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    • The Ezra Klein Show: The Problem with AI-Generated ContentAI-generated content, while sometimes valuable, often contributes to internet decay with spam, marketing emails, bots, and filler websites. As AI improves, it could produce better content, but challenges distribution channels, recommendation algorithms, and business models.

      Artificial Intelligence (AI) is currently flooding the internet with a vast amount of mediocre content, which is contributing to the decay of the internet as we know it. This content, which includes spam, marketing emails, social media bots, and filler websites, is often designed to rank highly in search engines and generate clicks, rather than providing value or being good. However, as AI continues to improve, it could potentially produce content that is better than much of what is currently on the internet, raising questions about whether we should care if we can't tell if there's a person on the other end or not. The internet's distribution channels, recommendation algorithms, and business models are all being challenged by the influx of AI content, and it remains to be seen whether this is a problem or an opportunity. Nilay Patel, co-founder and editor-in-chief of The Verge, discussed these issues with Ezra Klein on The Ezra Klein Show.

    • The struggle to keep up with AI-generated content and ethical implicationsPlatforms rely on AI for content optimization but face ethical dilemmas, and finding safe business models is crucial.

      The current systems we use to deliver content to audiences based on their interests are struggling to keep up with the increase in AI-generated content. This has created a supply and demand mismatch, where there is already more content than there is demand. The platforms that allow this AI-generated content and rely solely on advertising as their revenue source are most open to incorporating AI, as it optimizes the process of getting users to make transactions. However, the ethical implications of making money off AI and the potential harms and benefits are significant. Many CEOs of web and email companies collect data on users to send targeted emails and ads, and the dream is to use AI to automate this process. While this may seem like the current state of affairs, the difference lies in the scale and precision of AI-generated content. However, these platforms can only do it in broad cohorts, leading to repetitive and irrelevant content for users. The challenge lies in finding safe business models that utilize AI ethically and effectively, rather than relying on advertising and data collection alone.

    • AI-generated content and personalized adsCompanies like Google and Meta use AI to target individuals with personalized ads based on online behavior, but concerns include overload of commercial pitches, potential for misinformation, and blurred lines between human-generated and AI-generated content.

      Technology companies like Google and Meta are increasingly using AI to target individuals with personalized ads based on their online behavior. This level of targeting is a significant shift from the broad categorization of users into cohorts. However, this new approach comes with concerns. The overwhelming amount of AI-generated content could lead to an overload of commercial pitches, making email algorithms overflooded. This belief in targeting is driven by the companies' confidence that they can sell more products by delivering ads more directly to consumers. However, the effectiveness of this targeting is questionable, and the line between human-generated and AI-generated content is becoming increasingly blurred. The potential for misinformation and manipulation through AI-generated content is a significant concern, especially for vulnerable populations like the elderly. The tension lies in Google's reliance on the web's richness while failing to ensure a good user experience and discern the value of the content. The rise of AI-generated content could lead to a flood of irrelevant and potentially harmful content, and companies may not be prepared for it.

    • AI versus Human-generated content: The future of the InternetGoogle sees little difference between AI and human-generated content, but there's a cultural perception that AI is inferior. AI can't generate new ideas or provide the same value as human-generated content, but it offers benefits like accuracy, efficiency, and accessibility. Finding a balance between these interests is crucial for the future of the Internet.

      The debate around AI-generated content versus human-generated content raises complex questions about the future of the Internet. According to the discussion, Google sees little relevance in distinguishing between AI and human-created content for their business. However, there's a cultural perception that AI-generated content is inferior and even bad. This contrast is particularly noticeable when it comes to high-profile cases like Beyoncé's album cover. While AI is improving rapidly, it's not yet capable of generating new ideas or providing the same value as human-generated content. The fear is that the widespread use of AI could lead to a decay of culture, as people become bored with the homogenized content produced by these systems. The discussion also touches on the potential impact of AI on the Internet's informational value, as it may lead to a destruction of the store of growing value. Ultimately, the question of whether an Internet populated by AI-generated content is better or worse than one dominated by human-generated content remains open-ended. The sentimentality towards human-generated content and the potential loss of new ideas are valid concerns, but the benefits of more accurate, efficient, and accessible information cannot be ignored. The challenge lies in finding a balance between these competing interests.

    • The future of informational content and AI's role in itThe lack of profitability for AI-generated content could lead to a decrease in production, limiting accessibility and diversity, while the exclusion of AI content from search results and metadata could discourage new creators and leave us with fewer reliable sources of information.

