Explore " sterling hayden" with insightful episodes like "Criterion: The Killing", "THE KILLING With Jim Knipfel and Alexander Zaitchik", "Is "The Godfather" The Greatest Movie of All Time?", "Season 6: Heists, Cons, & Grifters - The Killing (Episode 12)" and "The Godfather (1972) - Directed by Francis Ford Coppola" from podcasts like ""Mashley at the Movies", "Cinema Death Cult", "Jagbags", "I Know Movies and You Don't w/ Kyle Bruehl" and "Roll It - A Movie Podcast"" and more!
Before Noirvember ends, we wanted to bring you a new episode about one of the later efforts during the peak of the film noir genre -- it's Stanley Kubrick's The Killing. This 1956 lean and mean movie follows a a cadre of fellas as they plan to pull off a heist at a racetrack. Grant joins us in this Criterion episode. Listen at the link below.
In the twelfth episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by a panel of guests, script supervisor Katy Baldwin, fellow critic Tyler Harlow, and musician Ben Childs, to discuss Stanley Kubrick's irony laden noir of fate and fortune in the cynical and fatalistic heist film The Killing (1956).
We're covering one of cinema's heavy hitters this week, as we cover the masterpiece that is The Godfather. Serendipitously this year is also the 50th anniversary of the film, so it's the perfect time to geek out about it. We talk about what makes this film work so well, from it's technical filmmaking to its perfect storytelling. Join us for a fun conversation on this cinema classic. Contact us at rollitpodcast@gmail.com or follow us!
Twitter - @RollItPodcast
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Music by Ethan Rapp
Ein durchgeknallter General mit dem schönen Namen Jack D. Ripper gibt den leider Gottes unwiderruflichen Befehl, Atombomben über Rußland abzuwerfen – und im Pentagon wird empfohlen, nach diesem Mißgeschick gleich noch einen größeren Erstschlag anzuordnen, damit der drohende Krieg möglichst schnell auch wieder beendet werden kann. In seiner düsteren Satire DR. SELTSAM ODER WIE ICH […]
The post Lichtspielplatz #53: DR. SELTSAM oder: Wie wir lernten, über die Bombe zu lachen appeared first on Wilsons Dachboden.
William Richert’s adaptation of Richard Condon’s assassination novel is the star-studded pinnacle of 1970’s paranoid cinema crossed with a very dark and dry and dirty comedy.
Directed by William Richert. Starring Jeff Bridges, John Huston, Anthony Perkins, Belinda Bauer, Eli Wallach, Richard Boone, Ralph Meeker, Sterling Hayden, Toshiro Mifune, Dorothy Malone and Elizabeth Taylor
How is the world wrong about this movie?
From Andras: “Winter Kills” works a lot better for those steeped in JFK assassination lore which made it hip upon release in 1979 and incredibly obscure now. Add to this the film’s insistence on being funny and I guess most people don’t know what to make of it. So, is the world wrong or just plain ignorant?
Produced by Andras Jones
Hosted by Andras Jones & Bryan Connolly
Executive Producer: Erica Russel
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The World Is Wrong theme written, produced and performed by Andras Jones
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Two years ago, two friends came together for a podcast after discovering a mutual love of cinema.
In this episode, we celebrate two years of The Plotaholics Podcast by reviewing one of the greatest films to ever exist: Francis Ford Coppola's 1972 MASTERPIECE, The Godfather, which stars Marlon Brando, Robert Duval, James Caan, Al Pacino, Diane Keaton, and so many others.
This film needs no synopsis. If you don't know about The Godfather by now, I don't know what to tell you!
We're joined by the official third Plotaholic, and the Godfather of the Indies himself, Mr. Joe Compton.
We celebrate two years of laughs and film analysis in this special episode. Thank you all for coming along on this journey with us. We look forward to the road ahead.
In the second episode of Season 3, Manifest Destiny, Kyle is joined by screenwriter David Gutierrez and novelist/podcast Samuel Cullado (of the Documental Podcast) to discuss the devilishly opaque and psychological kaleidoscope that is Nicholas Ray's strange, colorful, and offbeat embodiment of the western genre, Johnny Guitar.
What do John Ford, Moe Berg, Julia Child and Nelson Eddy have in common? They all stepped away from their respective careers during WWII and joined a newly formed organization called The Office of Strategic Services a.k.a. the OSS. In short, they were spies for a group that was the forerunner to both the CIA and the Army’s Special Forces. From Julia’s special recipe for shark repellent, to John Ford’s undercover training films for secret agents, to Moe’s training of Slavic-American recruits to go on parachute drops into Yugoslavia, and Nelson Eddy’s “singing tour” of the Middle East, these extraordinary individuals risked their lives and their careers to secretly serve their country during its time of crisis. But for the OSS, would the Allies have even won the war? It's certainly a question worth asking and a great reason to dig a little deeper into this secret organization that only officially existed during WWII.
Books
Film
In the seventeenth episode of Season 2, Noir Means Noir, Kyle is joined by script supervisor Katy Baldwin and editor Kristi Shimek (see Next on Fox/Hulu) to discuss the quintessential heist noir that ventured sympathetic portraits of criminals whose code of honor meant something in a corrupt, disillusioned America, John Huston's The Asphalt Jungle.
The Cinemondo gang of hooligans takes another look into the darkness at a couple of heist films from the 50s starring Sterling Hayden. John Huston’s THE ASPHALT JUNGLE and Stanley Kubrick’s THE KILLING. Great writing, amazing casts, beautifully photographed and just fun to watch. If you want to know why not to become a career criminal, check these two films out for a look at how upside-down things can get, even when you have a fool-proof plan that can’t go wrong.
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