bill nighy

Rana Fonk platicó con la talentosa actriz mexicana Cristina Rodlo, sobre su vida, su actuación en la T2 de Halo, su próxima película junto a Bill Nighy y sus próximos proyectos.

Welcome back to another episode of Bad Dads Film Review, where today we're dialling the time machine back to the late '90s for a dose of rock-n-roll nostalgia with Still Crazy.

Still Crazy, a 1998 British comedy-drama directed by Brian Gibson, takes us on a hilarious and heart-warming journey with a fictional '70s rock band, Strange Fruit, as they attempt a comeback after a tumultuous split two decades earlier. It's a story about second chances, the bonds of friendship, and the enduring power of music.

The film opens with the band members leading their separate, somewhat lacklustre lives. When they decide to reunite, we're treated to a rollercoaster of old rivalries, forgotten romances, and the challenges of reliving past glories. "Still Crazy" is not just about the music; it's about the personal struggles and triumphs of each band member as they navigate this new chapter.

Still Crazy balances humour with poignant moments. The film is a nostalgic trip with a soundtrack that captures the essence of the '70s rock scene. It's a warm-hearted look at aging rockers who aren't ready to hang up their guitars just yet.

While it may not have stormed the box offices, Still Crazy has garnered a cult following over the years, praised for its witty script, dynamic performances, and a soundtrack that's a character in its own right.

As dads, there's something relatable about revisiting past passions and the idea of 'getting the band back together.’ We'll discuss the film's themes of reconciliation, the passage of time, and the joy of reigniting old dreams. Plus, it might just inspire us to share stories of our own 'glory days.'

So, whether you're a fan of classic rock, love a good comeback story, or just enjoy a film with heart and humor, Still Crazy is a must-watch. 

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

In the spirit of Christmas we thought we would re release our Xmas episode from 2022 - Love Actually. The whole team where on board for this one and it could have been the episode that sealed the deal for Damo. Merry Xmas from the team at Born to Watch, we hope you have a great New Year

"Love Actually," directed by Richard Curtis, is a romantic comedy that has become a staple in the genre, especially during the holiday season. Released in 2003, the film weaves together a tapestry of stories that explore the various facets of love. Set in London, the movie boasts an ensemble cast featuring names like Hugh Grant, Emma Thompson, Alan Rickman, Keira Knightley, and many others. Its narrative structure, which interlinks multiple storylines, has been both praised and criticized, making it a film that invites diverse opinions.

The movie opens with a monologue by Hugh Grant's character, who observes that love is all around, even in the most unexpected places. This sets the tone for the film, which delves into different types of love: romantic, platonic, unrequited, and familial. Each story thread explores these themes with varying degrees of success. 

One of the most heartwarming stories involves the new Prime Minister, played charmingly by Hugh Grant, who falls for a member of his household staff. This storyline shines due to Grant's effortless charisma and the sweet, albeit somewhat clichéd, narrative. Another compelling narrative is that of a writer (Colin Firth) who, after being cheated on, finds love in a foreign country with someone who doesn't speak his language. This story charmingly illustrates how love can transcend barriers.

However, not all stories hit the mark. The plot involving Alan Rickman and Emma Thompson's characters, dealing with infidelity, is more somber and adds a necessary depth to the film. Thompson's performance, in particular, is a standout, capturing the heartache and complexity of her character with subtlety and grace. On the other hand, the story of a young boy who learns to play the drums to impress his crush feels somewhat out of place, albeit it adds a cute and lighthearted element to the film.

A notable aspect of "Love Actually" is its ability to blend humor with heartfelt moments. The film's comedic timing is impeccable, with several laugh-out-loud moments that balance the more serious undertones. The script is witty, and the actors deliver their lines with a natural ease that makes the dialogue feel authentic.

The film's use of music is another strength. The soundtrack complements the narrative beautifully, enhancing both the emotional and humorous scenes. The iconic scene where Hugh Grant's character dances through 10 Downing Street to the tune of "Jump" by The Pointer Sisters is both hilarious and endearing.

Visually, "Love Actually" captures the essence of London during Christmas time. The cinematography showcases the city's beauty, with scenes set against iconic landmarks and picturesque streets. The Christmas setting adds a magical quality to the film, making it a popular choice during the holiday season.

Despite its strengths, "Love Actually" has faced criticism for some of its storylines and character portrayals. Certain plots seem underdeveloped, and a few characters come across as one-dimensional. Additionally, the film has been critiqued for its lack of diversity, both in terms of its cast and the types of love stories portrayed.

In terms of performances, the ensemble cast delivers uniformly strong performances. Hugh Grant's charming and slightly awkward Prime Minister is both funny and endearing. Emma Thompson's portrayal of a wife grappling with her husband's potential infidelity is deeply moving. Alan Rickman, as always, brings a nuanced depth to his role. The younger members of the cast, like Keira Knightley and Thomas Brodie-Sangster, also add a fresh energy to the film.