      The rise of AI content could potentially harm the future of news gathering and informational content creation. The lack of a profitable business model for this type of content could lead to a decrease in its production, making it harder for AI systems to learn and improve. Moreover, the exclusion of AI-generated content from search results and metadata could limit the accessibility of valuable information and discourage new content creators. Companies are starting to label and watermark AI-generated content to protect their training data, but this could also lead to a lack of diversity in the data used to train these systems. The potential loss of valuable informational websites and content creators could leave us with fewer reliable sources of information, making it harder to trust the accuracy and authenticity of the information we receive. Ultimately, the future of informational content and the role of AI in it remains uncertain, and it's crucial to consider the potential consequences of these developments.

    • The Importance of Human Curation and Institutions in the Digital AgeInvesting in high-quality content and maintaining integrity are key for trusted curators and institutions in the digital age, illustrated by examples of The Wirecutter, The Strategist, and new media companies like 404 Media. Human curation and institutions are crucial to counteract the dangers of relying too heavily on AI and traffic over audience.

      The value of trusted curators and institutions in the digital age cannot be replaced by AI or algorithms. The speaker emphasizes the importance of individuals and organizations that invest in high-quality content and maintain their integrity. He uses the examples of The Wirecutter and The Strategist, both New York Times and Vox Media properties, to illustrate this point. He also mentions the rise of new media companies like 404 Media and the importance of building an audience, not just traffic. The speaker warns against the dangers of relying too heavily on AI and the importance of maintaining the value of human curation and institutions in the digital media landscape. He also criticizes the past focus on traffic over audience and the reliance on platforms for distribution, which often led to a homogenization of content.

    • Media companies and tech platforms: A cynical and commercial relationshipMedia companies struggle financially and seek monetization, while platforms pay for engaging content, but uncertainty and legal battles cloud the future of their partnership.

      The relationship between media companies and technology platforms is becoming increasingly cynical and commercial, with both sides showing signs of desperation. Media companies are struggling financially and are looking for ways to monetize their content, while platforms like Facebook, YouTube, and TikTok are constantly trying to keep users engaged and are willing to pay for content that drives engagement. However, there is a lack of clarity about the nature of this relationship, with media companies unsure if they are just providing training data for AI or if they have a more meaningful role. This uncertainty, combined with the financial pressures facing media companies, could lead to a dangerous situation where media companies are squeezed out of the market and become mere suppliers to algorithms. The outcome of legal battles, such as The New York Times' lawsuit against OpenAI, remains uncertain, but it highlights the desire of media companies to regain control and leverage in this relationship. Ultimately, it's essential for both sides to reconsider their approach and find a way to build a more sustainable and mutually beneficial partnership.

    • Copyright Law and AI Usage: Balancing Power and ValueThe debate around AI usage and copyright law centers on balancing the power of distributors and creators, ensuring economic value for creators, and incentivizing new art.

      The debate surrounding copyright law and AI usage is not a new one, but the scale at which it's being applied has changed. Google, as a young company, was able to navigate copyright law with the "cute kid" image, but as they and other tech giants have grown, the stakes have risen. Copyright law, often seen as the only functional regulation on the Internet, governs what content creators can and cannot do. The use of AI to train models involves taking data, which is a moral taking even if not a legal one. The argument that AI is simply learning from the past and transforming it into something new doesn't negate the need for copyright law or the importance of compensating original creators. The debate around copyright law and AI usage has been ongoing for decades, with concerns about incentivizing new art, ensuring economic value for creators, and balancing the power of distributors and creators. The AI industry has yet to provide a satisfactory answer to how they will address the value retention for original creators.

    • AI's use of copyrighted material raises moral and policy concernsThe open nature of AI industry could lead to chaos without regulatory intervention, and industries like music may benefit from collective action and new copyright laws.

      The debate surrounding AI's use of copyrighted material without permission raises moral and policy concerns, particularly in industries like music where clearance schemes exist. However, the open nature of the AI industry could lead to more chaos without a closed ecosystem or regulatory intervention. The media industry, and potentially other industries, could benefit from collective action and the passage of new copyright laws. The medium of AI, as a whole, sends a message that derivative works and human creativity may be replaceable by AI's ability to mimic styles and ideas. This could lead to a metaphysical shock for individuals as they grapple with the implications of AI's capabilities. Ultimately, the industry and society as a whole may struggle to act collectively to address these issues.

    • The Importance of Human Creativity and AppreciationAI may mimic human creativity but can't truly understand or improve upon it. Human creations require effort and should be valued for their unique stories and emotions.

