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    marquis de sade

    Explore " marquis de sade" with insightful episodes like "Sadism in the Bastille", "Man Ray", "HILF 27 - The Three Musketeers with Kristal Adams", "Found Guilty and feeling Guilty" and "What’s wrong with now?" from podcasts like ""Noble Blood", "In Talks With", "HILF: History I'd Like to F**k", "The Leaves of a Victim never more with Steven Wilson" and "The Leaves of a Victim never more with Steven Wilson"" and more!

    Episodes (10)

    Sadism in the Bastille

    Sadism in the Bastille

    TRIGGER WARNING: this episode contains references to sexual content.

    The Marquis de Sade, the namesake of "sadism," is famous for his writings cataloguing the full extent of brutal and abusive sexual acts. Today, he's perhaps more famous as a concept than an actual living, breathing person, a man who wrote his most famous manuscript in prison, aided by a shockingly devoted wife.

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    See omnystudio.com/listener for privacy information.

    Man Ray

    Man Ray

    Curator Romy Cockx talks to Danielle Radojcin about Man Ray’s journey from growing up as the son of working-class immigrants in Philadelphia to a towering giant of 20th Century image-making.

    Man Ray was responsible for some of the most eye-catching photos of women in the 20th Century: Lee Miller’s floating lips, the glass tears of Kiki de Montparnasse, and portraits of fashion stars Coco Chanel and Elsa Schiaparelli to name but a few.

    MoMu, the Fashion Museum in Antwerp, is currently running an exhibition showcasing Man Ray’s relationship with fashion, from his photo editorials for Harper’s Bazaar and Vogue, to the gowns worn by some of the famous women who modelled them. Cockx talks about what influenced Man Ray, from Paul Poiret to Marcel Duchamp and the Marquis de Sade, and the designers he in turn has influenced, including Phoebe Philo and Martin Margiela.

    Recommended links from Romy Cockx:

    https://www.stockmansartbooks.be/nl/man-ray-and-fashion.html

    https://www.momu.be/en/exhibitions/man-ray

     

    https://paulineboty.org/

    Gazelli Art House

    monomediafilms.london

    HILF 27 - The Three Musketeers with Kristal Adams

    HILF 27 - The Three Musketeers with Kristal Adams

    Dawn usually records around her kitchen table, but as guest, Kristal Adams, recently had her cars stolen, she instead packed up the recording equipment and headed to Kristal's place near downtown Los Angeles. As it turns out, the quietest and most comfortable place to record was smack in the middle of Kristals bed. Tres bien. 

    00:03:55 - Dawn goes through Kristal's most exciting credits including as a writer on Legomasters, and The Circle on Netflix, and she promotes her hilarious comedy album Aint I A Wombat

    00:05:12 - Kristal explains to Dawn that her lack of car has been part of the decision to move to New York City - where you don't need one! Dawn likes the idea but gives her some food for thought as she heads into living in her first 'winter climate' state. 

    00:09:42 - We learn a little bit more about Kristal's French husband, Fabrice, and how he has spurred both her interest in French Literature and her desire to ask ANYONE BUT HIM to tell her about it. Voila! Moi!  Dawn explains that since 'French Literature' is such a huge subject, she focused her attention on The Three Musketeers and it's author Alexander Dumas... but of course it all begins with The French Revolution. 

    00:12:46 - The French Revolution has to precede any in-depth conversation about French Literature because for so much of our most-loved figures it was a central event. From Louis XVI and Marie Antoinette, through the Reign of Terror and past the execution of Robespierre - we give Kristal a lot to chew on around the ol' Fromage Tray. 

    00:22:52 - Lots of sources generally say the French Revolution ended with the execution of Robespierre in 1794 but in fact there were several more revolutions and, of course, the Emperor Napoleon

    00:30:00 - With some general French History and some specific French Revolution History in our back pocket, we move on to the author of The Three Musketeers, Alexander Dumas... well, we begin with his grandparents actually: A rich white nobleman living in Haiti and an enslaved woman, named Marie-Cesette. Alexander Duma's half-black father has a incredible story of his own - one that led him to glory fighting for France aboard during the Revolution, and earned the ire of none other than Napoleon.

    00:37:04 - Always feeling in the shadow of his father's greatness, and enduring the rampant racism in Paris himself, Alexander Dumas strived always to be remembered and be loved. Perhaps this is why he had no less than 4 illegitimate children and an estimated 40 mistresses. He attained some fame and wealth -experimented with drugs in a very interesting club with Victor Hugo among others - but ultimately died rather poor in the care of his son. 