"Love Actually" has had a significant cultural impact since its release. Its format of interweaving stories has influenced many other films in the romantic comedy genre. Additionally, its mix of humor, romance, and drama set a new standard for ensemble romantic comedies.

In conclusion, "Love Actually" is a film that encapsulates the complexities and joys of love in its many forms. While it has its flaws, the film's charm, wit, and heart make it a beloved classic. Its portrayal of love as messy, beautiful, and ultimately hopeful resonates with audiences, making it a film that continues to be cherished, especially during the holiday season. The performances, soundtrack, and visual appeal add to its enduring popularity, making it a movie that stands the test of time in the romantic comedy genre.

It’s been two decades since Richard Curtis’s Love Actually warmed our chilly W. Bush-era hearts, and oh what a pair of decades it’s been. Now, the movie is back in theaters for its anniversary, and Ify has seen it for the first time. Does it hold up? Can we enjoy it anyway? All this, plus the final Xmas Movie Minute of the year and a hotline call from [checks notes] inside the house!

What’s Good
Alonso - Jose Andres Slow-Cooked Iberico Pork Ribs
Drea - The Amazing Acro-Cats of New Orleans
Lindy - Barry’s mystery guts
Ify - Skiing, Tuna’s neutering, and Mammoth Brewing Company

ITIDICs 2003 

1. Entertainment Weekly Asks: Keanu Reeves, Is there Life After The Matrix?
2. An “Alien Quadrilogy” 9-Disc DVD Box Set Will Be Available for $100
3. ELF proves that Jon Favreau Can Make More Than One Kind of Film

Christmas Movie Minute 

El Sabor de La Navidad (Vix)
Christmas on Cherry Lane (Hallmark) 
Friends and Family Christmas (Hallmark)
Merry Little Batman (Prime)
Round and Round (Hallmark) 

Staff Picks
Drea - Go
Alonso - There’s Something in the Barn
Lindy - The Fugitive (and Thin Skin)
Ify - Underworld 

Support our sponsor! Factor Meals
Head to FactorMeals.com/maxfilm50 and use code maxfilm50 to get 50% off!

Thanks to Lindy West! 

Follow us on BlueSky, Twitter, Facebook, or Instagram

With
Drea Clark
Alonso Duralde
Ify Nwadiwe

Produced by Marissa Flaxbart
Sr. Producer Laura Swisher

At Christmas, you record a podcast. Pucker up for problematic punchlines, betraying besties, and a literal sexy secretary. The person most confused by the film this week was: everyone in Wandsworth when the damn Prime Minister started doing house calls.

See omnystudio.com/listener for privacy information.

Intro music by FrinkZippi

Kiria's Twitch: https://www.twitch.tv/kirianebrius

Diane and Sean discuss the dark and brooding start to Kate Beckinsale's vampire franchise, Underworld. Episode music is "Death Dealer's Descent" by Renholdër and Amy Lee, from the OST.

-  Our theme song is by Brushy One String

-  Artwork by Marlaine LePage

-  Why Do We Own This DVD?  Merch available at Teepublic

-  Follow the show on social media:

- Tumblr: WhyDoWeOwnThisDVD

-  Follow Sean's Plants on IG: @lookitmahplants

Максим Шадов побачив за останній тиждень декілька цікавих речей, такі як:

• Візуально цікавий «Ранґо», але з великим недоліком (0:43)

• Токсично маскулинний «Ґленґаррі Ґлен Росс» і чи є цінність у спостереженні за подібними героями (12:29)

• Третя серія нового сезону «Winning Time», яка втрачає концентрацію (26:40)

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Vampires v. Werewolves. It's the plot of 2003's Underworld, and why the Fried Squirms are in, but does it hold up?

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Helen and Gavin chat about To Leslie, Poker Face, and Living, and it's Week 65 from the list of Rolling Stone's 500 Best Songs Ever, numbers 180 to 176; Walk on the Wild Side by Lou Reed, Comfortably Numb by Pink Floyd, bad guy by Billie Eilish, Jump by Van Halen, and You Really Got Me by The Kinks.

Lock up your daughters (especially if Colin Firth is moping around with some loose papers), and keep an eye on that randy PM, as we immerse ourselves in the Christmas overindulgence that is Richard Curtis’s Love Actually. Can we please stop calling totally normally proportioned Martine McCutcheon chubby? Did Mark, aka the Cue Card Guy, deserve the hate he got for his visual proclamation? And are the porn couple the only healthy relationship in this whole film? Or is it Bill Nighy’s aging rockstar and his manager? We’re too busy tearing up over the actual people welcoming each other home at Heathrow to come up with any answers. 