      While AI can mimic human creativity and produce impressive results, it lacks the ability to truly understand, think, or improve upon human work. The ease of creating AI-generated content may lead people to undervalue the hard work and effort that goes into authentic human creations. The speaker's concern lies in the potential danger of losing appreciation for the essential human element in art and creativity. The speaker also questions if it matters that things come from people, as singular phenomena like Taylor Swift continue to captivate audiences with their unique stories and emotions. However, the speaker acknowledges that AI will continue to improve and may blur the lines between human and machine-generated content. Ultimately, the speaker emphasizes the importance of recognizing and valuing the hard work and thought that goes into authentic human creations.

    • The loss of human aura in the age of mechanical reproductionIn the digital age, the emotional connection and human touch are valuable, and the essence of being a good person lies in making others feel positive emotions.

      According to Walter Benjamin, the aura or unique presence of an original work of art is lost in the age of mechanical reproduction. This concept can be applied to human interactions as well. While a machine like a Kindroid may be efficient, the human touch and emotional connection are valuable and meaningful. The essence of being a good person lies in making others feel positive emotions rather than pain. Art, in turn, serves the purpose of inspiring feelings and emotions. However, the rise of AI poses a challenge as it often delivers answers without emotional depth or human connection. The AI Mirror by Shannon Ballard highlights how AI reflects our society's tendency to value derivative, copyable aspects of humans. The utopian vision is to automate rote tasks and allow people to focus on being more fully human. Ultimately, the value of human beings lies not just in what they can create but in what they can experience.

    • The Value of Work and Worth in a World of AutomationAs AI advances, work and wages may no longer be the primary determinants of self-worth. Instead, finding value in human judgment, creativity, and decision-making could be crucial.

      Our society places a significant value on work and wages, which can lead to a loss of self-worth when jobs are automated. This is a concern as AI advances faster than our politics and economic systems. For instance, companies have built systems to automate back-end office work using old computers, but AI creates a scale problem by being able to automate even simple tasks like using Excel. However, not all jobs can be automated, and those that require human judgment and discernment may increase in value. Yet, many organizations treat workers like machines and don't encourage them to poke at assumptions or make decisions, which may limit their value in the new economy. Instead, there may be a need for fewer bosses and more editors and writers as AI turns many people into content creators. Ultimately, it's essential to reevaluate what we value in people and find ways to express that value in a world where work and wages may no longer be the primary determinants of self-worth.

    • The importance of human thinking and creativity in the age of AIAI may increase productivity but can't replace human creativity and innovation. Humans need to focus on complex tasks as AI advances, and tech companies must adapt to changing consumer expectations.

      While AI can make us more productive and efficient in certain tasks, it may also devalue the human thinking process and creativity that often leads to innovative ideas and insights. The speaker emphasizes the importance of the "hard work" involved in researching, writing, and debating, which contributes to the quality of the end product. However, in the current economy, many people are tasked with repetitive, low-complexity jobs that could be automated. The speaker suggests that as AI continues to advance, there may be a need for more humans to focus on complex tasks that AI cannot yet handle. Furthermore, the speaker expresses a belief that the current dominant tech companies may not be prepared for the next generation, who are growing up with different expectations and desires for control over their information and consumption. Ultimately, the speaker sees a potential breaking point where the current Internet and its distribution channels may no longer be able to sustain their dominance.

    • A New Internet Era: Human Interaction vs. AI AssistanceThe future Internet may split into two versions: one emphasizing human interaction and transparency, and the other focusing on AI assistance and transactions.

      We are on the brink of a significant shift in the digital landscape, with the "old thing" (reliance on large platform companies and algorithms) becoming moribund, while a new, AI-driven Internet emerges. This new Internet may not completely reverse the business model, but it will likely offer a clear distinction from the commercial, AI-infested version. The future could involve a split between these two Internets, with one emphasizing human interaction and transparency, and the other focusing on AI assistance and transactions. The vinyl and streaming music industry can serve as an analogy for this potential split. The technology side is exciting, but the information ecosystem remains vastly more pessimistic due to the incentives towards transactions. Ultimately, the success of the non-AI Internet will depend on its ability to differentiate itself and find distribution channels outside of the dominant, AI-driven platforms.

    • Changes in the Media Industry with AI and Streaming PlatformsStreaming services dominate with 84% of revenue, but traditional formats like vinyl and CDs have a resurgence. AI-generated content is uncertain, pushing consumers towards unique, decentralized content. New media projects have an opportunity to address distribution challenges in the digital age.

