meg ryan

“In The Cut” is the most maligned film from this year’s Oscar darling Campion. A dreamy paranoid feminist subversion of the erotic crime thriller full of edgy unique performances from all its stars.  

Directed by Jane Campion. Screenplay by Jane Campion & Susanna Moore. Starring Meg Ryan, Mark Ruffalo, Jennifer Jason-Leigh, Kevin Bacon, Nick Damici, Patrice O’Neal & Sharrieff Pugh

How is the world wrong about In The Cut

From Bryan Connolly: Nobody liked this when it came out, turned off by America’s darling Meg Ryan getting down and dirty. She gives a raw performance here that is hands down one of her best. Ruffalo has never been better, fully immersed as a complex cop. Difficult characters in a difficult film. I love it. 

Produced by Andras Jones
Hosted by Andras Jones & Bryan Connolly
Executive Producer: Erica Russel

Find all of our episodes at www.theworldiswrongpodcast.com
Follow us on Instagram @theworldiswrongpodcast
Follow us on Twitter @worldiswrongpod
Follow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXag

The World Is Wrong theme written, produced and performed by Andras Jones

Check out:
The Director's Wall with Bryan Connolly & AJ Gonzalez
&
The Radio8Ball Show hosted by Andras Jones

See omnystudio.com/listener for privacy information.

Welcome to an all-new Films for the Void, Episode 15! In this episode, Eric and Landon log on to discuss Nora Ephron's 1998 film You've Got Mail! Along with a look at a pair of new movie musicals, Netflix's latest sci-fi offering, and a fruitful discussion over the best antics you can get into on Roller Coaster Tycoon - all this and more on the latest episode of Films for the Void!
.
00:07:40 After Hours
00:13:26 Cinderella
00:19:04 Kate
00:23:58 Dear Evan Hansen
00:33:47 You've Got Mail
01:14:30 Landon's Recommendation for Next Episode
.
Follow us on Twitter: @films_void
Landon: @igotdefeverman (Twitter), @duhfever (Instagram), @landondefever (Letterboxd)
.
Eric: @ericwiththehair (Twitter, Letterboxd), @ericwiththebeard (Instagram)
.
Edited by RB (@gettuffstaytuff on Twitter)

TWITTER: @films_void
$3/MONTH PATREON: patreon.com/films_void

LANDON'S TWITTER @igotdefeverman
LANDON'S INSTAGRAM @duhfever
LANDON'S LETTERBOXD @landondefever

ERIC'S TWITTER @ericwiththehair
ERIC'S INSTAGRAM @ericwiththebeard
ERIC'S LETTERBOXD @ericwiththehair

Artwork by Annie Curle
Theme Music by Meghan Gove

Over the course of her career, Meg Ryan has been acclaimed for both dramatic and comedic roles. But it was her unforgettable performance in WHEN HARRY MET SALLY that made her Hollywood’s romcom queen... at least until declining box office returns in the 2000s started to take the shine off her crown, but could she be poised for a comeback? Order what she’s having and take a look at “WTF Happened to Meg Ryan!”

2003: a wonderful year. The same year both Ryan and I graduated from high school, the year Chicago (2002) weirdly won Best Picture at the Academy Awards (even though Sam Raimi’s glorious Spider-Man was also released). 2 Fast 2 Furious came out, as well as Lord of the Rings: The Return of the King, I mean, what total gems we were gifted…and then In the Cut.

Ryan may never forgive me, but what makes it worthwhile is Mark Ruffalo’s nude scene. Cheers to Jane Campion, who was, until very recently, the only woman to win the Palme d’Or at Cannes. She now shares that honor with Julia Ducournau for Titane (2021). I wonder if it will also feature a nude Harvey Keitel as in The Piano (1993)?

This is another Director’s Cut film, so if you want to see the same version you’ll have to purchase it. Grab it from whichever video outlet you prefer. I haven’t seen a blu ray version, other than it being included in a 2-pack that comes with Trapped (2002). If you want to witness the nonsense without the nudity, but why would you want to do that since the Ruffalo nudity is the only reason to watch this tripe, you can stream it for FREE on Hulu. The theatrical cut is also available to stream (paid) on Google, iTunes, and Amazon.

*insert vintage dial-up noises here* This month Eliza and Jonelle dive in to the world of online dating, starting with the original -- You've Got Mail (1998). Discussion includes expectations versus reality; New York in Fall; and Tom Hanks making even the worst characters irresistibly charming. 

