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    tito puente

    Explore " tito puente" with insightful episodes like "The Global Salsa Explosion And It's Origins With Bassist Eddie Resto And Percussionist Joey DeLeon", "Oskar Cartaya", "Los pasos de Sor Juana.", "10 Oci ciornie ojos negros" and "10 Oci ciornie ojos negros" from podcasts like ""Profiles With Maggie LePique", "Dunlop Presents Bass Freq's", "El Cocodrilo", "subject:(jazz brasile tropical)" and "subject:(6 puntata di Tracce resistenti musica e info internazionaliste la playlist in crescendo di veleno su aRadio)"" and more!

    Episodes (8)

    The Global Salsa Explosion And It's Origins With Bassist Eddie Resto And Percussionist Joey DeLeon

    The Global Salsa Explosion And It's Origins With Bassist Eddie Resto And Percussionist Joey DeLeon

    Maggie speaks with percussionist Joey DeLeon and bassist Eddie Resto about  “The Global Salsa Explosion and Its Origins” and play the incredible, iconic music that caused such a sensation when it stormed out of New York in the 1970s.
    Joey De Leon is a percussionist, educator and producer who's performed or recorded with artists of almost every genre from jazz to Latin, pop to contemporary classical and film scores. The long list of artists he's worked with include Queen Latifah, Al Jarreau, Jennifer Lopez, Bette Midler, Cyndi Lauper, Poncho Sanchez, Arturo Sandoval and Gordon Goodwin's Big Phat Band.

    Joey DeLeon was born in the Hell's Kitchen section of New York City, holds a bachelor’s degree from the prestigious Manhattan school of music and is currently a faculty member at Cal Arts here in Sothern California.

    Eddie Resto is a bassist whose credits are just as astoundingly diverse as Joey DeLeon's. Eddie's resume includes his work with Tony Bennett, Rita Moreno, Sonny Stitt, Tito Puente, Dizzy Gillespie, Paul Simon, Kenny Burrell, Herbie Hancock, Chick Corea, Carlos Santana, Jaco Pastorius, Dexter Gordon, Max Roach, Eddie Palmieri and Joni Mitchell.

    Eddie holds a master’s degree in Afro-Latin music from California State University of Los Angeles and serves his communities through his work with the Mancini Institute, The Urban League, The Boys and Girls Club of America and other youth organizations.

    Source: https://www.labella.com/artists/eddie-resto/#:~:text=Born%20and%20raised%20in%20Manhattan,major%20performers%20and%20music%20groups.

    Source: https://www.joeydeleonmusic.com/

    Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.

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    Oskar Cartaya

    Oskar Cartaya

    This week, we put the spotlight on Oskar Cartaya this week, yet another guest who possesses immense talent and exhibits unwavering dedication, to his craft. His unique style has garnered him an impressive list of credits playing, composing, arranging, and serving as musical director for the likes of Spyro Gyra, Herb Albert, Jennifer Lopez, Celia Cruz, Rubén Blades, Tito Puente, Robbie Robertson, Willie Colon, and Dave Valentin. Oskar chats with host Josh Paul about his beginnings in the music schools and clubs of Puerto Rico, the life experiences that have informed his career, and of course the tools of the trade that he relies on to get the job done.

    La historia de Tito Puente: El rey del timbal

    La historia de Tito Puente: El rey del timbal

    Anímate a hacer un viaje musical de la mano de David Suárez con este episodio del podcast en español #Soneros: lo mejor de la salsa por la red.

    En este episodio el protagonista es el Rey del timbal: Tito Puentes. Escucha aquí sus mejores canciones y algo de la historia de este legendario percusionista estadounidense de origen puertoriqueño. 

    See omnystudio.com/listener for privacy information.

    La Salsa, con Johnny Dandy Rodriguez

    La Salsa, con Johnny Dandy Rodriguez

    El legendario Johnny “Dandy” Rodríguez (músico de la Fania, Tito Puente, Tito Rodríguez) nos acompaña en ésta discusión alrededor del controversial término Salsa, que no es un ritmo, sino un término sombrilla en donde se agruparon muchos géneros afrocaribeños. Hablamos de la relación de la Salsa con el Jazz, la época dorada de los salones de baile en Nueva York, y cómo vemos el futuro de la Salsa.

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