      The media industry is undergoing significant changes due to the rise of AI and streaming platforms. While streaming services like Spotify dominate the industry with 84% of the revenue, traditional formats like vinyl and CDs are experiencing a resurgence, accounting for 11%. However, the future of media is uncertain as AI-generated content becomes more prevalent. This could potentially push consumers towards buying unique, decentralized content. The challenge lies in building a successful business model for new media, particularly in the area of distribution. The old methods of distribution through social media, search, and bookmarks no longer work. As such, it's an exciting time for those starting new media projects, as they have the opportunity to address the unsolved problem of distribution in the digital age. YouTube, as the most widely used platform, has a significant impact on media, but its lack of journalism at scale is a moral failing. The future of media will depend on how it adapts to these changes and finds new ways to reach and engage audiences.

    • Exploring the Future of AI in Digital Media and Social PlatformsAI is set to revolutionize digital media and social platforms by providing personalized recommendations, content filtering, and automated interactions, but industry reluctance and algorithm limitations pose challenges. Shifting from passive consumption to active use of AI is key to creating engaging and personalized products.

      The current landscape of digital media and social platforms, particularly YouTube, presents opportunities for innovation using AI to build more engaging and personalized products. However, the industry's reluctance to adopt these technologies and the limitations of existing algorithms create challenges. The next evolution of the Internet may involve AI acting as an assistant to users, helping them navigate the overwhelming amount of content. This could include personalized recommendations, content filtering, and even automated interactions. The key is to shift from being acted upon by algorithms to actively using AI to expand the set of things users are looking for. This requires a mindset change and a willingness to invest in building new products and services. Ultimately, the goal is to create tools that help users find and engage with content that truly resonates with them, rather than being left in the rabbit hole of endless scrolling and passive consumption.

    • Exploring Personalized Agents and Filter Bubbles with AIAI can create personalized agents to help navigate the internet, but be mindful of filter bubbles. Seek out diverse perspectives and communicate clearly with AI. Recommended reads: 'The Conquest of Cool', 'Liar in a Crowded Theater', 'Substance and All the Rest', and works by Verge contributors.

      AI has the potential to create personalized agents that help individuals navigate the vast amount of information available on the Internet. This is particularly useful for keeping up with local news and discovering new interests. However, it's important to remember that recommendation algorithms can also create filter bubbles, limiting our exposure to diverse perspectives. To avoid this, it's crucial to continue seeking out new and varied sources of information. Another key point from the discussion is the importance of clear communication with AI. As the speaker notes, some people may find it challenging to articulate exactly what they want from an algorithm. However, this ability to communicate in plain English is a game-changer, making AI a powerful tool for shaping our digital experiences. Lastly, the speaker recommends several books, both within and outside of the Verge universe, that explore the impact of technology on culture and society. These include "The Conquest of Cool" by Thomas Frank, "Liar in a Crowded Theater" by Jeff Kossoff, and "Substance and All the Rest" by Peter Hook. Additionally, he highlights three books by Verge contributors that delve into the role of fandoms in shaping the Internet and the downfall of Twitter.

    • Understanding the complex history of seemingly mundane technologiesThis episode highlights the importance of critical analysis and journalism in demystifying technology and making it accessible to a wider audience. The collaboration between Klein, Patel, and their team underscores the significance of teamwork and interdisciplinary expertise in producing insightful and engaging content.

      Learning from this episode of The Ezra Klein Show is the importance of understanding the complex history behind seemingly mundane technologies. Nilay Patel, the host of Decoder, shared insights from his favorite book, "The Secret History of the Silicon Valley," which reveals the deeply acrimonious backstory of the internet's creation. Patel's work is crucial in demystifying technology and making it accessible to a wider audience. This conversation underscores the significance of critical analysis and journalism in the digital age. The production of this podcast episode involved a team of dedicated professionals, including fact-checkers, engineers, and editors, who ensured the accuracy and quality of the content. The collaboration between Klein, Patel, and their team highlights the importance of teamwork and interdisciplinary expertise in producing insightful and engaging content. Moreover, the episode underscores the need for continued exploration and understanding of the history and impact of technology on our lives. By shedding light on the intricacies of the past, we can better navigate the challenges and opportunities of the present and future. So, next time you use the internet, take a moment to appreciate its rich history and the dedicated individuals who have made it a part of our daily lives.

    Recent Episodes from The Ezra Klein Show

    Trump’s Bold Vision for America: Higher Prices!

    Trump’s Bold Vision for America: Higher Prices!