This week, Bri and Leah chat about the third installment in the Underworld franchise: 2009's Rise of the Lycans (dir. Patrick Tatopoulos). It's Michael Sheen o'clock again at Fang Club!

Show Notes:

The clip of Michael Sheen's inspirational speech for the Welsh football team: https://www.youtube.com/watch?v=1fpV0OFC0vc

Start this clip at 2:24 for the s*x scene if you've only seen the broadcast edited version of this movie: https://www.youtube.com/watch?v=JVpwTtLaPPo&t=148s 

Sound effects credits:

“Creaking door.wav” by visualasylum of Freesound.org (https://freesound.org/s/322377/)

"Door, Wooden, Close, A (H1).wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org (https://freesound.org/s/411791/)

“General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often, it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends.”

Kicking off our Christmas series of films, Trevor brings in one of his favorite Christmas and romantic comedies,  the insanely stacked, star studded 2003 English classic, Love Actually. 

We're not just killing time this week as we discuss the best murderers in movies, but what exactly does that mean: memorable murderers, murderers who can't remember, most kills, actors who murder a lot? Why yes, all that and more.

Having attempted to tackle the rom-com with the vapid LOOK BOTH WAYS we thought we'd try again with genre heavyweight Richard Curtis's ABOUT TIME (2013). The night after a disappointing New Year’s Eve Party, unlucky in love Tim (Domnhall Gleeson) learns that part of his paternal inheritance is the ability to time travel and uses his new skill in the one way any 21-year-old would: by trying to get laid. Bill Nighy perfects his bumbling non sequitur routine as Tim's dad alongside Lindsey Duncan's charmingly stoic mother, Lydia Wilson as free-spirited sister Kit-Kat does as much as she can with a by the numbers sub-plot added only to increase the dramatic stakes and Rachel McAdams is endearing as love interest Mary and what starts as a fairly standard romantic comedy evolves into a film about family and love and the death of the people you love most, with a beautiful message about taking the chance to be present each day which profoundly changed me for at least half an hour I have to say.
 
Not everyone felt the same however; the ethics of Tim's time travel is never discussed, neither are the existential implications for them both in that they don't share common memories of meeting or making love for the first time. It's a movie about a controlling narcissist then who gets to create a perfect life for himself by manipulating women as at least one of us implies, and features a plot which makes less and less sense the more you think about it and which seems to introduce and then break key rules of its world just for the purposes of drama.
 
Based on the work of Brazilian author and artist Ziraldo, THE NUTTY BOY is adapted from the popular "O Menino Maluquinho" comic and sees pan-headed Nutty's dad promise him an afternoon of foosball and hot dog pizza. A well-meaning attempt to stop the unethical imprisonment of school mascot Lazarus, a frog, threatens his perfect day. Visually reminiscent of the work of Charles M. Schultz, we enjoyed the fusion of relatable storyline (kids first day) and crazy antics (laser babies with terminator eyes).

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

Can't believe it's Halloween time again. On one hand we're thankful because we're now too old for the summer heat. On the other hand another year is almost over and that means we're another year older. That means we have to watch "Shaun of the Dead." Def one of the best zombie movies out there. And it's a comedy. Love it. We pair it with Killibinin Scaredy Cat, a Cabernet Sauvignon/Shiraz blend from Australia. This is our third foray into Killibinbin, and they have yet to disappoint.

Metacritic Score: 76/100

Movie Sync Notes: We rent "Shaun of the Dead" on Amazon Prime Video. We start "Shaun on the Dead" 6:25 into the pod, and push play on part two 1:13:25 into the pod.

In this bonus episode we are discussing the many films we screened at the 2022 Sundance Film Festival. For this conversation Murtada welcomes Li Lai, founder and editor in chief of Mediaversity Reviews to discuss a few films including Bill Nighy in Living, Emma Thompson in Good Luck to You, Leo Grande and two films for both Dakota Johnson (AmI OK? and Cha Cha Real Smooth) and Regina Hall (Master and Honk for Jesus Save Your Soul). 

Other movies discussed include Rebecca Hall in Resurection, Fire of Love, Palm Trees and Power Lines, Nanny, After Yang, Call Jane, Free Chol Soo Lee, and Brainwashed: Sex-Camera-Power. We also discuss whether the selection reflected a diversity of voice.

Hosted, Produced and Edited by Murtada Elfadl.

We're keeping the Halloween spirit going with the Vampire vs. Werewolf packed "Underworld." This movie definitely has a vibe. Lots of production value, over the top action sequences, blue tint, and slow motion. It was a product of the early 2000s action movie formula and we are so appreciative. We pair it with a Pinot Noir from Bloodroot. 

Metacritic Score: 42/100

Movie Sync Notes: We watched "Underworld" on Netflix. We start "Underworld" 4:38 into the pod and push play on part two 1:07:42 into the pod.