
While not released as a single, this track would make it onto the Eagles Greatest Hits, volume II.  It was inspired by The Troubadour nightclub in Hollywood where the Eagles had previously played.  The song relays the tale of so many musicians who came through that nightclub, most of whom did not make it big.  David Sandborn provides the saxophone work on this song.

ENTERTAINMENT TRACK:

Theme from the television series “The Facts of Life”
"The Facts of Life" started its run in this month, and was originally a spinoff from the series "Diff'rent Strokes."

STAFF PICKS:

Hot Summer Night by Night
Bruce's staff pick is from a short-lived band out of Los Angeles, and is a cover of a song originally performed by Walter Egan in 1978.  The lead vocalist for this song is Stevie Vann, who emigrated from Zambia with her then-husband Robert "Mutt" Lange.  The group also had a male lead in Chris Thompson, who would be recognizable as the lead vocalist for Manfred Mann's version of "Blinded By the Light."

Rock Lobster  by The B-52's
Put on your nose guard!  Put on your life guard!  Rob brings us the B-52's signature song, and the one that truly launched their career.  It came off their second studio album, "Wild Planet."  Fred Schneider said the song was inspired by a club called "2001" in Atlanta, which showed slides of puppies, babies, and lobsters on a grill.

All of My Love by Led Zeppelin
John Lynch's staff pick was released in August as a single, and is a softer rock ballad from the late stages of the band.  The song was written in honor of Plant's son Karac, who died while Plant was on tour with the band in 1977.  John Paul Jones plays keyboards on this piece.

I Can't Stand It No More by Peter Frampton
Brian wraps up the staff picks with the first single from Frampton's album "Where I Should Be."  Peter Frampton had just starred in the remake of the movie "Sgt. Peppers Lonely Hearts Club Band," which was panned by critics and failed commercially.  He also had a bad auto accident in the Bahamas requiring months of therapy.  The song made it to number 14 on the pop charts.  

INSTRUMENTAL TRACK:

Parisian Thoroughfare by Supersax
You can't go wrong with a sax!  Jazz group Supersax closes out our podcast this week.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Is this how reality casting actually works? Will this episode be enough to save Tiffany from the chopping block? And how have we not talked about Stefan’s junk yet? We prick through these questions and more (with Alyssa Grant Kenny) as we watch Season 7, Episode 8 of Family Matters.

Alex Diamond, David Kenny,  and John McDaniel heard that the long-running network sitcom Family Matters ends with side character Steve Urkel going to space. And the best way to figure out how that happened - obviously - is to watch the last episode first and make our way backwards through nearly ten years of television.

Join our countdown to number one (and our slow descent into madness) in all the places you expect internet people to be:

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Email: jumpingtheshuttle@gmail.com
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Brought to you by Smooth My Balls

By the time Billy Joel released The Stranger, his fifth studio album, he was at risk of being dropped by Columbia Records.  His second album, Piano Man, had been a surprise success, but the follow-up third and fourth studio albums had met with disappointing commercial appeal.   

Joel had a solid band that had toured with him for his previous album, Turnstiles, and he wanted to keep that band for the next album.  He first considered Beatles producer George Martin to be his producer for this album, but decided against him when Martin wanted to use session players instead of Joel's band for the album.  Instead, Joel turned to Phil Ramone (co-founder of A&R Recording) to produce The Stranger.  The album would produce four singles, all hits, and would be a commercial and critical success.  It would also be Columbia Records best selling album release, and Joel's best selling non-compilation album.

Bruce and Wayne are out, and for the first time ever, TWO friends of the show Bill Cook and Todd Hendricks join in for this podcast.

The Stranger
This title track examines the way we all hide aspects of ourselves, projecting one image to the public while a stranger lurks deep inside.  Joel had originally intended the whistling to be a wind instrument, but when he demonstrated it to producer Phil Ramone, Ramone determined that his whistling was perfect.

Movin' Out (Anthony's Song)
The opening track to the album was also the first single, and is a commentary on those in working class ethnic communities around New York who put in long hours for the appearances of success.  "Anthony works in a grocery store, saving his pennies for someday."  A Broadway musical featuring the music of Billy Joel took the name of this song as well.