    Donald Trump has made inflation a central part of his campaign message. At his rallies, he rails against “the Biden inflation tax” and “crooked Joe’s inflation nightmare,” and promises that in a second Trump term, “inflation will be in full retreat.”

    But if you look at Trump’s actual policies, that wouldn’t be the case at all. Trump has a bold, ambitious agenda to make prices much, much higher. He’s proposing a 10 percent tariff on imported goods, and a 60 percent tariff on products from China. He wants to deport huge numbers of immigrants. And he’s made it clear that he’d like to replace the Federal Reserve chair with someone more willing to take orders from him. It’s almost unimaginable to me that you would run on this agenda at a time when Americans are so mad about high prices. But I don’t think people really know that’s what Trump is vowing to do.

    So to drill into the weeds of Trump’s plans, I decided to call up an old friend. Matt Yglesias is a Bloomberg Opinion columnist and the author of the Slow Boring newsletter, where he’s been writing a lot about Trump’s proposals. We also used to host a policy podcast together, “The Weeds.”

    In this conversation, we discuss what would happen to the economy, especially in terms of inflation, if Trump actually did what he says he wants to do; what we can learn from how Trump managed the economy in his first term; and why more people aren’t sounding the alarm.

    Mentioned:

    Trump’s new economic plan is terrible” by Matthew Yglesias

    Never mind: Wall Street titans shake off qualms and embrace Trump” by Sam Sutton

    How Far Trump Would Go” by Eric Cortellessa

    Book Recommendations:

    Take Back the Game by Linda Flanagan

    1177 B.C. by Eric H. Cline

    The Rise of the G.I. Army, 1940-1941 by Paul Dickson

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Kate Sinclair and Mary Marge Locker. Mixing by Isaac Jones, with Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero, Adam Posen and Michael Strain.

    The Ezra Klein Show
    enJune 21, 2024

    The Biggest Political Divide Is Not Left vs. Right

    The Biggest Political Divide Is Not Left vs. Right

    The biggest divide in our politics isn’t between Democrats and Republicans, or even left and right. It’s between people who follow politics closely, and those who pay almost no attention to it. If you’re in the former camp — and if you’re reading this, you probably are — the latter camp can seem inscrutable. These people hardly ever look at political news. They hate discussing politics. But they do care about issues and candidates, and they often vote.

    As the 2024 election takes shape, this bloc appears crucial to determining who wins the presidency. An NBC News poll from April found that 15 percent of voters don’t follow political news, and Donald Trump was winning them by 26 points.

    Yanna Krupnikov studies exactly this kind of voter. She’s a professor of communication and media at the University of Michigan and an author, with John Barry Ryan, of “The Other Divide: Polarization and Disengagement in American Politics.” The book examines how the chasm between the deeply involved and the less involved shapes politics in America. I’ve found it to be a helpful guide for understanding one of the most crucial dynamics emerging in this year’s election: the swing to Trump from President Biden among disengaged voters.

    In this conversation, we discuss how politically disengaged voters relate to politics; where they get their information about politics and how they form opinions; and whether major news events, like Trump’s recent conviction, might sway them.

    Mentioned:

    The ‘Need for Chaos’ and Motivations to Share Hostile Political Rumors” by Michael Bang Petersen, Mathias Osmundsen and Kevin Arceneaux

    Hooked by Markus Prior

    The Political Influence of Lifestyle Influencers? Examining the Relationship Between Aspirational Social Media Use and Anti-Expert Attitudes and Beliefs” by Ariel Hasell and Sedona Chinn

    One explanation for the 2024 election’s biggest mystery” by Eric Levitz

    Book Recommendations:

    What Goes Without Saying by Taylor N. Carlson and Jaime E. Settle

    Through the Grapevine by Taylor N. Carlson

    Sorry I’m Late, I Didn’t Want to Come by Jessica Pan

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Efim Shapiro and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

    The Ezra Klein Show
    enJune 18, 2024

    The View From the Israeli Right

    The View From the Israeli Right

    On Tuesday I got back from an eight-day trip to Israel and the West Bank. I happened to be there on the day that Benny Gantz resigned from the war cabinet and called on Prime Minister Benjamin Netanyahu to schedule new elections, breaking the unity government that Israel had had since shortly after Oct. 7.

    There is no viable left wing in Israel right now. There is a coalition that Netanyahu leads stretching from right to far right and a coalition that Gantz leads stretching from center to right. In the early months of the war, Gantz appeared ascendant as support for Netanyahu cratered. But now Netanyahu’s poll numbers are ticking back up.

