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It's been a long, languid summer of dog-sitting and conference-hopping, but the Yonder Boys are back on the mic with hot takes on cool news from the new mobility conversation.

First up: Iron Man (aka Robert Downey Jr.) turns muscle cars into EV marvels to reach a cabal of cable TV audiences. 

Next:  Country music capital Branson, Missouri redefines the Boot Scoot Boogie on its way to becoming America's own Ho Chi Minh City.  

We wrap the news with New York's unexpected fallout from e-bike-mania: batteries catching fire. 

And it's in Gotham we stay as we welcome entrepreneur Shabazz Stuart, founder and CEO of Oonee, a bike infrastructure service, talking about his plans to give bike commuters a sense of security, convenience, and community. Amen! 

Finally, we go full rant on certain tax incentives showering EV buyers.  Sounds awesome, right? We have thoughts. 

Tune in. Turn on. Drive less.

Today were covering Barbenheimer, the story of a theoretical stereotypical physicist doll who must fix a rip between the real world and Barbieland while trying to create an atomic bomb. Also Albert Einstein is there and all of Ken's clothes fit him!

Also why we hate strike-related delays and limitations on sped-up audio playback. (Recorded July 23rd, 2023.)

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Dick and Gene agree "Back to School" is Rodney Dangerfield's best movie, but does it deserve mention among the greatest '80s comedies? Not if you ask Ash.

This 1986 college classic, commissioned by a listener who himself is going back to school, reminded the Shat Crew that Dangerfield has crazy eyes, Robert Downey Jr. was an adorable little scamp, and Big D is oblivious to racism in film.

In this episode, we pay homage to Burt Young, learn how to tell if your child is lying, debate appropriate classroom behavior, discover a new kind of jock bully and ask the crucial question: "Where did all the college bars go?"

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Al Pacino yells, RDJ get his first HUGE role, Ed Norton says goodbye, one of the longest running horror franchises begins, say hello to The Bachelorette, Marlon Wayans makes another scary movie, and the dawn of the greatest Star Trek series?! All that and more on this week's Thirty Twenty Ten!

Welcome to the Rourke-aissance, it's time to watch Iron Man 2!

Apparently, we have both seen this before.  No surprise that we couldn't remember if we had.

You were looking for Venom 2? Yeah.... nope.

Brandy's love for RDJ is irrefutable

An angry Garry Shandling is a hilarious Garry Shandling

Also hilarious - drunk Iron Man

What's the chest flux capacitor really called?

What is Mickey Rourke's character's name? electric whip guy?

Until next time - tell us who is on your MCU version of F, Marry, Kill list?

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Shane Black is a name that tends to elicit either unbridled enthusiasm or consternation from moviegoers. Black started out as an actor before hitting it big as the legendary screenwriter of Lethal Weapon. Then in 2005, he made the leap to directing his own scripts. And this episode, Thomas Greene of Movies After Work joins us to discuss Black's directorial debut, Kiss Kiss Bang Bang.

Kiss Kiss Bang Bang stars a pre-Iron Man Robert Downey Jr., a post-Batman Val Kilmer, and a star-making turn by Michelle Monaghan. The film's blend of noir subject matter and buddy cop energy turned it into a cult classic for some, despite its box office underperformance. But Thomas and I will delve into how it was a pivotal movie for not only those involved but him as well.

We'll discuss how accurately Black captures the Los Angeles scene, why the movie impacted Thomas' own writing, and which of the movie's three lead performances ultimately steals the movie.

SYNOPSIS
Two-bit crook Harry Lockhart (Robert Downey Jr.) stumbles into an audition for a mystery film while on the run from the cops. Winning the part, he lands in Hollywood, where he's flung into a tangled, murderous conspiracy with his childhood sweetheart, Harmony Lane (Michelle Monaghan), and hard-boiled private eye Perry van Shrike (Val Kilmer).

Connect with Crooked Table Productions on social media:

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French-American, Stephanie Szostak (show-stack) acts, writes and speaks.

She is currently starring on ABC’s hit series A MILLION LITTLE THINGS, is working on a book called "Oh The TiDDies You'll Grow!" and speaks to various organizations (from corporate to non-profits supporting immigrant women, teens and mental health) encouraging people to "find their truth... with love & humor."

Szostak got a late start on the acting scene (age 30) and had the willingness to disrupt her life, leaving her career in the corporate world behind to seek an authentic life. Over the past decade, she has played alongside Meryl Streep, Robert Downey Jr., Jeff Bridges, Steve Carrell, Paul Rudd, Matt Damon, Kevin Bacon, Ryan Reynolds and more.

Transforming her own false starts, setbacks, rejection and loss, she brings forward relatable and impactful stories to help anyone embrace their uniqueness. As part of that mission, she is passionate about encouraging people to discover their own truth and individuality.

From being told "You should have never happened" as her career grew so did the pressure, causing her performance to be negatively affected by feelings of unworthiness and fear. In response, she began to work on her mental game and looked to the actors she was intimidated by for answers. She was surprised to learn they too suffered from negative inner dialogue. This pushed her to address mindset and discover its interconnection with performance. Fascinated by what she learned, she created her own “playbook” to incorporate new skills to be more confident and playful when the red light turned on.

Knowing she is where she is only thanks to the help of so many, Stephanie thrives to help and connect people to support their pursuit of their darn naked truth!

Most notable projects include The Devil Wears Prada, Ironman 3, Dinner for Schmucks, We Bought a Zoo, ABC’s hit series, A Million Little Things and USA Network series, Satisfaction.

Guest links:

• IMDB: Stephanie Szostak
• INSTAGRAM: @stephshortstak

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Credits:

• WRITER: Erin McCluskey
• SOUND DESIGN: Zachary Jameson
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Born in South Africa, Neil Sandilands’s decades-long career spans across the globe. As an actor, writer, director, and musician, Neil has meticulously put in the time to develop, hone, and refine his craft as an actor, as well as an all-around storyteller. 

You’ve seen him in Netflix’s hit new post-apocalyptic series, “Sweet Tooth” as the witty and quirky General Abbot, opposite Tom Hanks in “News of the World,” in both The CW’s series “The Flash,” and “The 100,” AMC/Sundance TV’s “Hap and Leonard,” as well as classic beloved television series such as “House, “The Americans,” and many more. 

Today, Neil shares his love of all that life has to offer. He confidently declares himself a human first and an actor second, urging listeners to embrace every breath that life has to offer and to identify who and what truly matters most in your world. He believes that the most valuable auditions are those that we don’t book and that it’s never too late to start again. Finally, you won’t want to miss his brilliant breakdown of the life of an actor which he separates into five distinct acts appropriately abbreviated as ACTORS: A for Approach, C for Curation, T for Technique, O for Overcoming, R for Release, and S for Start Again. 

These are the unforgettable stories that landed Neil Sandilands right here. 

This week on Drink in the Movies Michael & Taylor Rescreen Robert Altman's Short Cuts and provide a First Impression of the next Rescreening episode title, Fritz Lang's The Big Heat.

Visit us at https://drinkinthemovies.com or connect with us on your preferred Social Media Platform Letterboxd, Twitter, Instagram, and Facebook.

Michael Clawson on Letterboxd

Taylor Baker on Letterboxd

This week on Drink in the Movies Michael & Taylor Rescreen Jacques Demy's Donkey Skin and provide a First Impression of the next Rescreening episode title, Robert Altman's Short Cuts.

Visit us at https://drinkinthemovies.com
Twitter, Instagram, and Facebook.

Or connect with the guys on Letterboxd

Michael Clawson on Letterboxd

Taylor Baker on Letterboxd