    --BREAK--

    Listen to HIGHTAILING THROUGH HISTORY hosted by Laurel and KT

    00:41:56 - After the break, we welcome into bed with us The Three Musketeers, D'Artagnan and you, of course - with a quick summary of the swashbuckling tale that has stood the test of time and had some good (and bad) movie versions over the years. 

    00:55:24 - As the original subject that Kristal assigned Dawn was 'French Literature' they wrap up the conversation with a couple of quick booty calls - one on Victor Hugo, author of Les Miserables. It turns out that the musical had a rather outsized impact on both Kristal and Dawn's youth. 

    00:59:25 - Dawn wraps up with a tip of the hat to The Marquis de Sade, the man from whom we get the phrase 'sadist' and oh so much more. 

    01:03:22 - Before extracting herself from Kristal's marital sheets, Dawn leaves her with one last story from the French Revolution - that of the assassination of the bathtub-bound invalid, Jean-Paul Marat at the hands of Charlotte Corday. Not only is it a bloody and interesting story, but it is the inspiration for a play written in the 1970's called: The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade. I know, right?

    ---

    Our themesong was composed and performed by (legendary) Kat Perkins @katperkinsmusic

    If you want to reach out to HILF, please do! We are on social media @HILFPODCAST, or @DAWN_BRODEY  or you can email us hilfpodcast@gmail.com.

    Found Guilty and feeling Guilty

    Found Guilty and feeling Guilty

    This episode involve the running dialogue within my group about our Judicial in America regarding pedophilia.

    I take my reading from Marquis De Sade’s Dialogue “The Priest and the dying man”.

    The running dialogue involves the difference between revenge and justice for those prosecuted for the crimes of sexually abusing a minor.  This is a topic which we discuss every time there is a news story about someone (teachers mostly) having a sexual relationship with a minor.

    There was a time when the Catholic Church was suspect, and I suppose they still are to a certain extent, but the school system in America seems to have surpassed them in notoriety.

    This episode also hints at a criticism listeners have had about my podcast: it is not positive enough.

    I am not sure how to address this and perhaps I was selfish in its birth and fanciful in its utility for others.  I don’t know.

    I will say that I am grateful for those of you that do listen and decide to chime in on the topics I discuss.

    What’s wrong with now?

    What’s wrong with now?

    this episode is about Timing.

    A time to heal, a time to live, a time to die.  I have always believed that now is the best time to do something because now is all you have.  Making plans to do something later on may make you seem civilized or adult, but it is completely illogical.   No one is guaranteed tomorrow.

    I begin this episode with a letter from the Marquis De Sade to his wife.  In it he uses a simple analogy of a traveler on a road filled with traps.  He speaks of blame; for the traveler or the one who set the traps?

    I have always enjoyed that as a foundation stone for philosophical discussions pertaining to desire and the concept of guilt.  It seems to get people to think about the basics of cause to effect.

    Salo, or 120 days of Sodom

    Salo, or 120 days of Sodom

    Well, buckle up everybody.  We finally watched a movie that actually horrified us. Melinda Bunnage and Nick Kuntzman return to the show to help us analyze Pier Paolo Pasolini's Salo, or 120 days of Sodom.

    Music and sound effects provided by zapslat.com and bensound.com, and the theme song is "Graveyard Shift" by Kevin MacLeod. 

    https://creativecommons.org/licenses/by/4.0/

    Cultpix Radio Ep.16 - Literally Erotic Women and #CultpixIRL Screenings

    Cultpix Radio Ep.16 - Literally Erotic Women and #CultpixIRL Screenings

    Django Nudo and the Smut Peddler celebrate the first #CultpixIRL cinema screening this past week at Bio Aspen, the groovy new retro cinema in Stockholm's new hipster district.  It was a double bill of "Anita - Swedish Nymphet" (1973) and "Kyrkoherden / The Lustful Vicar" (1970), both beautifully restored by the Swedish Film Institute. Guest of honour was Christina 'Anita' Lindberg herself and the authors of the book 'Frigjorda Tider' ('Liberated Times'), who talked about the period when these films were released, a time when "porn became culture and culture became porn."