    So one thing I did in Israel was deepen my reporting on Israel’s right. And there, Amit Segal’s name kept coming up. He’s one of Israel’s most influential political analysts and the author of “The Story of Israeli Politics” is coming out in English.

    Segal and I talked about the political differences between Gantz and Netanyahu, the theory of security that’s emerging on the Israeli right, what happened to the Israeli left, the threat from Iran and Hezbollah and how Netanyahu is trying to use President Biden’s criticism to his political advantage.

    Mentioned:

    Biden May Spur Another Netanyahu Comeback” by Amit Segal

    Book Recommendations:

    The Years of Lyndon Johnson Series by Robert A. Caro

    The World of Yesterday by Stefan Zweig

    The Object of Zionism by Zvi Efrat

    The News from Waterloo by Brian Cathcart

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Claire Gordon. Fact-checking by Michelle Harris with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero.

    The Ezra Klein Show
    enJune 14, 2024

    The Economic Theory That Explains Why Americans Are So Mad

    The Economic Theory That Explains Why Americans Are So Mad

    There’s something weird happening with the economy. On a personal level, most Americans say they’re doing pretty well right now. And according to the data, that’s true. Wages have gone up faster than inflation. Unemployment is low, the stock market is generally up so far this year, and people are buying more stuff.

    And yet in surveys, people keep saying the economy is bad. A recent Harris poll for The Guardian found that around half of Americans think the S. & P. 500 is down this year, and that unemployment is at a 50-year high. Fifty-six percent think we’re in a recession.

    There are many theories about why this gap exists. Maybe political polarization is warping how people see the economy or it’s a failure of President Biden’s messaging, or there’s just something uniquely painful about inflation. And while there’s truth in all of these, it felt like a piece of the story was missing.

    And for me, that missing piece was an article I read right before the pandemic. An Atlantic story from February 2020 called “The Great Affordability Crisis Breaking America.” It described how some of Americans’ biggest-ticket expenses — housing, health care, higher education and child care — which were already pricey, had been getting steadily pricier for decades.

    At the time, prices weren’t the big topic in the economy; the focus was more on jobs and wages. So it was easier for this trend to slip notice, like a frog boiling in water, quietly, putting more and more strain on American budgets. But today, after years of high inflation, prices are the biggest topic in the economy. And I think that explains the anger people feel: They’re noticing the price of things all the time, and getting hammered with the reality of how expensive these things have become.

    The author of that Atlantic piece is Annie Lowrey. She’s an economics reporter, the author of Give People Money, and also my wife. In this conversation, we discuss how the affordability crisis has collided with our post-pandemic inflationary world, the forces that shape our economic perceptions, why people keep spending as if prices aren’t a strain and what this might mean for the presidential election.

    Mentioned:

    It Will Never Be a Good Time to Buy a House” by Annie Lowrey

    Book Recommendations:

    Franchise by Marcia Chatelain

    A Place of Greater Safety by Hilary Mantel

    Nickel and Dimed by Barbara Ehrenreich

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Efim Shapiro and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Elias Isquith and Kristin Lin. Original music by Isaac Jones and Aman Sahota. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

    The Ezra Klein Show
    enJune 07, 2024

    The Republican Party’s Decay Began Long Before Trump

    The Republican Party’s Decay Began Long Before Trump

    After Donald Trump was convicted last week in his hush-money trial, Republican leaders wasted no time in rallying behind him. There was no chance the Republican Party was going to replace Trump as their nominee at this point. Trump has essentially taken over the G.O.P.; his daughter-in-law is even co-chair of the Republican National Committee.

    How did the Republican Party get so weak that it could fall victim to a hostile takeover?

    Daniel Schlozman and Sam Rosenfeld are the authors of “The Hollow Parties: The Many Pasts and Disordered Present of American Party Politics,” which traces how both major political parties have been “hollowed out” over the decades, transforming once-powerful gatekeeping institutions into mere vessels for the ideologies of specific candidates. And they argue that this change has been perilous for our democracy.

    In this conversation, we discuss how the power of the parties has been gradually chipped away; why the Republican Party became less ideological and more geared around conflict; the merits of a stronger party system; and more.