Only the Good Die Young
The third single from the album was quite controversial at the time, because it is about a boy encouraging a religious Catholic girl to have premarital sex with him, though she considers it sinful.  The name Virginia comes from a high school crush of Joel's named Virginia Callahan.  As is often the case, attempts to ban the song only made it more popular.

Scenes from an Italian Restaurant
Although not released as a single, this epic medley received significant airplay on AOR stations at the time, and is one of Billy Joel's favorites.  This 7-plus medley is in three parts, the longest of which is "The Ballad of Brenda and Eddie," two high school sweethearts and their journey through life.  

ENTERTAINMENT TRACK:

Main Theme from the television series “Soap”
This parody of the television soap operas premiered in September 1977.  It would be highly controversial throughout its four year run, drawing criticism from the Moral Majority, the Roman Catholic Church, and a number of gay organizations.

STAFF PICKS:

Whatcha Gonna Do? by Pablo Cruise
Rob kicks off the staff picks with a band named after a non-existent person (think Pink Floyd or Jethro Tull).  "Pablo" represents a down-to-earth individual and "Cruise" represents an easy-going approach to life.  The song cautions against taking a good relationship for granted.   

Handyman  by James Taylor
Bill Cook's staff pick was actually a cover originally recorded by the Sparks of Rhythm in 1953.  Jame's Taylor's version hit number 4 on the Billboard Hot 100 and earned him his second Grammy award.  

Smoke from a Distant Fire by the Sanford Townsend Band
John WayneTownsend and Ed Sanford head up the band that takes their name, and Todd Hendricks brings us this one-hit wonder.  Although the band recorded and worked out of Mussel Shoals, worked with a number of acts, and opened for bands like Fleetwood Mac and Foreigner, they never made the charts beyond this hit.

I'm In You by Peter Frampton
Brian brings us the title track from the follow-up studio album to his amazingly popular live album "Frampton Comes Alive."  A&M Records put a lot of pressure on Frampton to have another hit after the live album, and this was his biggest-selling single, though the album was a let-down to the company.  This acoustic version highlights his guitar talents.   

TRIBUTE TRACK:

Memories by Elvis Presley
This is the month that Elvis died, and this song is our tribute to the King.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Note: This was Episode 46, though I mistakenly introduced it as Episode 47. A fun and informative chat with Chad Cromwell. Chad discussed his long and successful career including his work with Neil Young, CSNY, Joe Walsh and Peter Frampton. Some great insights into his role as a session drummer, working with Kenny Chesney and much more. 

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A very special and enjoyable chat with one of my drumming heros, the legendary Joe Vitale! Joe and I discussed his incredible 50+ year career as the groove behind rock icons, Joe Walsh, Peter Frampton, CSNY and The Eagles, including stories behind making all those iconic records. We also discussed his excellent book, "Backstage Pass" with Joe sharing many funny stories. 

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Ariel Posen- Joins us to discuss his latest release

Unchained Brands- Courage, Community, Compassion

John D'Amato- Blood on the Strings

Scott is no stranger to big stages, as he was Gregg Allman's guitarist and musical director until his death, and is now the newest member of Little Feat. An incredible guitarist and singer, Sharrard's musical journey started long before his time with these venerable bands. Greg and Scott get into the details!

2:36 - Scott’s home and creative anchor: The Rust Belt, and musical influence of Southern Roots music
10:36 - Growing up with a singer-songwriter father, records and guitars scattered around the house, and the support of loving parents
18:14 - The love of Roots music, Guitar Gods Jeff Beck, Stevie Ray Vaughan, and Jimi Hendrix, and the true lessons taken from arguably the greatest generation of guitar players
35:24 - Scott’s transition to New York, and his plan to make music happen amidst a difficult cultural and political background
42:02 - Scott’s connection with Gregg Allman and Peter Frampton, and the glory of The Alllman Brothers and Humble Pie
60:30 - Scott’s time with The Allman brothers - challenges and successes 

Total Length: 85:57

Andy McKee is here!!!