    Sticking with the theme of culture and porn, DN and SP discuss the Cultpix Theme Week of Literally Erotic Women. Adapting classics of literature for provided good plots, a veneer of highbrow credibility and - best of all - they were out of copyright and the authors were too dead to complain about having their works adapted with lots of boobs, bums and other bits.

    Chief amongst these literary smut auteurs was Mac Ahlberg, who as Bert Torn, directed six literary adaptations that can be streamed on Cultpix now, including John Cleland's "Fanny Hill" (1968) and "Jorden runt med Fanny Hill / Around the World With Fanny Hill" (1974); Anonymous' "Flossie" (1974); Marqis de Sade's "Justine & Juliette" (1975); Daniel Defoe's Moll Flanders adaptation "Molly" (1977, aka "Sex in Sweden") and Guy de Maupassant's "Bel Ami" (1977).We discuss the stars who appeared in many of these, including the lovely Maria Forså (who apparently didn't fake it), Harry Reems and how he ended up in Sweden, the on-stage sex real life couple Jack and Kim Frank, plus the director Torgny Wickman, who insisted " on painting every clit a little pinker immediately before each take.’"

    There is also the early US nudie cutie "Kipling's Women" (1961), which was said to be based on "A Picturization of Rudyard Kipling's Immortal Poem---The Ladies," with the priceless tagline 'They Wear Only the Wind!'. And to prevent projectionists from cutting out the nudie bits of the 35mm prints, you could send of for free photos of the six lovely ladies in questions. Finally there is also the Austro-Hungarian turn-of-the-century smut classic Josephine Mutzenbacher, with two of the dozen adaptations available on Cultpix: "Naughty Knickers/Josefine Mutzenbacher" (1970) and "Don't Get Your Knickers in a Twist/Josefine Mutzenbacher II - Meine 365 Liebhaber" (1971). Many of these films are available too in multiple English, French, German and Swedish dub. So you can not only refine your cultural credentials, but also your linguistic one, by watching these films. Just like you used to read Playboy for the articles. 

    The Unacceptable Beauty of Erzsébet Báthory with Alex Kaschuta

    The Unacceptable Beauty of Erzsébet Báthory with Alex Kaschuta
    The Hungarian countess Erzsébet Báthory (1560-1610), allegedly one of the most prolific mass murderers ever, occupies the border zone between history and legend. She has become a part of the vampire mythology associated with Southeast Europe as well as a subject of fascination for avant-garde writers and artists and a frequent pop culture reference. Báthory emerges out of the shadowy depths of archaic magic, but also stands as a proto-modern female Faust whose commitment to her own all-consuming violent passions anticipated the visions of the Marquis de Sade. In an age of attenuated taboos, her extreme acts retain the capacity to shock us; she still hovers on the Outside of civilized life. My guest Alex Kaschuta and I use Báthory as a starting point for discussing the paroxysms of the modern ideal of individual freedom, with some help from Sade, Camille Paglia, and the surrealist writers Valentine Penrose and Alejandra Pizarnik. We also address the tendency of recent pop culture to domesticate the terrors of Báthory's crimes, and the way that her type of Sadeian sexual depravity, often denied or downplayed, resurfaces in discussions of porn and sex robots. Alex's writing and podcast: https://linktr.ee/alexkaschuta Alejandra Pizarnik, "The Bloody Countess" Valentine Penrose, The Bloody Countess: Atrocities of Erzsébet Báthory_ https://en.wikipedia.org/wiki/ElizabethB%C3%A1thoryinpopularculture

    Going In Raw

    Going In Raw

    Hello Family!

    Me & Don take a hard dive into the world of pornography and it's place in our society.
    We  actually had to re-record this episode as we lost the audio for the 1st take which is why it's up a little later than usual.

    In This  Episode

    * Who is Marquis De Sade?

    * Positives & Negatives of Pornography

    *Racism in the Porn Industry


    Please don't forget to leave a 5* rating and comment if you enjoyed the show

     

    Credits

    Theme Song: by Annodomination 

    Sound effects obtained from https://www.zapsplat.com

     

    Contact 

    Instagram: @thefamilypodcast @don.speaks 

    Website: https://www.thefamilypodcast.co.u



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    EP 21 - The Skull - Over this Head, Better off Dead

    EP 21 - The Skull - Over this Head, Better off Dead

    The DOtD squad brushes up on some phrenology as they review Freddie Francis’ “The Skull”. The pod discusses the film’s (mostly) silent last 15 minutes, how the film holds up today, and its thought-provoking last line. Spoilers sold by the dealer.


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