    Mentioned:

    Democrats Have a Better Option Than Biden” by The Ezra Klein Show

    Here’s How an Open Democratic Convention Would Work” by The Ezra Klein Show with Elaine Kamarck

    Book Recommendations:

    The Two Faces of American Freedom by Aziz Rana

    Rainbow’s End by Steven P. Erie

    An American Melodrama by Lewis Chester, Godfrey Hodgson, Bruce Page

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show’‘ was produced by Elias Isquith. Fact-checking by Michelle Harris, with Mary Marge Locker, Kate Sinclair and Rollin Hu. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

    The Ezra Klein Show
    enJune 04, 2024

    Your Mind Is Being Fracked

    Your Mind Is Being Fracked

    The steady dings of notifications. The 40 tabs that greet you when you open your computer in the morning. The hundreds of unread emails, most of them spam, with subject lines pleading or screaming for you to click. Our attention is under assault these days, and most of us are familiar with the feeling that gives us — fractured, irritated, overwhelmed.

    D. Graham Burnett calls the attention economy an example of “human fracking”: With our attention in shorter and shorter supply, companies are going to even greater lengths to extract this precious resource from us. And he argues that it’s now reached a point that calls for a kind of revolution. “This is creating conditions that are at odds with human flourishing. We know this,” he tells me. “And we need to mount new forms of resistance.”

    Burnett is a professor of the history of science at Princeton University and is working on a book about the laboratory study of attention. He’s also a co-founder of the Strother School of Radical Attention, which is a kind of grass roots, artistic effort to create a curriculum for studying attention.

    In this conversation, we talk about how the 20th-century study of attention laid the groundwork for today’s attention economy, the connection between changing ideas of attention and changing ideas of the self, how we even define attention (this episode is worth listening to for Burnett’s collection of beautiful metaphors alone), whether the concern over our shrinking attention spans is simply a moral panic, what it means to teach attention and more.

    Mentioned:

    Friends of Attention

    The Battle for Attention” by Nathan Heller

    Powerful Forces Are Fracking Our Attention. We Can Fight Back.” by D. Graham Burnett, Alyssa Loh and Peter Schmidt

    Scenes of Attention edited by D. Graham Burnett and Justin E. H. Smith

    Book Recommendations:

    Addiction by Design by Natasha Dow Schüll

    Objectivity by Lorraine Daston and Peter L. Galison

    The Confidence-Man by Herman Melville

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Rollin Hu and Kristin Lin. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Elias Isquith. Original music by Isaac Jones and Aman Sahota. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

    The Ezra Klein Show
    enMay 31, 2024

    ‘Artificial Intelligence?’ No, Collective Intelligence.

    ‘Artificial Intelligence?’ No, Collective Intelligence.

    A.I.-generated art has flooded the internet, and a lot of it is derivative, even boring or offensive. But what could it look like for artists to collaborate with A.I. systems in making art that is actually generative, challenging, transcendent?

    Holly Herndon offered one answer with her 2019 album “PROTO.” Along with Mathew Dryhurst and the programmer Jules LaPlace, she built an A.I. called “Spawn” trained on human voices that adds an uncanny yet oddly personal layer to the music. Beyond her music and visual art, Herndon is trying to solve a problem that many creative people are encountering as A.I. becomes more prominent: How do you encourage experimentation without stealing others’ work to train A.I. models? Along with Dryhurst, Jordan Meyer and Patrick Hoepner, she co-founded Spawning, a company figuring out how to allow artists — and all of us creating content on the internet — to “consent” to our work being used as training data.

    In this conversation, we discuss how Herndon collaborated with a human chorus and her “A.I. baby,” Spawn, on “PROTO”; how A.I. voice imitators grew out of electronic music and other musical genres; why Herndon prefers the term “collective intelligence” to “artificial intelligence”; why an “opt-in” model could help us retain more control of our work as A.I. trawls the internet for data; and much more.

    Mentioned:

    Fear, Uncertainty, Doubt” by Holly Herndon

    xhairymutantx” by Holly Herndon and Mat Dryhurst, for the Whitney Museum of Art

    Fade” by Holly Herndon

    Swim” by Holly Herndon

    Jolene” by Holly Herndon and Holly+

    Movement” by Holly Herndon

    Chorus” by Holly Herndon

    Godmother” by Holly Herndon

    The Precision of Infinity” by Jlin and Philip Glass

    Holly+

    Book Recommendations:

    Intelligence and Spirit by Reza Negarestani

    Children of Time by Adrian Tchaikovsky

    Plurality by E. Glen Weyl, Audrey Tang and ⿻ Community

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero and Jack Hamilton.

    The Ezra Klein Show
    enMay 24, 2024

    A Conservative Futurist and a Supply-Side Liberal Walk Into a Podcast …

    A Conservative Futurist and a Supply-Side Liberal Walk Into a Podcast …

    “The Jetsons” premiered in 1962. And based on the internal math of the show, George Jetson, the dad, was born in 2022. He’d be a toddler right now. And we are so far away from the world that show imagined. There were a lot of future-trippers in the 1960s, and most of them would be pretty disappointed by how that future turned out.