In this edition of Suzplaining, Suzanne draws connections between the screwball comedies of the 1930s/40s, long believed to be the pinnacle of the romantic comedy, and more contemporary romantic comedies. What is the foundation of the screwball comedy, and how have the rom-coms of the 2000s/10s adapted those elements to our contemporary courtship context? The conversation is a little funny, a little sexy, and a little bit about the patriarchy.

  Drink each time Suzanne recommends that Hannah watch Palm Springs.

  Visit wellherepod.com for a long long list of movies from both the screwball era and the 2000s/10s as well as additional articles and videos.

  Over These Walls by Hope and Social is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License.

Want to give us some dollars? We'll allow it. Link goes to a donation platform on our website.

Come say hello on our socials (but be nice): Twitter | Instagram

Check out additional resources on our website.

Over These Walls by Hope and Social is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License.

It's Rom-Com time for Mr. Mangold! James is tackling his first "un-important" movie, starting with this time traveling, Hugh Jackman, Meg Ryan, and Viola Davis???? film.

Email the show at discoveringdirectorspodcast@gmail.com
Find us on Twitter @DDirectorPod or on Facebook at Discovering Directors Podcast.
Special thanks to Michael Thompson for our logo!

 Psst... log out of the over 30's chat room by using two fingers on the backspace key and meet me knowing that I don't know that you are meeting me. Thank You're for opening You've Got Mail with us this week.

Tasty links below...

Site: https://fyrpodcast.com

Apple: https://itunes.apple.com/us/podcast/for-your-reference/id1453532214

Patreon: https://www.patreon.com/ForYourReference

Twitter: https://twitter.com/ForYourRefPod

Insta: https://www.instagram.com/foryourrefpod

YouTube: https://www.youtube.com/channel/UC6oOmo_3tzdD0VtBzt2d0JA

Website | Rotten Tomatoes | Apple | Youtube | Patreon | Twitter | Instagram

127 Hours with a Film Kid: Brooke is too excited to give Lindsey the illusion of a choice as we break down the Cannes Film Festival lineup, Quentin Tarantino's potential early retirement, the ever-increasing cast of Knives Out 2, and Space Jam 2. 

Watch ESPN 30 for 30 presents, The Bunny & The GOAT 

When Harry Met Sally...:  We get wildly off track this episode and somehow find it relevant to discuss what to feed ducks (and the jokes/songs surrounding such controversial topics), the perils of dating within the friend group, and the fictitious New York in which New Year's Eve is quiet. 

Always Be My Maybe: Brooke and Lindsey detail their love of Keanu Reeves, both in this film and in general before reaffirming that Dave Franco's take from over a year ago on modern romcoms was bad. Plus, we question the seemingly nonexistent rules of "apocalyptic truth or dare".

Watch the cringiest anniversary video at your own peril

Film Kid Giant Squids is produced and hosted by Lindsey Buttel and Brooke Hoppe. Intro music is by the band Poly Action.  Transition Music is A Romantic Evening by DavisK. All licensed under CC BY 3.0 

Find Us Online
https://filmkidsgiantsquids.com
https://twitter.com/FilmSquidsPod
https://www.instagram.com/filmsquidspod/
https://www.facebook.com/filmsquidspod

Diane and Sean discuss the king of the rom-coms, When Harry Met Sally... Episode music is "It Had to Be You" by Harry Connick Jr., from the OST.

-  Podcast theme song by Brushy One String

-  Podcast artwork by Marlaine LePage

-  Podcast merch available at Teepublic

-  Follow us on social media:

-  IG: @whydoweownthisdvd
-  Twitter: @whydoweownthis1

-  Sean's Plants on IG: @lookitmahplants

Sarah made Brandon watch the 80s classic, “Top Gun.” Brandon didn’t hate it like Sarah thought he might, but he did NOT appreciate the 80s synth music, the greased up volleyball scene, or the overdone tonguetactular love scene, and they nearly came to blows when Sarah forced him to sit through the ending credits and Cheap Trick’s “Mighty Wings.”

Apologies for the super late release this week. We have had one HELL of a week for computer issues.

"What I'm saying is - and this is not a come-on in any way, shape or form - is that men and women can't be friends because the sex part always gets in the way." 

In the final 80's Adventure of the year the boys travel back to 1989 with When Harry Met Sally.  Have a listen as they delve into the film, gush over the music and end up crying with laughter about... well take a listen and find out. 

Happy new yearsy! 

Follow 80s Adventure on facebook 

facebook.com/80sadventure 

Follow 80s Adventure on Twitter 

twitter.com/80sadventure 

Check out the website 

80sadventure.com 

Email 80s Adventure 

podcast@80sadventure.com 

Support 80s Adventure on Patreon 

patreon.com/80sadventure 

80s Adventure Merchandise 

shop.80sadventure.co.uk