    So what happened? Why didn’t we build that future?

    The answer, I think, lies in the 1970s. I’ve been spending a lot of time studying that decade in my work, trying to understand why America is so bad at building today. And James Pethokoukis has also spent a lot of time looking at the 1970s, in his work trying to understand why America is less innovative today than it was in the postwar decades. So Pethokoukis and I are asking similar questions, and circling the same time period, but from very different ideological vantages.

    Pethokoukis is a senior fellow at the American Enterprise Institute, and author of the book “The Conservative Futurist: How to Create the Sci-Fi World We Were Promised.” He also writes a newsletter called Faster, Please! “The two screamingly obvious things that we stopped doing is we stopped spending on science, research and development the way we did in the 1960s,” he tells me, “and we began to regulate our economy as if regulation would have no impact on innovation.”

    In this conversation, we debate why the ’70s were such an inflection point; whether this slowdown phenomenon is just something that happens as countries get wealthier; and what the government’s role should be in supporting and regulating emerging technologies like A.I.

    Mentioned:

    U.S. Infrastructure: 1929-2017” by Ray C. Fair

    Book Recommendations

    Why Information Grows by Cesar Hidalgo

    The Expanse series by James S.A. Corey

    The American Dream Is Not Dead by Michael R. Strain

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero.

    The Ezra Klein Show
    enMay 21, 2024

    The Disastrous Relationship Between Israel, Palestinians and the U.N.

    The Disastrous Relationship Between Israel, Palestinians and the U.N.

    The international legal system was created to prevent the atrocities of World War II from happening again. The United Nations partitioned historic Palestine to create the states of Israel and Palestine, but also left Palestinians with decades of false promises. The war in Gaza — and countless other conflicts, including those in Syria, Yemen and Ethiopia — shows how little power the U.N. and international law have to protect civilians in wartime. So what is international law actually for?

    Aslı Ü. Bâli is a professor at Yale Law School who specializes in international and comparative law. “The fact that people break the law and sometimes get away with it doesn’t mean the law doesn’t exist and doesn’t have force,” she argues.

    In this conversation, Bâli traces the gap between how international law is written on paper and the realpolitik of how countries decide to follow it, the U.N.’s unique role in the Israeli-Palestinian conflict from its very beginning, how the laws of war have failed Gazans but may be starting to change the conflict’s course, and more.

    Mentioned:

    With Schools in Ruins, Education in Gaza Will Be Hobbled for Years” by Liam Stack and Bilal Shbair

    Book Recommendations:

    Imperialism, Sovereignty and the Making of International Law by Antony Anghie

    Justice for Some by Noura Erakat

    Worldmaking After Empire by Adom Getachew

    The Constitutional Bind by Aziz Rana

    The United Nations and the Question of Palestine by Ardi Imseis

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Carole Sabouraud.

    The Ezra Klein Show
    enMay 17, 2024

    This Is a Very Weird Moment in the History of Drug Laws

    This Is a Very Weird Moment in the History of Drug Laws

    Drug policy feels very unsettled right now. The war on drugs was a failure. But so far, the war on the war on drugs hasn’t entirely been a success, either.

    Take Oregon. In 2020, it became the first state in the nation to decriminalize hard drugs. It was a paradigm shift — treating drug-users as patients rather than criminals — and advocates hoped it would be a model for the nation. But then there was a surge in overdoses and public backlash over open-air drug use. And last month, Oregon’s governor signed a law restoring criminal penalties for drug possession, ending that short-lived experiment.

    Other states and cities have also tipped toward backlash. And there are a lot of concerns about how cannabis legalization and commercialization is working out around the country. So what did the supporters of these measures fail to foresee? And where do we go from here?

    Keith Humphreys is a professor of psychiatry at Stanford University who specializes in addiction and its treatment. He also served as a senior policy adviser in the Obama administration. I asked him to walk me through why Oregon’s policy didn’t work out; what policymakers sometimes misunderstand about addiction; the gap between “elite” drug cultures and how drugs are actually consumed by most people; and what better drug policies might look like.

    Mentioned:

    Oregon Health Authority data

    Book Recommendations:

    Drugs and Drug Policy by Mark A.R. Kleiman, Jonathan P. Caulkins and Angela Hawken

    Dopamine Nation by Anna Lembke

    Confessions of an English Opium Eater by Thomas De Quincey

    Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

    You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

    This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

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